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Product Details

  • Series: Ballantine Reader's Circle
  • Paperback: 316 pages
  • Publisher: Ballantine Books; Reprint edition (May 14, 2002)
  • Language: English
  • ISBN-10: 0345449347
  • ISBN-13: 978-0345449344
  • Product Dimensions: 8.2 x 5.5 x 0.8 inches
  • Shipping Weight: 9.8 ounces (View shipping rates and policies)
  • Average Customer Review: 2.9 out of 5 stars  See all reviews (295 customer reviews)
  • Amazon Best Sellers Rank: #788,876 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review

Like anything newsworthy, miracles of medicine and technology inevitably make their way out of the headlines and become the stuff of fiction. In recent years readers have been absorbed by media accounts of a transplanted hand, an experiment that ultimately ended in amputation. Medical ethicists reason that a hand, unlike a heart or a liver--essential organs conveniently housed out of sight--is in full view and one of a pair, arguably dispensable. In his 10th novel, however, John Irving undertakes to imagine just such a transplant, which involves a donor, a recipient, a surgeon, a particular Green Bay Packer fan, and the remarkable left hand that brings them together.

Television reporter Patrick Wallingford becomes a story himself when he loses his hand to a caged lion while in India covering a circus. The moment is captured live on film, and Patrick (who wears a "perpetual but dismaying smile--the look of someone who knows he's met you before but can't recall the exact occasion") is henceforth known as the lion guy. Before long, plans are made to equip Patrick with a new hand. Doctor Nicholas M. Zajac, superstar surgeon, indefatigable dog-poop scooper, runner, and part-time father, is poised to perform the operation. But the donor--or rather the widow of the donor--has a few stipulations. Doris Clausen wants to meet the one-handed reporter before the procedure, and insists on visitation rights afterward. Irving weaves these characters and a panoply of others together in a smart, funny, readable narrative. Often farcical, The Fourth Hand is ultimately something more: a tender chronicle of the redemptive power of love. --Victoria Jenkins --This text refers to the Hardcover edition.

From Publishers Weekly

As the world watches, handsome TV journalist Patrick Wallingford, who is obsessed with minutely described one-night stands, has his hand eaten by a lion at the Gnesh Circus. (The gnesh is an Indian symbol of new beginnings). Viewer Doris and her husband Otto are obsessed with the Green Bay Packers and with having a child. Doris cajoles Otto into willing his left hand to Patrick and surprise! Otto soon (accidentally?) kills himself. Famous hand surgeon Nicholas Zajak is, for his part, obsessed with dog feces also described in endless detail which he scoops up with his old lacrosse stick and hurls at rowers on the Charles River. Zajak attaches Otto's hand to Patrick, and Doris demands visitation rights with Otto's hand, as well as with Patrick's child-producing equipment. Though their motivations remain unclear, all three characters are redeemed by their newfound obsessions with winning the love of their sons. Culp's clear, pleasant, middle-range reading voice, appropriately ironic tone and fun, exaggerated Boston accents are easy on the ears. Simultaneous release with Random House hardcover (Forecasts, June 25).

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

More About the Author

John Irving published his first novel, Setting Free the Bears, in 1968. He has been nominated for a National Book Award three times-winning once, in 1980, for the novel The World According to Garp. He also received an O. Henry Award, in 1981, for the short story "Interior Space." In 1992, Mr. Irving was inducted into the National Wrestling Hall of Fame in Stillwater, Oklahoma. In 2000, he won the Oscar for Best Adapted Screenplay for The Cider House Rules-a film with seven Academy Award nominations. In 2001, he was elected to the American Academy of Arts and Letters. Last Night in Twisted River is John Irving's twelfth novel.

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Customer Reviews

If you've not read John Irving's works before, don't start here.
Caz
The worst thing I can say about this book is that, all the time I was reading it, I was thinking: Stephen King would have done it better!
Daniel Ford
His characters are rather shallow and the plot not very well thought out.
V. Marshall

Most Helpful Customer Reviews

57 of 59 people found the following review helpful By C. Fletcher on July 10, 2001
Format: Hardcover
John Irving is a brilliant writer, but "The Fourth Hand" is less than a brilliant book. It's immensely readable, that's for sure--it's hard not to fly through this book, even if you're an incredibly slow reader, like I am. But by the time you've sprinted to the end of its 313 pages--making it Irving's second shortest novel after "The Water-Method Man"--you're left with the twitching-phantom-limb feeling that "The Fourth Hand" is missing something important.
But what is it missing? Most of the characters are sufficiently unique and interestingly colorful to satisfy any long-time John Irving reader. I loved the subplot with the hand surgeon, Zajac, his son, and his housekeeper. The writing, as usual, is top-notch. (I must say, however, I was a little disappointed with the first sentence. Usually Irving knocks you right off your feet with his first sentences. This one barely made me shuffle my feet.)
What "The Fourth Hand" lacks that Irving's best novels nearly drown you in is a sense of emotional immensity. It doesn't help matters that this is such a short book. I think Irving is at his best in the form of the sprawling novel, where his themes and characters have ample time and space to weave themselves together on the loom of your imagination.
"The Fourth Hand" suffers from excessive lightness. It might be thought of as the 158-Pound Novel. There's a heaviness--a pleasant heaviness--to books like "The World According to Garp," "A Prayer for Owen Meany," and "A Widow For One Year" that simply isn't here.
And the plot just isn't as satisfying as that of "The Hotel New Hampshire" or "The Cider House Rules".
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20 of 21 people found the following review helpful By Douglas A. Greenberg VINE VOICE on July 31, 2001
Format: Hardcover
John Irving's novels are always worth reading, and *The Fourth Hand* is no exception. Certainly, it's a fun summertime read that moves right along and is seldom (though I can't say never)boring. As always, Irving creates some memorable and bizarre body-related imagery and a few weirdly endearing characters, such as the gum-chewing makeup girl, Angie. The famous Irving dry wit manifests itself frequently, and there is enough worthwhile social commentary related to the predatory nature of the media and the overall foibles of human nature to render this book "ok."
But compared with *The Cider House Rules* *A Son of the Circus* (an underrated jewel of a novel), *A Widow For One Year*, and even *The World According to Garp*, this book seems a pallid effort, indeed. The overall premise/metaphor related to the loss of the protagonist's left hand seems labored and at times even silly; the characters on the whole seem wooden, unlikeable, and even worse, unmemorable; and the slightly sappy ending is all too predictable and Hollywood-esque. I would add that Irving's main character, the handsome newscaster Patrick Wallingford, seems oddly bland for a guy who supposedly is irresistable to all women. In fact, Patrick's seemingly effortless success at bedding any and all females seems to represent a male fantasy of sexual omniscience, the flip side of which is Irving's unflattering portrayal of just about all of his female characters as conniving and manipulative. It's hard for me to reconcile Irving's strangely flat and unappealing lead characters with the supposed ultimate message regarding how love abides and conquers all.
This is certainly not a terrible novel.
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18 of 19 people found the following review helpful By S. Organ on August 5, 2001
Format: Hardcover
Many years ago I was fortunate enough to attend a book reading by Mr. Irving. During the Q & A section, Mr. Irving commented that he was hoping to begin writing smaller books with fewer characters with more contained circumstances. With The Fourth Hand, Mr. Irving has finally published such a book.
The style of the book may be troubling to the fans of John Irving. The pace, language, and characterizations lacks that unique Irvingesque feel to it. This is not to undermine the excellence of the work, but if you are looking for the further hilarious adventures of another Owen Meany or Homer Wells, you won't find it within these pages.
What you do find is a tightly-written and very intimate work, which is really the hallmark of John Irving's writings. The lead protagonist, Patrick Wallingford, is vintage Irving: flawed, a victim of circumstances, yet sensitive to his own inner workings. And, as with all of Irvings characters, looking for some higher meaning in life and finding it in the most unlikely of places.
The Fourth Hand is a wonderful, touching, and emotional book; very reminiscent of one of Mr. Irvings earliest novels, The Water-Method Man. Ignore the "disappointed fans" who bemoan that the book is not another Owen Meany or Cider House Rules. Instead, settle down for a comfortable read and enjoy a world that only John Irving knows how best to create.
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10 of 10 people found the following review helpful By JAY G on July 5, 2001
Format: Hardcover
Let me establish up front that I am an Irving fan. I love OWEN MEANY and WIDOW FOR A YEAR and treasure CIDAR HOUSE RULES. They are rich, spellbinding novels with wonderful vibrant characters. But his latest disappoints. THE FOURTH HAND is a good read. In fact, I finished it in one gulp, but, ultimately, there is not much there. In the end, it all feels rather hollow, much like his Patrick Wallingford. Also, I found too many of the characters unlikeable, and not in a quirky way. (Interestingly enough, just as I was thinking that Irving's main charcter was too vapid and one with whom I did not want to spend too much time, Irving has the character articulate his own flaw and decide to change, so obviously that was the author's intent. Does that also account for several other charcters who are similarly and deliberately transparent? It might be, but that doesn't make them interesting people.) Some story lines were not satisfactorily completed, specifically that of the hand !surgeon. (The tag at the end to wrap up his story seemed almost like an after thought.) And while the novel is funny in spots, I wished for more of Irving's outrageous humor. I was not bored. THE FOURTH HAND is a solid summer read...but from Irving, I have come to expect much, much more than a summer read. (Yet, it might make an awfully good Tom Cruise movie down the road.)
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