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The novel starts off with a quote from Balzac - "Behind every great fortune, there is a crime." That, in effect, sets the tone for the entire novel. Mario Puzo, the author, ruthlessly captures the travails of a New York Don, Vito Corleone, who is, to quote the words of his son, "not a crazy gunning mobster", and his family.
Puzo presents to us an entire array of different characters - be it the short-tempered Sonny, or the dreary undertaker Bonasera, or the ever-faithful Luca, the cool-headed Tom, the 'Turk' Sollozzo, or the pleasant outsider Kay Adams, each character enters our world, refusing to leave. We are impressed by most of these essentially evil people because the story is told in an entirely closed world (of crime) and so we tend to love characters whom we would, in the normal course, detest.
The novel is, basically, about just two persons, Don Vito Corleone and his son, Michael, who after refusing to accept his father's ways, finally comes to terms with the reality and takes up the 'family business'.
Puzo shows us why he is the great author he really is! The character of the Don pervades our thoughts more than most (or almost all) other fictional characters do. Though the nature of his business is violent, the Don is portrayed as a genial, kind and reasonable man. To say the least, the Don is someone whom `every son will look for in his father, every woman will look for in her husband, and any mortal will look for in an inspirational leader.' In fact, the Godfather is what every man aspires to be - a strong, powerful and wise yet cunning genius and family man.
I have not read a better novel - chances are, you won't either! Do not miss the Godfather movies too.
Through the pages of this book the reader is introduced to the shadowy world of organized crime--more importantly, to the fiercely interdependent workings of the mafia. Deeply embedded in its Italian heritage, it was a culture of unspeakable violence, but it also fostered family, honor, community, loyalty, friendship. Vengeance. If you are downtrodden, or unfairly victimized, all you need do is approach one of the "families" and request a "favor." Proclaim your devotion and friendship, the favor will be granted. And then--even though it may never happen--you must be willing to return the favor.
Or suffer the consequences.
Puzo's novel brings to life the Corleone family, headed by its aging patriarch, Don Vito Corleone. In post-World War II New York, Corleone faces a changing world, but he is still plagued by the relentless "turf wars" with the other major families. Intense pressure is brought to introduce narcotics to the list of "services" provided by his family--pressure that Corleone emphatically resists, to the bleak detriment of first himself, and to those he loves. The subsequent development of the story--of the Corleone's strategy, of the emergence of one of the Godfather's sons to perpetuate the family's power and considerable clout--is spellbinding.
Few novels of the last thirty years have had any lasting effects on our cultural lexicon. THE GODFATHER is one of them. Highly recommended.
--D. Mikels