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Featured Guest Review: Jonathan Lethem on The Flame Alphabet
Jonathan Lethem was born in New York and attended Bennington College. He is the author of seven novels, including Fortress of Solitude and Motherless Brooklyn and two short story collections, and he has edited and contributed to several anthologies. His writing has appeared in the New Yorker, Rolling Stone, McSweeney's, and many other periodicals. His latest book of essays, The Ecstacy of Influence, explores the role of writers in contemporary culture.
Ben Marcus is one of the rare inventors in our literary language. We already knew this, from the outrageous stories, and from Notable American Women. When I call him an "inventor," I'm seeking a little working distance from the bland (and often dismissive) term "experimental"--for if Marcus is conducting experiments, he's conducting them out of view, and then unveiling the results as a fait accompli, like an Edison or Tesla or some other secular magician emerging from a laboratory. Marcus's work, with its powerful kinship to the visual arts and music and perhaps even pharmacology, should less be copyrighted than patented. His devices can enchant and wreck your mind. Like I say, we already knew this.
What we didn't know, and I suppose possibly he didn't either until he blew the wrought-iron clawfeet off his own prototype and replaced them with white-walls and a souped-up engine, is how thrilling it would be to see Marcus apply his gifts to something closer to traditional narrative. I say that as if it's some drab operation ("apply" and "traditional") but in fact what The Flame Alphabet has done is open up a kind of wide-screen view of the sort of crazy Ben Marcus movie that was likely always playing in his brain but which he has now taken out for wide release.
It appears that all the giddy anxiety and sorrowful vertigo of Marcus's language was only the leading edge of an implicit sense of pure story, the kind where figures in a landscape struggle to negotiate outrageous danger, loss and mystery. The book is an urban ironist's reply to Cormac McCarthy's The Road, yet in a way I think it is braver and more wrenching even than McCarthy's book (as well as, as you'd expect, more peculiar and funny, and less infused with wearisome machismo) because of the greater degree of complicity it admits, complicity with the disasters that flow through our collective world but are also locatable in each and every one of us if we're ready to meet them there.The Flame Alphabet explodes with human drama without for one single line relinquishing Marcus's lifelong commitment to the drama of a sentence making itself known on the page. In fact, and this is surely the most brilliant thing about the book, it fuses those two notions of drama into one immutable and bizarre whole. That's what's known in show business as a spoiler, but I couldn't resist.
What can I say, but this is one of the few books I have not finished reading.
I gave up on this one much faster than I usually give up on books, because something about the author's writing style really just turned me off.
The plot takes second place to the characters, who are poorly developed and lack depth.
Weird darkly comic bleak fable that points out how loss of a sense of community and lack of substantive communication can destroy civilization. Not for everyonePublished 14 days ago by Alan B. Newman
I thoroughly disliked this book. For starters, the premise is incredibly interesting, and it's what drew me to the book, but the book doesn't seem to realize that. Read morePublished 14 days ago by Summitch
have not finished bookk , it's disturbing but interesting will go bakc to it. Antoinette BaranovPublished 1 month ago by john wertheimer
I'm sorry, I feel stupid, because everyone on the end pages went on and on about the amazing writing and how good a book this is, but I just absolutely did not get it and would not... Read morePublished 2 months ago by jonny
I had trouble following this book. Painfully circuitous (to a point that I was getting headaches), invariably maddening in that the distractions of the world outside of the book,... Read morePublished 2 months ago by Zinfandel Y. Barbera
Beautifully written, if not overwritten. I found the story line to be of minor significance relative to the writing itself, which is sublime (the storyline is unlikely to be... Read morePublished 3 months ago by hh
This book is amazing! I had to read it for a class but I couldn't put it down. It's extremely well written, interesting and addicting. Definite must readPublished 6 months ago by Kelyn May
Horrifying look at a possible dystopian future that will make you think about what if it happened in our time.Published 8 months ago by T L S
This was an Amazon notable book. According to his bio, Ben Marcus has written three novels. There was a ten year period between this one and the last one. Read morePublished 16 months ago by Grey Wolffe