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The Future of the Past: A Conservation Ethic for Architecture, Urbanism, and Historic Preservation Hardcover – November 9, 2009


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The Future of the Past: A Conservation Ethic for Architecture, Urbanism, and Historic Preservation + Historic Preservation: An Introduction to Its History, Principles, and Practice (Second Edition)
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Editorial Reviews

Review

“The Decade’s Most Important Book on Urban Architecture….With the publication of this volume, Steven Semes has vaulted into the first rank of contemporary architectural critics and preservation theorists…. should be must reading for all preservationists and people serving on landmark commissions and design review boards.” (Traditional Building)

“Will we ever agree on the future of the past? Probably not. However, with this compelling and accessible study, Steven W. Semes has taken a major step forward towards that illusory goal. . . . [A] thought provoking book.” (APT Bulletin: Journal of Preservation Technology)

“Semes mounts the most thorough attack I’ve ever read on the anti-tradition stance of many architectural and historic preservation professionals. The need for this book is intense….Everyone, including general readers, will find this book’s many illustrations, with their pithy captions, illuminating. This book should help the confused 21st century to create and maintain places of lasting value.” (New Urban News)

“[P]resents a persuasive case against the preservation ethic of oppositional styling; that is, the argument that new additions to historic buildings must be deliberately un-period so as not to be confused with the existing, ‘authentic’ section of the building. Semes illuminates the error of this way of thinking, and walks us through a history of architecture and preservation in the process.” (Planetizen.com)

“[A] stirring and passionate call to get historic preservation right by respecting the past without making it sacrosanct.” (Civil Engineering)

“With The Future of the Past, architect Steven W. Semes has planted his foot hard in the tense area between architectural innovation and historic preservation…[R]aises questions that everyone involved in historic preservation needs to think about. Semes thus deserves credit for tackling a complex issue that is playing out in myriad ways all over the world.” (Kathleen Corbett - Traditional Dwellings and Settlements Review)

“[A] clear and comprehensive argument….adds significantly to the discussion, one that should continue as an important topic within the historic preservation, urban planning, and architecture professions.” (AASLH History News)

“[T]houghtful and thought-provoking….a must-read for those who care for and care about our architectural heritage.” (Sacred Architecture)

“[B]eautifully illustrated….comprehensive….[N]eeds to be understood and followed by professional architects and preservationists; most of the lay public, which likes old buildings and neighborhoods, is already on Semes’ side.” (The Commercial Dispatch)

“[S]peaks in common-sense terms, it is didactic and approachable, and the laymen who are in the trenches…will find powerful ammunition in it.” (American Arts Quarterly)

“Full of well illustrated examples, drawings, and photographs of the results of both approaches, this volume is likely to take up important space in future discussions.” (Book News)

“Mr. Semes makes a compelling argument; hopefully is does not fall on deaf ears.” (Portland Book Review)

About the Author

Steven W. Semes is Associate Professor at the University of Notre Dame School of Architecture and Academic Director of its Rome Studies Program. A practicing architect for over thirty years, he has designed a wide variety of projects for preservation and new construction throughout the United States. He is also the author of The Architecture of the Classical Interior (Norton) and a contributor to The Elements of Classical Architecture (Norton). His essays and reviews have appeared in the National Trust Forum Journal, Traditional Building, Period Homes, and American Arts Quarterly. He is a Fellow Emeritus of the Institute of Classical Architecture & Classical America.
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Product Details

  • Hardcover: 272 pages
  • Publisher: W. W. Norton & Company (November 9, 2009)
  • Language: English
  • ISBN-10: 0393732444
  • ISBN-13: 978-0393732443
  • Product Dimensions: 8.7 x 0.8 x 11.3 inches
  • Shipping Weight: 2 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #356,369 in Books (See Top 100 in Books)

More About the Author

Steven W. Semes is the Academic Director of the Rome Studies Program and Associate Professor of Architecture at the University of Notre Dame. A practicing architect for thirty years, he has designed a wide variety of projects for preservation and new construction throughout the United States. Steven Semes is the author of The Architecture of the Classical Interior and a contributor to The Elements of Classical Architecture, both published by W. W. Norton & Co. His essays and reviews have appeared in Traditional Building, Period Homes, American Arts Quarterly, and the National Trust Forum Journal. He is a Fellow Emeritus of the Institute of Classical Architecture & Classical America and was educated at the University of Virginia and Columbia University. He currently resides in Rome.

Customer Reviews

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Most Helpful Customer Reviews

7 of 7 people found the following review helpful By Rob Hardy HALL OF FAMETOP 500 REVIEWER on March 9, 2010
Format: Hardcover
Our cities have many problems, of course, but architect Steven W. Semes, who looks carefully at urban buildings and urban growth, sees the particular problems of preservation. He has detailed the history of those problems, the philosophies of their solution, and his own proposals for respectful progress in a beautifully illustrated book, _The Future of the Past: A Conservation Ethic for Architecture, Urbanism, and Historic Preservation_ (Norton). The great difficulty is that old buildings fall down or fall to desuetude, and are continually replaced by new ones, resulting in clashes of style. Semes, in a comprehensive historical text, shows that this is nothing new; Andrea Palladio himself in 1545 repudiated the Gothic style by cladding the medieval town hall of Venice with classical stone columns and sculpture. It looks all in place to us now after all these centuries, but no length of time will make Semes's examples of modernist buildings imposed among older ones look fitting. It is the modernist imposition that Semes is trying to explain and oppose, although he repeatedly explains that he admires modernist buildings in their place: "This book is not an argument against modernism or in favor of classicism; rather, it is an argument for _continuity and wholeness_ regardless of style." For those of us who are not architects, this might seem a tiny and particularized dispute, but not only is Semes's argument convincing, it convinces the reader of the importance of the issue to the well-being of our cities.Read more ›
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Format: Hardcover
The Future of the Past: A Conservation Ethic for Architecture, Urbanism and Historic Preservation offers a fine re-examination of modern historic preservation theory and practice in light of developments in the field - including new traditional design practice among modern architects and urban designers. Here a comprehensive, well-written argument for 'new traditional' architecture that continues the design of historic buildings provides college-level collections strong in architectural theory with a powerful discussion.
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2 of 2 people found the following review helpful By Anthony O. James on November 24, 2010
Format: Hardcover Verified Purchase
Essential reading for everyone, whether you are interested in preservation or not! This book shows how and why our cities and towns lost their character during the 20th century, and what can be done to stop the decline. And sculptural 21st century object buildings are not the answer!
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2 of 3 people found the following review helpful By R. Bono on February 18, 2010
Format: Hardcover Verified Purchase
Several generations of architects, now in practice, have been inculcated with a modernist perspective on new architecture, that builds an intellectual wall against the 5,000 years history of all the architecture that came before. It also builds a wall against the architectural common sense of the average person...the user of the built environment. Here finally, is an antidote to the prevailing orthodoxy of the modernist academy. Ordinary untrained people feel that there's something wrong when confronted by the typical reductionist, and often wildly abstract approach to the most practical of the arts. They are right. Citizens yearn for order, comprehensibility, and beauty to return to their buildings, and in general, to their built environment.

This book is a careful evaluation of our contemporary architectural plight, and is worth careful consideration by academics, practitioners and citizens alike. Steven Semes book explicates the reasons for our discontent, with good examples and telling photographs.
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A superlative readable work that explains the importance of respecting and understanding traditional architecture. It should be required reading for every architecture student who is now taught to eschew traditional or classical architecture in favor of glass and steel boxes devoid of beauty, livability, and human scale. Prof. Semes' eloquent text should also be must reading for members of planning, design review, and historic preservation staff and commission members. Too often, the built fabric of our older city cores are being neglected or demolished in favor of inferior ugliness. Perhaps this important work will help serve as a wakeup call.
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By LE on November 10, 2014
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This is also one of the most accessible, clear-thinking - and passionate - books of architectural theory I have read. Well argued, well-written. I hope it becomes required reading in architecture schools. But ordinary people living in historic districts will also have much to gain in both browsing and reading it this book. Beautifully illustrated.
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