From Publishers Weekly
The vivid portrait of 21st-century Thailand in part redeems the meandering plot of Burdett's fourth thriller to feature corrupt Bangkok police detective Sonchai Jitpleecheep (after Bangkok Haunts
). Jitpleecheep, a marijuana-smoking Buddhist whose marriage collapsed after his young son's death, investigates the peculiar murder of Frank Charles, a Hollywood director who regularly visited Thailand to sample the sexual delights offered by its young women. Someone disemboweled Charles, then cut his skull open and dined on his brains. Among the victim's books at the crime scene are The Silence of the Lambs
. Too much musing on spiritual awakenings and Tibetan philosophy as well as commentary on mundane details of daily life distract from the search for Charles's killer and a related subplot involving the heroin-smuggling operation controlled by Jitpleecheep's boss, Colonel Vikorn. Hopefully, Burdett will regain his usual narrative snap next time. (Oct.)
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“Pick up The Godfather of Kathmandu
the day it hits the stands, and block out several hours to read it in one sitting. Once you start, you won’t get anything else done until you finish it . . . I pity any Mystery of the Month contender who has to go up against John Burdett; it is almost as if they should consider releasing their books in a different month . . . Burdett has both the chops and the history to be a strong contender every time he turns out a new book, and The Godfather of Kathmandu
is no exception.”
(Mystery of the Month)
“Sonchai Jitlpleecheep has leapfrogged the field, vaulting from cult favorite to just possibly the most compelling crime-fiction hero in the genre. His fourth adventure, even more than its predecessors, is overstuffed with a dizzying array of multifaceted storylines, all of which exude both the moral ambiguity and the cognitive dissonance that have become this series’s hallmarks . . . Burdett juggles the various plots with great dexterity . . . A whirlwind of a novel.”
“A blissfully nutty caper that brings back fond memories of the late lamented Ross Thomas’s crazy-quilt crime fiction . . . Distinguishing crooks from good guys is only one of the pleasures [here] . . . Sonchai’s wry narrative voice (think: exotic Philip Marlowe) keeps us hooked.”
(starred)From the Hardcover edition.