The Goat Rodeo Sessions [+video]

October 24, 2011 | Format: MP3

$10.99
Song Title Artist
Time
Popularity  
30
1
Stuart Duncan
5:42
30
2
Stuart Duncan
4:47
30
3
Chris Thile
4:32
30
4
Stuart Duncan
5:30
30
5
Stuart Duncan
3:53
30
6
Stuart Duncan
6:53
30
7
Chris Thile
7:27
30
8
Stuart Duncan
4:29
30
9
Stuart Duncan
3:54
30
10
Stuart Duncan
5:54
30
11
Stuart Duncan
4:18
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Video: Helping Hand (Live Performance)
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Digital Booklet: The Goat Rodeo Sessions

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Product Details

  • Original Release Date: October 24, 2011
  • Release Date: October 24, 2011
  • Label: Sony Classical
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:02:25
  • Genres:
  • ASIN: B00608L95Q
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (216 customer reviews)
  • Amazon Best Sellers Rank: #6,741 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

The musicians are all world class, and the music is of original composition.
E. Strickenburg
First time I heard of this "band" was on a talk-show, they performed one of their songs, and I liked it enough to order their CD just off that one listen.
S. Kosloske
I'd definitely recommend taking a listen to them too if you like this album.
B.Unger

Most Helpful Customer Reviews

81 of 84 people found the following review helpful By E. Strickenburg on October 28, 2011
Format: Audio CD Verified Purchase
Vibrant and varied, this album is a wonderful addition to the classical crossover genre. Some tracks made me want to get up and dance, others were melancholy and heart rending. The musicians are all world class, and the music is of original composition. The fire and drive of the bluegrass world meets with the clarity and class of the classical world, and something new is born.

Edgar Meyer and Yo-Yo Ma have collaborated successfully before on albums such as Appalachia Waltz and Appalachian Journey, but this album reaches new levels of musical interest and variety. In this collaboration, they've added two more fabulous musicians to the mix: Chris Thile on mandolin (originally of Nickel Creek fame) and Stuart Duncan on fiddle (session musician with the big names in Nashville). This album relies primarily on instrumental work, but each track has a unique sound. The album never sounds repetitive. At times, the musicians even pull out instruments we're not used to hearing them play: we hear Meyer on the gamba and piano, Duncan on the banjo and mandolin, and Thile on the guitar, fiddle, gamba, and vocals.

The album flows well, and I enjoyed it in its entirety. "Here and Heaven" and "No One but You," which both include vocalist Aoife O'Donovan, are particularly wonderful. I also thoroughly enjoyed "Less is Moi," with its catchy and surprising rhythm. I think my favorite track, though, was "Franz the Eagle" -- I can't get over the beauty of the piano and cello duet in this haunting and majestic piece.
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94 of 100 people found the following review helpful By sprint on October 25, 2011
Format: MP3 Music
Of all the Sony recordings with Edgar as the common denominator (Appalachian Waltz, Appal. Journey, Short Trip Home, his solo effort, Melody of the Rhythm), this one is by far the best! My favorite instrumental up to this point was "Look Away" with Edgar, Chris and Joshua Bell. The Goat Rodeo album is very much in the same spirit as "Look Away." Overall, an incredible blend of Celtic, Classical and Jazz/Funk stylings topped off with 2 tracks that include vocals by that lady from 'Crooked Still' and Chris. The addition of guitar, piano and banjolin (I think) makes it stand out even more from the other ones. Way to go, Stuart, Yo Yo, Chris & Edgar! The new Fab Four!
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46 of 55 people found the following review helpful By J. Wilczewski on October 24, 2011
Format: Audio CD Verified Purchase
This may be the best recording I have heard in 20 years... I say "may" because all four of these musicians have recorded other projects that I also enjoy immensely. As I listen my soul is refreshed. I will be waiting to see the Grammy acceptance speech for this project! Do not pass this up!
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14 of 15 people found the following review helpful By Dr. Christopher Coleman on November 25, 2011
Format: Audio CD
In this new CD Yo-Yo Ma collaborates with bassist Edgar Meyer, fiddler Stuart Duncan, and mandolin player Chris Thile. Ma has always been a fascinating musical personality, exploring music from across the globe, and this time it is the turn of the American South. Duncan and Thile are established Bluegrass players, and Meyer straddles both Bluegrass and Classical styles. For those of you unfamiliar with the term Bluegrass, it's a style of folk music from the Appalachian mountain area of the Southeastern US that features virtuoso playing on string instruments like the banjo, mandolin, and fiddle. It's sort of a jazzy, bluesy version of Country music with a Celtic influence, and a bit of old-time hymn singing stuck in for good measure. I have friends who have heard the Goat Rodeo Sessions and hate it because it isn't pure Bluegrass, but it seems to me that the heritage of Bluegrass is so diverse that adding a bit of classical, and even a bit of minimalism to the mix isn't a bad thing at all. Frankly, if it's got Yo-yo Ma in it and you're expecting Bill Monroe, your expectations are more than a little skewed in the wrong direction.

All of the pieces on the CD have a joint authorship by Meyer, Thile, and Duncan, and so tend toward the Bluegrass feel. Yo-yo Ma is definitely the odd man out, not a composer, unable to improvise along with the others, and somewhat unfamiliar with the idiom. It's this misfit that gave the CD its name--"Goat Rodeo" is a slang term for a situation of total chaos. To me, though, that is a wildly inappropriate name for this disc, because in spite of whatever difficulties the collaborators might have experienced in making the recording, the listener will only be aware of extremely beautiful, rhythmically tight virtuostic playing.
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16 of 18 people found the following review helpful By Farin on October 31, 2011
Format: Audio CD
My first encounter with "The Goat Rodeo Sessions" was via an ad in The New York Times. At the time, I giggled over the title and made a mental note to check it out later.

Of course, I was picturing an actual goat rodeo.

I forgot about the album until I started up my Spotify a few days later and found it featured on the front page. After the first track, I decided the album needed its own playlist. By the time I'd listened to it all the way through, I was determined to own it.

Because this album is seriously great. It's technically classified as bluegrass, but it has a distinctly Celtic feel that tugs at all the right emotions and makes my heart sing. The songs are all so different (although you will hear variations on a theme through some of them), yet they all fit together and give the album a really nice arc from beginning to end. The first track, "Attaboy," has a wonderfully celebratory quality, and the music continues to build in raucousness like a seisún in a pub until it resolves to its original theme. "Where's My Bow," the fourth track, is dramatic and mysterious all at once and reminds me of the score for a period drama. "Here in Heaven," the fifth track, which features vocals by Chris Thile and Aiofe O'Donovan, has lodged itself so firmly in my head that I find myself humming it everywhere. And the final track, "Goat Rodeo," is Nashville personified by strings.

"The Goat Rodeo Sessions" has turned into my go-to album: I listen to it while I work, I dance around the kitchen to it when I cook, I put it on when I just want something pretty playing in the background. If I had a car, I'd probably love having it on while driving too.
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