Start reading The Forgotten Garden: A Novel on the free Kindle Reading App or on your Kindle in under a minute. Don't have a Kindle? Get your Kindle here.

Deliver to your Kindle or other device

Enter a promotion code
or gift card
 
 
 

Try it free

Sample the beginning of this book for free

Deliver to your Kindle or other device

Sorry, this item is not available in
Image not available for
Color:
Image not available

To view this video download Flash Player

 

The Forgotten Garden: A Novel [Kindle Edition]

Kate Morton
4.5 out of 5 stars  See all reviews (1,528 customer reviews)

Print List Price: $16.00
Kindle Price: $8.62
You Save: $7.38 (46%)
Sold by: Simon and Schuster Digital Sales Inc

Free Kindle Reading App Anybody can read Kindle books—even without a Kindle device—with the FREE Kindle app for smartphones, tablets and computers.

To get the free app, enter your email address or mobile phone number.

Whispersync for Voice

Switch back and forth between reading the Kindle book and listening to the Audible narration. Add narration for a reduced price of $3.99 after you buy the Kindle book. Learn More

Formats

Amazon Price New from Used from
Kindle Edition $8.62  
Hardcover $20.49  
Paperback $9.07  
MP3 CD, Audiobook, MP3 Audio, Unabridged $8.99  
Unknown Binding --  
Audible Audio Edition, Unabridged $15.95 or Free with Audible 30-day free trial
The Bone Clocks
David Mitchell's hypnotic new novel crackles with invention and sheer storytelling pleasure. Learn more

Book Description

From the internationally bestselling author of The House at Riverton, an unforgettable new novel that transports the reader from the back alleys of poverty of pre-World War I London to the shores of colonial Australia where so many made a fresh start, and back to the windswept coast of Cornwall, England, past and present

A tiny girl is abandoned on a ship headed for Australia in 1913. She arrives completely alone with nothing but a small suitcase containing a few clothes and a single book -- a beautiful volume of fairy tales. She is taken in by the dockmaster and his wife and raised as their own. On her twenty-first birthday they tell her the truth, and with her sense of self shattered and with very little to go on, "Nell" sets out on a journey to England to try to trace her story, to fi nd her real identity. Her quest leads her to Blackhurst Manor on the Cornish coast and the secrets of the doomed Mountrachet family. But it is not until her granddaughter, Cassandra, takes up the search after Nell's death that all the pieces of the puzzle are assembled. At Cliff Cottage, on the grounds of Blackhurst Manor, Cassandra discovers the forgotten garden of the book's title and is able to unlock the secrets of the beautiful book of fairy tales.

This is a novel of outer and inner journeys and an homage to the power of storytelling. The Forgotten Garden is filled with unforgettable characters who weave their way through its spellbinding plot to astounding effect.

Morton's novels are #1 bestsellers in England and Australia and are published in more than twenty languages. Her fi rst novel, The House at Riverton, was a New York Times bestseller.



Editorial Reviews

Amazon.com Review

Amazon Best of the Month, April 2009: Like Frances Hodgson Burnett's beloved classic The Secret Garden, Kate Morton's The Forgotten Garden takes root in your imagination and grows into something enchanting--from a little girl with no memories left alone on a ship to Australia, to a fog-soaked London river bend where orphans comfort themselves with stories of Jack the Ripper, to a Cornish sea heaving against wind-whipped cliffs, crowned by an airless manor house where an overgrown hedge maze ends in the walled garden of a cottage left to rot. This hidden bit of earth revives barren hearts, while the mysterious Authoress's fairy tales (every bit as magical and sinister as Grimm's) whisper truths and ignite the imaginary lives of children. As Morton draws you through a thicket of secrets that spans generations, her story could cross into fairy tale territory if her characters weren't clothed in such complex flesh, their judgment blurred by the heady stench of emotions (envy, lust, pride, love) that furtively flourished in the glasshouse of Edwardian society. While most ache for a spotless mind's eternal sunshine, the Authoress meets the past as "a cruel mistress with whom we must all learn to dance," and her stories gift children with this vital muscle memory. --Mari Malcolm

Read an excerpt and the reading group guide for The Forgotten Garden.

Amazon Exclusive: A Conversation with Author Kate Morton

Q: The Forgotten Garden has some marvelous parallels with Frances Hodgson Burnett's The Secret Garden, and Burnett even makes an appearance in your book as a guest at a garden party. Did her book inspire portions of your story?

A: The Secret Garden was one of my favourite books when I was a little girl. Along with stories like The Faraway Tree and The Lion, the Witch, and the Wardrobe, it's one of many classic childhood tales in which children escape from the adult world to a place in which their imagination is allowed free rein. However, it wasn't my intention to reference The Secret Garden when I first started writing.

In fact, The Forgotten Garden (which was called The Authoress until the final draft!) began with a family story: when she was 21, my grandmother's father told her that she wasn't his biological child. Nana was so deeply affected by this knowledge that she told no one until she was a very old lady and finally confided in her three daughters. When I learned Nana's secret, I was struck by how fragile a person's sense of self is and knew that one day I would write a story about someone who experienced a similar life-changing confession.

When I began to write about Nell, I knew that her mystery was going to lead her to an English cottage, but the other details were hazy. It was while I was auditioning English locations for my book that I came across mention of the Lost Gardens of Heligan in Cornwall. My interest was piqued, and I began reading everything I could find about this place: a grand country estate with astounding gardens that had been locked and forgotten after its gardening staff were killed during the first world war and the owners moved away.

When it was rediscovered in the late 20th century, nature had reclaimed the estate, but the bones of the garden lay deep beneath the overgrowth. This story really fired my imagination and I knew that I'd not only found my location--Cornwall--but that I would also need a forgotten garden in my story!

I was also eager to play with 19th-century gothic conventions in The Forgotten Garden. I adore books like Jane Eyre and Wuthering Heights, and I wanted a gloomy old house, wicked aunts, secretive servants, hidden identities, mysterious whisperings--the lot. But when my garden grew walls, I suddenly remembered The Secret Garden, and with my theme of fairy tales and storytellers and the vital role that such things play in a child's imagination, I couldn't resist introducing parallels (including a walk-on role for Frances Hodgson Burnett). It was a way of referencing my own childhood influences--Enid Blyton and the Famous Five get a couple of nods throughout, too!--and was a lot of fun.

<a Q: Both The Forgotten Garden and The House at Riverton, your first novel, celebrate the imaginative lives of children, and the role that books and family legends play in inspiring their creative life. Which books fired your imagination as a child? Do you think fairy tales play a role in preparing children for life's harsher realities, and giving them courage? As children spend more time being entertained--by TV and video games--and less time inventing their own entertainments and exploring the natural world, what are we losing?

A: I read voraciously as a child, and the more I write the more I realize that an essential part of my character (and certainly my inner writer) was formed in those early years. Enid Blyton was my first and my favourite (The Faraway Tree, The Enchanted Wood, The Secret Seven), sparking in me a lifetime love of English countryside, dark, creepy woods, and hidden mysteries. I also loved Anne of Green Gables, The Railway Children, Roald Dahl, and fairy tales of all description, and had a mighty impressive collection of second-hand Trixie Belden books (collected when my mum, an antique dealer, dragged us to second-hand shops with her).

I agree that fairy tales teach children about life's harsher realities. They are our society's fables and, in their true form, often contain messages that aren't easy to hear. There's something compelling about their simple (sometimes brutal) honesty though, and their heightened style creates a narrative distance that sets them apart from more realistic children's fiction so that the events depicted are understood to be taking place in a world that is not our own. I think we sometimes underestimate the ability of children to recognize and process intelligent concepts, and sort the literal from the fairy tale.

Q: Both of your first two novels leap between the present and past, with much of the story happening in the late Victorian and Edwardian eras, in the lead-up to World War I. What fascinates you about that particular period?

A: The early decades of the 20th century fascinate me because they describe a moment of immense social, political, and cultural transition, and because change ignites conflict (on a large scale, as in the culminating war, but also on a much smaller inter-personal level), which makes it excellent fodder for a writer interested in stories about people. Sociocultural expectations of women and the lower classes were changed indelibly as a consequence of the first world war, so a person who was 18 in 1912 had a markedly different perception of their place in the world as compared to a person who was 18 in 1922.

I'm particularly interested in the way the past is tethered to the present: that is, I like to write about the past insofar as it is a place to which we are still connected in some way. I have a rather gothic insistence on the refusal of the past to remain dead and buried!

The literary gothic (particularly that of the 19th-century novel) is a genre for which I bear a special fondness. I wrote my masters on Tragedy in Victorian Novels and my PhD topic concerns the use of gothic tropes in contemporary fiction. My interest isn't so much in the supernatural aspects of the gothic (apparitions and the like) as much as metaphorical ghosts--the haunting of the present by the past; guilt; memory; identity issues; twins and doubles; the complicated ties of family; anxieties over technology, etc. I think the gothic resonates strongly in our technological time, not least in matters of identity. Computers and the surfacing of social networking sites have changed the way we represent ourselves and interact with other people; medical advances mean we are able to alter our appearances in ways we never could before; we are even beginning to manipulate genes and use science to aid and affect conception. This is all fertile ground for a fiction writer!

Q: Your next novel, The Distant Hours, will be set in World War II England. Can you reveal any other details?

A: Not a lot, I'm afraid--I'm superstitious about speaking too much about my people when their stories are still unfolding!--but here's a little tiny taste: The Distant Hours is set in 1940, during the period in which the English were worried that the Germans might land on the beaches any day. It takes place in a castle in Kent (with a medieval tower and a huge ancient wood!), where the unexpected arrival of a stranger causes ripples in the household that trigger a tragedy....


From Booklist

In 1913, a little girl arrives in Brisbane, Australia, and is taken in by a dockmaster and his wife. She doesn’t know her name, and the only clue to her identity is a book of fairy tales tucked inside a white suitcase.  When the girl, called Nell, grows up, she starts to piece together bits of her story, but just as she’s on the verge of going to England to trace the mystery to its source, her grandaughter, Cassandra, is left in her care. When Nell dies, Cassandra finds herself the owner of a cottage in Cornwall, and makes the journey to England to finally solve the puzzle of Nell’s origins. Shifting back and forth over a span of nearly 100 years, this is a sprawling, old-fashioned novel, as well-cushioned as a Victorian country house, replete with family secrets, stories-within-stories, even a maze and a Dickensian rag-and-bone shop. All the pieces don’t quite mesh, but it’s a satisfying read overall, just the thing for readers who like multigenerational sagas with a touch of mystery. --Mary Ellen Quinn

Product Details

  • File Size: 1201 KB
  • Print Length: 560 pages
  • Publisher: Atria Books; Reprint edition (April 7, 2009)
  • Sold by: Simon and Schuster Digital Sales Inc
  • Language: English
  • ASIN: B001NLKWLW
  • Text-to-Speech: Not enabled
  • X-Ray:
  • Lending: Not Enabled
  • Amazon Best Sellers Rank: #4,905 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
  •  Would you like to give feedback on images?.


Customer Reviews

Most Helpful Customer Reviews
714 of 737 people found the following review helpful
Format:Paperback
A four-year-old girl waits alone on a dock in Australia for parents who never come. Her only possession? A tiny white suitcase containing no information about who she is or how she came to be abandoned.

Nell is a foundling, and what a rare foundling she is. A stow-away on an ocean liner, she refuses to tell even so much as her name. Until in her 60s, over-protected by a loving foster father, she has no clue how she came to be alone on that dock. Hers is the mystery that unfolds in this long novel spanning more than a century, five generations, and two distant continents.

Enthusiastic fans of Kate Morton's first novel, "The House at Riverton," will thrill to her second, "The Forgotten Garden." Like her first, this is a novel whose female characters are finely and fully drawn, and whose males are wispy and insubstantial. How its women interact, how they love and hate one another, how their interplay moves through tragedy and redemption will provide hours of pleasure for her fans.

Morton's excellent pacing creates a page-turner that is hard to put down, although its length might give pause to those who suffer from carpal tunnel syndrome. Morton tells her story not only through the actions of her characters but also through fairy tales that work on several levels and provide clues to the mystery's final solution. Many readers will have guessed the solution long before the end of the book. Nevertheless, Morton maintains reader interest throughout.

Overall, this is a highly satisfying read. It's fun to watch the author weave the lives of women into a rich tapestry of life and love, anger and betrayal. However, the novel is not without its weaknesses. First, as mentioned above, Morton's male characters are weak and insipid and never come to life.
Read more ›
Was this review helpful to you?
317 of 330 people found the following review helpful
4.0 out of 5 stars A fairy tale gone wrong October 5, 2008
Format:Paperback
I was a bit hesitant in picking up "The Forgotten Garden" by Kate Morton. After my disappointment with "The House at Riverton," I wasn't sure if I was willing to invest more time. Pleased to say that the story hooked me from the get-go, and though the book is longer than I thought necessary, it was altogether an entertaining read.

At the heart of this big, fat tale (645 pages) is a mystery. In 1913, a dock master, Hugh, discovers a four-year-old girl who's been left alone on a wharf in Queensland, Australia after all passengers had disembarked from a boat that sailed from England. Taking pity on her, Hugh takes her home to his wife, Lil. In spite of Hugh's and Lil's efforts to find the girl's family, time passes and no one claims the tyke. Having hit her head while onboard the boat, the little girl couldn't even remember her own name and all she could recall was a woman she calls the Authoress who was supposed to sail with her. Hugh and Lil decide to keep her as their own and name her Nell.

In the present day, Nell's granddaughter, Cassandra, is grieving Nell's passing. As she goes through Nell's notebooks, she realizes that her grandmother had never stopped searching for her true parents. Cassie takes over the search, which leads her to England and to a small Cornish village, and finally, to a decrepit cottage and its walled garden...a garden that swallowed the secrets of the 1900s and buried within its grounds the fascinating and tragic story of the Mountrachets and the woman a child had called the Authoress.

A challenge to the reader will be the constant switching of perspective from past to present and in between, primarily the years of 1913, 1975 and 2005. It's a bit off-putting in the first few chapters but after awhile, it's no longer an encumbrance.
Read more ›
Was this review helpful to you?
90 of 96 people found the following review helpful
5.0 out of 5 stars A favorite! March 19, 2009
Format:Hardcover
The Forgotten Garden, the follow-up to The House at Riverton: A Novel (but by no means a sequel), is a muti-layered novel with complicated characters and a highly intriguing storyline. The story jumps back and forth in time, but rarely is the reader confused as to what's going on. I loved The House at Riverton, so as soon as I finished it, I went roight over and bought The Forgotten Garden from Amazon UK. Let me just say that I wasn't disappointed.

The book opens in 1913, when a young girl with no name is found on a quayside in Australia. She doesn't remember anything about herself, and all she carries with her is a white suitcase containing, among other personal items, a book of fairytales penned by a woman the girl calls the Authoress.

In 1975, the girl, now a woman called Nell, goes back to England, where she attempts to find answers to questions about her identity. Her travels lead her to Blackhurst Manor, delving deep into the Mountrachet family's secrets and purchasing a cottage on the Blackhurst property. But before she can solve the mystery of her past, Nell's flaky daughter Lesley shows up, dumping her granddaughter Cassandra on her doorstep--permanently.

In 2005, after Nell's death, Cassandra inherits the cottage and tries to answer the questions her grandmother raised. The stories of these two women are complemented by that of Eliza Makepeace, who grew up in the slums of London around the turn of the nineteenth century, and her cousin, the genteel Rose Mountrachet.

This is clearly a novel written by a woman, for women, about women; the male characters take a backseat to the female ones, sometimes becoming unlikeable.
Read more ›
Comment | 
Was this review helpful to you?
Most Recent Customer Reviews
5.0 out of 5 stars Great descriptions. The male characters could have had it ...
A little touch of fairy tales - a little touch of the classics. Didn't want to put it down. Great descriptions. Read more
Published 1 hour ago by Bebe Nelson
5.0 out of 5 stars a must for genealogists!
Anyone who has searched for unanswered questions in their family's past, should read this book. It will lighten the task.
Published 2 days ago by L. Mahan
5.0 out of 5 stars Excellant page turner!
Such intrigue! Oh my! I borrowed this CD from our local library and listened while I did chores. The narrator was fabulous. Read more
Published 2 days ago by Donna Lang
5.0 out of 5 stars Five Stars
I thoroughly enjoyed this book. Well worth reading.
Published 3 days ago by eb
5.0 out of 5 stars Great story! Read it for book club and all ...
Great story! Read it for book club and all members enjoyed this book. Need to pay attention to dates and titles of each chapter to keep it straight.
Published 3 days ago by ashmo
5.0 out of 5 stars must read
Beautiful story. Loved every page of it!
Published 5 days ago by Sandra
1.0 out of 5 stars One Star
too involved ...not too well written
Published 5 days ago by Ellen Hudson
5.0 out of 5 stars Great book. I am interested in genealogy and this ...
Great book. I am interested in genealogy and this made it even sweeter. Very well written. I want to read more by this author.
Published 5 days ago by kathy
3.0 out of 5 stars If you are very romantic or like books written only for women
If you are very romantic or like books written only for women, you will love this book. I did not find it enlightening.
Published 5 days ago by Maria C.
5.0 out of 5 stars Five Stars
What a great book - can't wait to read the others by the author, Kate Morton!
Published 5 days ago by Janice R. Cochell
Search Customer Reviews
Search these reviews only

More About the Author

Kate Morton grew up in the mountains of south-east Queensland and lives now with her husband and young sons in Brisbane. She has degrees in dramatic art and English literature, specializing in nineteenth-century tragedy and contemporary gothic novels.

Kate Morton has sold over 7.5 million copies in 26 languages, across 38 countries. The House at Riverton, The Forgotten Garden, and The Distant Hours have all been number one bestsellers around the world, and The Secret Keeper, Kate Morton's fourth novel, has just been published.

You can find more information about Kate Morton and her books at www.katemorton.com or www.facebook.com/KateMortonAuthor

What Other Items Do Customers Buy After Viewing This Item?


Forums

Search Customer Discussions
Search all Amazon discussions

Topic From this Discussion
Dear Simon and Schuster Digital Sales
I agree. I absolutely refuse to pay more for a digital book than the price of the physical book. This company's pricing is outrageous. How can an ebook cost more when there is no paper, no binding, no handling, no shipping??? Paperbacks and hard cover books are even sold at a discount at many... Read More
Oct 11, 2010 by Jill |  See all 12 posts
Does anyone feel that there some things didn't add up in The Forgotten...
*****SPOILER***** Both men? They were the same man. The brother of Eliza's mother (Georgianna I think her name was) WAS Eliza's uncle (can't remember his name. Henry maybe??). Remember, he slashed Georgianna's throat (not killing her) in his jealousy/rage (I think she'd told him she wanted... Read More
Jun 20, 2009 by corndoggie1 |  See all 75 posts
Run On Sentences
The opening sentence is missing a comma; the second paragraph contains two sentence fragments. The English major in me couldn't get past the first page.
Sep 9, 2009 by J. Armstrong |  See all 12 posts
Love it
Then you must read The House at Riverton. I have to admit I began The Forgotten Garden about a year ago, but I guess it wasn't the right time for me to read it. I'm almost done with Phantom, and I think I will start this again. I loved The House at Riverton--five stars!
Apr 18, 2010 by Spring Time Birdie |  See all 9 posts
Why did Clara know everything?
Maybe with her relationship with Cassandra, Nell no longer felt the need as much to go looking for her roots. We find out in the book that she bonds in a way with Cassandra that she didn't with others, even her own daughter ... so maybe after that, it just wasn't as important to her.
Aug 26, 2010 by Alexis Coxon |  See all 3 posts
Cassandra's Dream Be the first to reply
Start a new discussion
Topic:
First post:
Prompts for sign-in
 



Look for Similar Items by Category