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30 of 30 people found the following review helpful
on May 22, 2002
One of my good friends is the person whose opinion I trust most when it comes to books and literature. And, I'm happy to say, we usually agree on what's good and what's not so good. Although my friend loves Gabriel Garcia Marquez, "The General in His Labyrinth," however, is one book my friend didn't like and I did.
"The General in His Labyrinth" tells the story of the melancholy and sad final journey of General Simon Bolivar, fondly known as "The Liberator" in many South American countries. Bolivar is the man who drove the Spanish from the northern part of South America during 1811-1824, even though the local aristocracy chose to fight against him. In the end, he became a sad and defeated man, old before his time and burdened with the knowledge that his dream of a unified South America would not be realized during his lifetime.
Although Bolivar is revered in much of South America (and the world in general), his final days were quite unhappy. In this book, Garcia Marquez takes us along with Bolivar on his final cruise along the Magdalena River from Colombia to the sea. Bolivar was sad, disillusioned, in shock from the after effects of an assassination attempt and suffering from an unspecified illness; in short, this mythic man had become old at the very young age of forty-six.
After Bolivar had been denied the presidency of Colombia he decided to spend his final days in Europe, far away from political strife of any kind. But Bolivar wouldn't have been Bolivar had he not given his life to the people. His dreams of living in peace in Europe were dashed when the government that replaced him failed.
It didn't take years of history to make Bolivar larger than life. He was larger then life to those who knew him intimately as well as to those who knew him only by reputation. And no wonder...he possessed a terrible temper, a extraordinarily passionate nature and his political and leadership abilities were virtually unsurpassed. Everyone paled next to Bolivar, in life just as (almost) everyone pales next to him in this book. (His enemy, Santander, and his commander, Sucre, are two notable exceptions. His lover, Manuela Saenz is also a well drawn character, but Bolivar's valet, Jose Palacios lets us know that, other than saving Bolivar from assassination, she was really nothing special, just one more lover among very many.)
I read, in a interview with Garcia Marquez, that the voyage along the Magdalena was chosen to be fictionalized since this was a little-known episode in a very publicly-lived life. Personally, I think it was a wonderful choice. The voyage was one that was no doubt filled with melancholy and nostalgia and no one writes of melancholy and nostalgia, especially South American melancholy and nostalgia, as well as does Garcia Marquez. This is a book in which real memories become confused with the hallucinations of delirium, a confusion that is only enhanced by the descriptions of the steamy jungle interior. The floods, the oppressive heat, the epidemics that Bolivar and his weary band of supporters encounter only serve to enhance "The Liberator's" own physical decline.
I also think that showing us Bolivar, not at the height of his glory, but at what was no doubt one of the lowest points of his life, was also a wonderful choice. Bolivar was, apparently, a man of contradictions. He was flamboyant and mythic, yet ultimately tragic; he could be elegant in public matters yet coarse in private; he was obviously a genius at strategy, yet his last days were filled with the incoherence of illness. And, all along the way, through this maze of contradictions, Garcia Marquez never loses sight of the one driving force in Simon Bolivar's life: his desire for a unified South America.
I also love the way Garcia Marquez twists and folds the narrative of this book until the reader isn't quite sure what's real and what's fevered hallucination; what really happened and what didn't. Of course, Garcia Marquez is a master at just this sort of narrative and he really outdoes himself in this book.
In the end, Bolivar, himself, decides that South America is ungovernable; it is, he declared, a land that will inevitably fall into the hands of tyrants, both large and small. Sadly, Bolivar's prophecy seems to be, at least in part, true. And, even more sadly still, although the world has come to love and rever "The Liberator," "The Liberator," himself, died a sad and defeated man.
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25 of 29 people found the following review helpful
on August 4, 1997
Having read The General in his Labyrinth for the

fourth time, I am still amazed by the story, and

way it is told.

This is the story of the last days of Simon Bolivar

the liberator of South America.He is dying of consumption,

old before his time. He leads a sad and noble group of loyal soldiers

and retainers through the wilds of Nueva Granada. There is no

hope - the General is not wanted any more, having watched the

liberated continent fall in upon itself and fragment. Having

taught the people separatism, the tired General is powerless

to stop the inevitable.

And so the journey proceeds, punctuated by heat, torrential rain,

fever, delirium, memories of great loves, and despair. The General's

state of mind is conveyed to the reader in the minutest detail. We are

shown the destruction and self-destruction of a once powerful

man,and the effect is one of witnessing death itself, with

its mystifying loss of personality.

Bolivar rants in fevers, paces the floor unable to sleep, and talks

of the agony of assassination attempts, treacherous infighting, a fickle

public, and memories of strong women.He goes from town to town

with his entourage,in turn feted or reviled according to local


He has the protective love of his closest generals, and the dignified

devotion of his servant Jose Palacios to comfort him on his seemingly

ignoble flight.But this journey is the only possible end for a man of

such brilliant but caustic powers.It gives him and us time to think

about the real nature of power, achievement, history and fate.And the

unstated conclusion the General reaches is that even those blessed

with power and influence, even the most rigorous souls will come

to an inevitable stop that will seem at the time to be just like

any other "damn business".

Bolivar says "I'm old, sick, tired, disillusioned,

harassed, slandered and unappreciated" and "despair

is the health of the damned".When at last death

overtakes the General, Marquez closes his story with one

of the most moving scenes I have read in any novel.

("...the heartless speed of the octagonal clock racing

toward the ineluctable appointment at seven minutes past one..")

People who know Marquez for the "magic" novels may be

wonderfully surprised by this exquisitely written book.

The people, the skies, the rains, the nature, the loves

and the sorrows in this book are chillingly real.

Its beauty quite literally haunts me.
Anthony Nelson
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13 of 14 people found the following review helpful
on November 6, 2000
"The General in His Labyrinth" is a fictionalized account of the last seven months of the life of Simon Bolivar (1783-1830), the liberator of Gran Colombia (Venezuela, Colombia, and Ecuador) from Spanish rule. Bolivar's goal was to unite South America into a single great country, but there was constant conflict with separatists and political and military rivals, and in the last year of his life he was expelled from the presidency. He left Bogota with an entourage of close friends, relatives, and servants, and his final months were spent in a journey down the River Magdalena, ostensibly to leave the country. A terminal illness (consumption? tuberculosis? his bedsheets are burned and eating utensils are buried after he uses them for fear of contagion) causes him fits of feverish delirium, in which he recalls glorious episodes in his life.
I once read one of Garcia Marquez's earlier short stories, "A Very Old Man with Enormous Wings," and that story and this novel seem to share a theme. They are both about an important or extraordinary figure (in the story, the title character; in this novel, Bolivar) who falls from a state of grace, comes into contact with common people, and must suffer their treatment, be it awe or indifference. I knew almost nothing about Bolivar and the history of South America, but the fact that this fascinating novel made me want to learn more about the subject is a testament to Garcia Marquez's great skill as a writer.
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8 of 8 people found the following review helpful
on May 9, 2002
This book is based on the factual story of Simón Bolívar's own journey out of the heart of present-day Colombia towards the Atlantic coast. It is a tapestry of metaphors which underscore the degree to which Bolívar still represents the continent. No man has ever epitomized his homeland in the way that Simón Bolivar embodies the possibility and the tragedy of South America. Even today, every so often, at predictable intervals, Simón Bolívar's tired ghost is pulled out and paraded through the altars of South American politics with the reverence and expectation shown icons of the faith; yet every time, the faithful's hopes of improvement are dashed, as Bolivar's were time and time again in his own life. Hugo Chávez' current attempt to recast Bolívar's native land as the "Bolivarian Republic of Venezuela", governed by his own "Bolivarian Revolutionary Movement", is but a single example of the way Bolívar is kept restless even two hundred years after his death.
Ill, impoverished, his strength sapped by persistent insomnia, 46-year-old Simón Bolívar and a ragtag group of his last faithful servants and aides start up the Magdalena River on a journey whose goal is as shifting and amorphous as "New Granada", the restless nation of which Bolívar is now the ex-president. His term was marked by upheaval and violence, political backstabbing around him, but little accomplishment. Even the trip's destination is out of his hands, as the congress refuses to grant the tired general permission to leave the country he founded. His political rivals are in power, his loyal comrade General Sucre will soon be assassinated. Worst of all, perhaps, for a man of war, there are no battles left to be won. His life has become typically characteristic of the incurable restlessness that afflicts those men of action who premature retirement leaves without a focus for their energies.
García Márquez tells the tale in much the way its actors would have lived it: this is the narrative of a delay-prone trip to nowhere, frequently interrupted by social calls, illness, or politics. A few months into the journey, Bolívar becomes an objective of South America's first military coup, as General Rafael Urdaneta overthrows the government and then sends for Bolívar, asking him to return to the presidency. Urdaneta's action is perhaps the first blow struck against Latin American democracy, a mortal wound foreshadowing Bolívar's own demise. Throughout the trip, Bolívar and those around him reminisce about earlier times, about the military campaigns which led Bolívar to glory and brought about the birth of nations, about loyal comrades in arms and treacherous political opponents. In the end, Urdaneta's actions in destroying the political edifice then calling on Bolívar foretell a recurring pattern in the region's politics, just as the cloying disappointment at the end of Bolívar's life speaks of the way the tormented area's hopes for the future are dashed again and again by war and corruption. So much promise, such disappointment.
Some readers will be put off by the novel's profusion of facts and dates, which occasionally interfered with the author's ability to create the dreamlike world characteristic of his other works. Overall, though, through the very nature of its threaded soliloquies and wandering storylines, the work powerfully evokes the turmoil and restlessness, the illness and the frustration that marked the last days of South America's Libertador.
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7 of 8 people found the following review helpful
on July 21, 2006
For those of us who have come to love Marquez, this book comes as a slight disappointment. The story of Bolivar's final journey and his relationship both with a myriad of women and with his servant is full of interesting insights and anecdotes, but lacks the kind of beauty, especially in respects to setting and language, that his previous work displays. Maybe it's because he was trying to honor or at least chronicle an important figure in South American history, but the novel seems too confined in scope. Marquez is forced to confine his normally tangential and often beautiful descriptions to the life of a celebrated figure. That being said, this book is still a fascinating read and better than most of the novels on the market today.
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9 of 11 people found the following review helpful
VINE VOICEon January 21, 2004
Marques remains an international literary treasure, a writer of passion and eloquence whose work defines his generation. Many readers have found his work daunting and given up, but those who persevered discovered a world where magic and passion reigned. With Oprah Winery's choice of Marques's most famous work, "One Hundred Years of Solitude" for her book club, I can only hope that readers will not stop there and will continue on to his other works. "The General and His Labyrinth" would make an excellent stop for those wanting to further explore this author's imagination.
The work follows Simon Bolivar, the liberator of his South America, as he wanders towards an early grave, destitute and nearly friendless. Through this lens Marques examines the idea of loss, futility, dreaming, desire, friendship, and humanity. As a man who achieves so much but ends with so little, Bolivar's life makes an excellent cautionary metaphor for modern society. Readers will find little of the humor this author so cleverly places in his other work, but his style remains both unique and haunting. Marques here builds a complex and perplexing world and when the reader becomes confused, it is because that was the authors goal.
"General" is quite a bit shorter than most of Marques's other works, but his powerful language and masterful imagery rings out from the page. Bolivar has a long and painful trip to take and you will not regret deciding to join him.
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6 of 7 people found the following review helpful
VINE VOICEon August 6, 2002
Master novelist Gabriel Garcia Marquez comes through again with another winner with his portrayl of a dying Simon Bolivar. The story is comprised of reflections and anecdotal information on the liberators life, going back and forth in time ,shifting decades with memories of times past and how Bolivar sees the end days approaching. As he travels down the Magdalena River ( a sort of farewell tour) the ghosts of his past surface, including the many loves, his enemies, his allies, his fading dream of unification and those who betrayed him. His memories assault his journey making death nearly a desired relief for the sick and shadow of the great man of vision for Latin America. When reading a historical novel like this one the question arises as to whether the information is factual or purely imagination. I finished reading this book wanting to believe some of the memories of Simon Bolivar were true and accurate to his life. In the end Marquez clarifies this point saying he was not concerned about the accuracies of the final days since those with him left no written record of the final days. However, Marquez does go on to say that he did considerable research(2 years) revealing often contradictory information filled with inaccuaracies while he labored through voliminous documentation. He also consulted with various historians, from several different countries, who are experts on the life of Simon Bolivar to further enrich the exactitude of the novel. Many changes were made from the original manuscript. That said, there are things to be learned from this novel that only the simplicity of historical novels can provide. For furthe exploration of the life of Simon Bolivar it is suggested to read Eugenio Gutierrez Celys "Bolivar Day by Day " or the work of Bolivar biographer Vinicio Romero Martinez. I would recommend this book to anyone interested in the writtings of Nobel Prize-winning author Gabriel Garcia Marquez, the life of Simon Bolivar and his dream for Latin America.
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6 of 7 people found the following review helpful
on October 20, 2006
Márquez moves slowly through the final chapter in the saga of a great man and historical figure. Sometimes frustratingly so. But I think this may be intentional on the author's part. After all, Bolívar is renowned throughout Latin America for his tireless efforts to free the wayward continent and, when he had accomplished that, to prevent it from falling to shambles. The slow pace of the book reveals Bolívar as the tired soul he had become after so much fighting, so much toil that suddenly seemed to count for nothing. It is not a book about battles for independence or monetary gain; instead it focuses on the constant battle against death and despair.

Most enjoyable of all in the book are the small gems of prescience on the part of Bolívar--whether taken directly from historical documents or imparted on the general by Márquez--in which the old soldier predicts the pitfalls and chaos that will consume his land in the next 150 years. Though it's painful to read the cynical declarations of a man who has dedicated his life to a goal he now realizes is hopeless, these very pronunciations are what sets Márquez's General apart as a realistic and tragic character.

Though I found some parts difficult to trudge through, the book succeeds as a historical narrative, in that it provides insight into an entire continent's evolution through the eyes of one man.
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8 of 10 people found the following review helpful
on October 10, 2000
The General in His Labyrinth marked a radical departure in style for the Nobel Prize winning author, Gabriel Garcia Marquez. While his previous works of fiction were deeply imbued with the culture of his native Colombia, this book was the first to draw directly from the tortured and labyrinthine history of the region. The General in His Labyrinth tells the story of General Simon Bolivar, known as "The Liberator," in many South American countries.
After leading the revolution that freed the northern part of South American from Spanish rule, Bolivar attempted to unite the regions into one country. He was opposed by the local aristocracy, however, because, "the oligarchies in each country...had declared war to the death against the idea of integrity because it was unfavorable to the local privileges of the great families." Bolivar, as a consequence, suffered great disillusionment due to the failure of his dreams.
The General in His Labyrinth is a semi-fictionalized account of Bolivar's final days, in particular, his last voyage along the Magdalena River from Bogota, Colombia to the sea. Bolivar had renounced the presidency of the Republic of Colombia and had planned to leave the political strife and civil war that followed the expulsion of the Spanish from South America. Disillusioned, consumptive and still reeling from an assassination attempt, he intended to sail down the Magdalena, travel to Europe and live his remaining days in peace. But Bolivar was a man of tenacious dreams and the plight of his people, coupled with the failure of their governments, forced him back into the political arena to once again seek the realization of his efforts.
Bolivar was an almost mythic figure, who, even before his death appeared larger-than-life. Although he was well-known for his unparalled leadership abilities, he also possessed a passionate nature and titanic temper. Such a figure, of course, dominates this book, much as Bolivar's presence dominated during his lifetime. The other characters simply pale in comparison, although this is not a criticism; Bolivar was simply so overwhelming that almost everyone paled beside him. The only notable exceptions are those characters who never actually appear in the novel, other than in their remembrances of the General: Santander, his political enemy; Sucre, his most able commander; and Manuelita, the General's loyal and loving mistress.
Garcia Marquez says he picked the voyage down the Magdalena to fictionalize because it was the least known episode in a well-known and very publicly-lived life. His reasons were also, no doubt, thematic. Bolivar's voyage contains a symbolic power that Garcia Marquez utilizes to excellent effect. In this master writer's hands, the trip becomes one of both nostalgia and sentiment for the glories and hopes of youth. As the General and his large entourage float through the steamy jungle towards the sea, the General floats in and out of sickness and delirium and his memories become inextricably linked to hallucination. The attitudes and discomforts of illness and old age also play a prominent role in this story, and their effects of the body are described in detail. This is, however, no Love in the Time of Cholera, for in that book, old age was accepted, even if disliked, and tolerated with more than a modicum of comedy.
Some people may detect a distinct difference in style between this book and Garcia Marquez's masterpiece, One Hundred Years of Solitude. I don't think this was deliberate on Garcia Marquez's part. I read Garcia Marquez, first in Spanish then in English, and in Spanish, the difference in style is not so readily apparent. One Hundred Years of Solitude was translated into English by Gregory Rabassa, Garcia Marquez's longtime translator, while this book was translated by Edith Grossman, something that may, and no doubt does, account for the stylistic differences in the English translation.
The combination of Garcia Marquez's enormous myth-making talent and Bolivar's own mythic persona makes for extremely intriguing reading. The dangers the author conquered are multiple and range from public censure to an excess of factual information at the expense of creativity. Not surprisingly, Garcia Marquex succeeds, even with the difficult task with which he presented himself. Coupled with the genius of Garcia Marquez, Simon Bolivar's epic accomplishments and near-mythic character give this book an immediacy and intimacy that still manages to resonate. And it never diminishes the towering presence of the Liberator.
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2 of 2 people found the following review helpful
on March 26, 2011
In this melancholy, elegiac novel, Gabriel Garcia Marquez relates the final days of Simon Bolivar - referred to throughout the narrative in all but one instance as 'the General' - as he leaves behind the Presidency for which he had dedicated his life. In a long slow trip up the Rio Magdelana from the capitol city of Santa Fe de Bogotá, Marquez weaves the few known historical facts concerning the General's last trip with some poetic license and a large dose of backstory presented as the General's memories, which in turn creates a moody literary biography dominated by the sorrowful end of a living legend. Told from an omniscient third-person narrator, Marquez skips from consciousness to consciousness - oftentimes from paragraph to paragraph - to tell his story, and while the details are difficult to keep clear, Marquez is tremendously successful at communicating a mournful hymn to the General.

I enjoyed this novel very much, but realistically, I don't know to whom or how much to recommend it. While the concrete story relating to Bolivar's last days was interesting in and of itself, what I found most appealing was the mood Marquez evoked by telling the tale. Opposite of what I expected, the story is told in manner I would consider traditional, with Mr. Marquez electing not to depend on the magical realism with which I associate him; still, there is a dreamy, gauzy feel to the entire novel. Considering then that the most powerful part of the entire tale is not the historical information or the suspenseful storytelling but rather as a lyrical eulogy, I suspect the audience for the novel is limited. I also believe that I read the story at a time when its strong points neatly dovetailed with my own temper at the time.

Those readers like myself who are not well acquainted with the people involved in the South American struggle for independence may find themselves scratching their heads while trying to keep the cast of characters straight - Marquez introduces us to many different people who had deep connections to the General, and I found his delineation of them to be one of the weakest points in the novel. Had this been a straightforward biography, or even an attempt at realistic historical fiction, I think it would have been a serious flaw, and readers who approach this novel with those expectations will, I believe, be disappointed. But, because I believe Mr. Marquez's intention was to communicate his vision of Bolivar rather than paint a historical picture, I considered these 'flaws' as minor.

One might also point to the lack of action or tension, but once again, I think that speaks to the expectations one might have when picking up the novel in the first place. What emerges instead is a complex portrait of a flawed yet iconic man - and what I appreciate most is the talent that is able to give the readers a sympathetic portrait without slipping into hagiography. Yet in the end, while I felt like this was a five star novel based on my enjoyment of it, I also feel like the target audience is too limited for it to gain the same sort of wide appeal that his other books have. Four stars.
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