The Foundation

Zac Brown Band | Format: MP3 Music

Product Details

• Original Release Date: November 17, 2008
• Release Date: November 17, 2008
• Label: Home Grown/Big Picture/Atlantic
• Copyright: 2008 Home Grown Music, Inc. under exclusive license to Atlantic Recording Corporation
• Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
• Total Length: 42:32
• Genres:
  • Country
• ASIN: B001KVXJOM
• Average Customer Review: 4.7 out of 5 stars  See all reviews (279 customer reviews)
• Amazon Best Sellers Rank: #140 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)
  • #20 in MP3 Downloads > MP3 Albums > Country

Most Helpful Customer Reviews

83 of 86 people found the following review helpful

5.0 out of 5 stars Zac Brown Band - the Real Deal November 19, 2008

By Matt Davis

Format:Audio CD

I first heard ZBB when they opened for Los Lonely Boys in October '08, just before "Chicken Fried" became a bona-fide hit. I had never in my life heard of them, yet I walked away from that show a die-hard fan. These guys are all amazing musicians, fluidly traversing across genres song in and song out, be it country, rock, reggae, or bluegrass. They have a sound all their own that is firmly grounded in southern roots. Their songs are all heartfelt and catchy, and unlike so many of the polished and overproduced pop acts that dominate the country charts that are computerized shadows of themselves, these guys are legit - truly at home on the stage. Like another reviewer stated, there's not a song on this CD that I ever skip.

In spite of not fitting the mold that mainstream country would just love to cram them into (think Rascal Flatts,) I have a feeling these guys are going to be around, on their own terms, for a long, long time. I'm already pining for the next album. That's why I think they are the "Real Deal."

40 of 41 people found the following review helpful

5.0 out of 5 stars ~laid back attitude~ November 25, 2008

By Joey Sciarra

Format:Audio CD

Although they aren't "cookie cutter" typical radio-ready country, the Zac Brown Band suddenly have found themselves with a #1 smash country hit, "Chicken Fried", a catchy tune with great harmony and fiddle playing. Surprisingly, their album is a nice mix of a variety of music that is really hard to describe. Think half island/reggae country similar to Kenny Chesney's - and half bluegrass country similar to Union Station. Soothing, relaxing, and just great to pop in and chill out...chicken fried comfort music for the soul!

I hope ZBB continues to put out more of this awesome music...very pure and not over-produced at all! It's rare for the modern country music industry to accept non-mainstream music, and it's so nice to see some variety for a change...so I hope this trend continues and they get more national recognition. They are a very talented band, and i love their simple acoustic style...awesome stuff!!!

Song to check out: "Whatever It Is" (track #2)

38 of 42 people found the following review helpful

4.0 out of 5 stars Zac Brown Band's Firm "Foundation" November 19, 2008

By Timothy Yap TOP 1000 REVIEWER

Format:Audio CD

Prime Cuts: Toes, Highway 20 Ride, Chicken Fried

One of the most surprising success news of late is the rise to fame of Zac Brown Band. Despite selling over 30,000 records without a major label, Zac Brown Band was essentially still a southern band in its own confining niche. However, the tables were turned with their new record, when the single "Chicken Fried" became a top 5 country hit. A southern rock indulgence into southern living, "Chicken Fried" has a down home feel that has indeed struck a chord with country radio. Interestingly, "Chicken Fried" (though a Zac Brown original) was first recorded by Lost Trailers and almost became a single before the powers that be gave them the red light. Most gratifying is that this entire disc is co-produced by Keith Stegall whose most impressive item on his resume was helming most of Alan Jackson's record. Stegall's fingerprints are all over the disc, just like with those Jackson records, Stegall has imbued each track here with a stripped down feel clad exiguously with fiddles, steel and all those rustic greats. This is a definite relief from the pummeling of those extensive electric guitar riffs and ear-popping drums.

What relives "The Foundation" from any soporific moments is that there's not a standard sonic palette by which all of these 11 tracks emerge. Rather, variety is the beauty. The disc takes on a good start with the Jimmy Buffett-esque "Toes." Such an evocation of a hedonistic lifestyle of lazing at the beach is further encouraged by the tune's bright and sunny melody. "Highway 20 Ride," on the hand, swings the mood to the other extreme. A gorgeous road song with a searing heartache, Brown's yearning and sensitive vocal nuances really bring out a whole level of emotional significance. While the reggae feel of the beer drinking "Where the Boat Leaves From" re-defines the barroom genre by cross breeding Texas honky tonk with Caribbean boogie. Brown does exhibit that he has good taste in women on the propulsive pop-leaning "Different Kind of Fine," when he sings: "Implants and tummy tucks, she sure don't need those/She's a cool drink of water when the summers mean/Poured into those Levis jeans/She's country as the day is long."

A minute long fiddling intros "Free," a lethargic sounding love song that passes muster without being exceptional. Despite spouting lyrical nonsense, "Sic' em Out Chicken" is saved from its jovial melody and Brown somehow light hearted delivery. Much more substantial is the socially conscious "It's Not Ok" made even more piquant by its unusual melody breaks. "Jolene," not the Dolly Parton hit of the same name, is written by Ray LaMontge, is a slow tortured country ballad of lost love marred by its overt reference to drugs.

As a band, these five men are pretty self-contained. Save for one track, they co-wrote or wrote most of these songs with lead singer Zac Brown making the lion's share contribution. "The Foundation" bolsters some exceptional infrastructures with some tracks that exhibit individuality, attitude and style; whilst others veer on the ordinary side, without ever being inferior. Overall, Stegall's unobtrusive and imaginative arrangements are to be commended.