The Gift [Paperback]

Hafiz (Author), Daniel Ladinsky (Translator)

Book Description

Release date: August 1, 1999

Chosen by author Elizabeth Gilbert as one of her ten favorite books, Daniel Ladinsky’s extraordinary renderings of 250 unforgettable lyrical poems by Hafiz, one of the greatest Sufi poets of all time

More than any other Persian poet—even Rumi—Hafiz expanded the mystical, healing dimensions of poetry. Because his poems were often ecstatic love songs from God to his beloved world, many have called Hafiz the "Invisible Tongue." Indeed, Daniel Ladinsky has said that his work with Hafiz is an attempt to do the impossible: to render Light into words—to make the Luminous Resonance of God tangible to our finite senses.

I am
a hole in a flute
that the Christ's breath moves
through—
listen to this
music!

With this stunning collection of Hafiz's most intimate poems, Ladinsky has succeeded brilliantly in presenting the essence of one of Islam's greatest poetic and religious voices. Each line of The Gift imparts the wonderful qualities of this master Sufi poet and spiritual teacher: encouragement, an audacious love that touches lives, profound knowledge, generosity, and a sweet, playful genius unparalleled in world literature.

Editorial Reviews

Amazon.com Review

Hafiz, a secret Sufi, came to prominence in his day as a writer of love poems. That love transformed into an all-consuming passion for union with the divine. In The Gift, Daniel Ladinsky bestows on us the impassioned yet whimsical strains of Hafiz's ecstasy. Never forced or awkward, Ladinsky's Hafiz whispers in your ear and pounds in your chest, naming God in a hundred metaphors.

I once asked a bird,
"How is it that you fly in this gravity
Of darkness?"
She responded,
"Love lifts
Me."

Like Fitzgerald's version of Khayyam's Rubaiyat, the language of The Gift strikes a contemporary chord, resonating in the reader's mind and then in the heart. Ladinsky's language is plain, fresh, playful--dancing with an expert cadence that invites and surprises. If it is true, as Hafiz says, that a poet is someone who can pour light into a cup, reading Ladinsky's Hafiz is like gulping down the sun. --Brian Bruya

From Booklist

Less well known in the U.S. than his Sufi predecessor, Rumi, Hafiz (Shams-ud-din Muhammad) is also worthy of attention, and Ladinsky's free translations should help see that he gets it. Hafiz is so beloved in Iran that he outsells the Koran. Many know his verses by heart and recite them with gusto. And gusto is appropriate to this passionate, earthy poet who melds mind, spirit, and body in each of his usually brief pensees. Ladinsky has deliberately chosen a loose and colloquial tone for this collection, which might grate on the nerves of purists but makes Hafiz come vividly alive for the average reader. "You carry / All the ingredients / To turn your life into a nightmare--/ Don't mix them!" he advises, and "Bottom line: / Do not stop playing / These beautiful / Love / Games." Nothing is too human for Hafiz to celebrate, for in humanity he finds the prospect of God. In everything from housework to lovemaking, he celebrates the spiritual possibilities of life. A fine and stirring new presentation of one of the world's great poets. Patricia Monaghan

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Product Details

• Paperback: 333 pages
• Publisher: Penguin Compass; Gift edition (August 1, 1999)
• Language: English
• ISBN-10: 0140195815
• ISBN-13: 978-0140195811
• Product Dimensions: 5.5 x 0.9 x 8.5 inches
• Shipping Weight: 14.1 ounces (View shipping rates and policies)
• Average Customer Review: 4.1 out of 5 stars  See all reviews (114 customer reviews)
• Amazon Best Sellers Rank: #12,486 in Books (See Top 100 in Books)
  • #2 in Books > Religion & Spirituality > Islam > Sufism
  • #2 in Books > Literature & Fiction > Poetry > Middle Eastern
  • #9 in Books > Literature & Fiction > Poetry > Inspirational & Religious

Most Helpful Customer Reviews

145 of 157 people found the following review helpful

3.0 out of 5 stars Lovely--but is it Hafiz? May 3, 2002

By Kerry Walters VINE™ VOICE

Format:Paperback

Hafiz has long been one of my favorite poets. I first discovered him when I was in college via Goethe and Ralph Waldo Emerson, and I've been readng his poems ever since. Since I am (alas!) without Parsi, I'm unable to read Hafiz in the original, and must rely upon the kindness of translators.

Daniel Ladinsky has done an interesting job of rendering Hafiz's verse into English. Ladinsky has an ear for rhythm and he strikes me as an individual with deep spiritual sensibilities. When he renders one of Hafiz's couplets as "The body a tree./God a wind", one senses that there's more going into this translation than just philological expertise. Landinsky, like Hafiz, is a mystic.

That spiritual bond with Hafiz, as well as a shared joy in the sheer vitality of creation, makes Landinsky's renderings light-hearted, in the sense that they shimmer with what Hafiz would call God's Light. Some of my favorite examples: "Whenever/God lays His glance/Life starts/Clapping"; "What is the beginning of/Happiness?/It is to stop being/So religious"; "All the talents of God are within you./How could this be otherwise/When your soul/Derived from His/Genes!"

But while I can appreciate the lyrical way in which Ladinsky trys to express Hafiz's insights, I do wonder about the reliability of the translations. They're loaded with modernisms that are somewhat grating after a while: we're derived from God's "genes," the sun is "in drag," characters in the poems "dig potatoes," the soul visits a "summer camp." Moreover, many of the renderings make Hafiz sound suspiciously like a Zen master throwing out koans (an obvious example of this is the poem Ladinsky titles ""Two Giant Fat People"....) To his credit, Landinsky freely admits in his translator's preface that he's "taken the liberty to play a few of [Hafiz's] lines through a late-night jazz sax instead of from a morning temple drum or lyre." But he's unapologetic, claiming that the translator's job is to help Hafiz's spirit "come across" to the Parsi-less reader, and that this demands a free rendering.

I'm not so sure. This attitude strikes me as rather patronizing to the reader and disloyal to Hafiz himself. So my bottom line is this: Ladinsky's book is a good read on both poetical and spiritual grounds. But I'm forever left in doubt as to whether I'm reading Ladinsky or Hafiz. Read more ›

128 of 141 people found the following review helpful

1.0 out of 5 stars A Work of Spiritual Opportunism August 26, 2000

By A Customer

Format:Paperback

Living in Iran years ago, I first encountered the poet Hafiz as a beloved Iranian folk figure. I have read with pleasure and an open heart many versions of his poems, both in Persian (Farsi) and in English. It was with high expectations because of reviews that I bought this book, only to find Mr. Ladinsky's poems literally unrelated to the original Hafiz. Instead, based on his own explanation, they appear to be simply a product of his imagination. The author has no background in Iranian culture and speaks no Persian. Instead, he obviously uses the commercially successful style of Coleman Barks (of Rumi notoriety) by reading someone else's word-for-word translation and then creating new verses, the intent being to "capture the spirit" of the original. But these verses are so distant from Hafiz that one wonders how they qualify even as "renderings," an amorphous term for Mr. Barks' practice that allows the bypassing of usual literary standards.

Rendering is much less demanding intellectually than translating as well as an easier way of becoming published, and it contains a built-in literary defense mechanism (the plea of subjectivity) against criticism for poor scholarship or inauthenticity. Rendering is not new. Before the Iranian Revolution, one task of Iranian academia was the separation of authentic work of Hafiz from a mass of imitation poetry falsely attributed to him. Now comes this work that bears substantially more resemblance to the tone of Mr. Barks, its apparent stylistic model, than to Hafiz. Even giving the author the benefit of the doubt for sincere devotion and industry, this book and his other two similar works best fit into the category of "spiritual opportunism...."

This phrase, "spiritual opportunism," appeared recently in a national article about several authors (Andrews, Rampa, Morgan, et al.) who have written about mystical customs (Native American, Tibetan and Australian Aboriginal) in such a way that they now are accused of appropriating other cultures' spiritual traditions, either through ignorance or for the purpose of personal gain. Mr. Ladinsky's work seems to take appropriation even further than the others. Not only does it superficially represent a spiritual tradition of a subjected foreign culture, it actually offers self-created verse as representative of a specific poet. Even though Iranians lack a voice to make their great poets known in an authentic manner within the current culture of pop spirituality, no amount of commercial success can disguise the truth that this book is a misrepresentation of the poetry of Hafiz and that it does a grave disservice to Iranian poetry and spiritual traditions. Read more ›

45 of 50 people found the following review helpful

5.0 out of 5 stars A unique portrait September 15, 1999

By A Customer

Format:Paperback

Like millions of Persians I sat on my grandfather's knee and listened to Rumi and Hafez. I was and am struck by what I have read in The Gift. Are these Hafez's poems or are they just Ladinsky's? The essence of Hafez is truth, beauty, humor, endearment to the Self, and light, above all - a freeing whirling light. With that in mind, after some soul searching, I must admit this book is wonderful, a unique portrait of Hafez. I have never seen this great Persian Master more glorious in the English language.

26 of 29 people found the following review helpful

5.0 out of 5 stars Accurate scholarship and inspired poetry October 15, 2001

By A Customer

Format:Paperback

This is a book of poetry that is inspired by the love-songs of the Persian poet, Hafiz who lived in the 1300s... there is no way to capture all the subtleties of the original Persian in English, it can't be done, though people have tried for centuries. Ladinsky's solution is to try to express his understanding of the spirit of Hafiz, disregarding the form, and in some of these poems it seems like he is actually "channeling" Hafiz -- vibrant,heartfelt, raucous, compassionate, drunk with love, desperate with longing for the Beloved, who may be reflected in a person but is certainly Divinity itself.

The reviewer from Berkeley below criticized the very informative introduction to Hafiz's life, but his criticism is incorrect- he has confused Hafiz's master, Mohammed Attar, with the Sufi poet Fariduddin Attar, who lived 100 years earlier. Meher Baba, who is quoted in the introduction, is not a Sufi master, but a spiritual figure from India who lived in the 20th century and energized all spiritual paths... he wrote a book called "God Speaks" that integrates many mystical systems, and his "Discourses" are the clearest, most direct modern explanations of how to live a spiritual life that I have ever seen. Apparently Hafiz was his favorite poet and is quoted frequently in these works, and Ladinsky uses Meher Baba's insights in his own work.

The reviewer below is correct when he says these are not really translations of Hafiz, and if I had a criticism of this joyful, inspiring book, it would be that Mr. Ladinsky should have called them "Renderings" as he did in his earlier collection, because they seem to be new poems inspired by Hafiz rather than attempts to accurately translate the ghazals (love-songs).... But they are clearly animated by the breath of that magnificent Persian poet. Read more ›