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The Goldfinch: A Novel (Pulitzer Prize for Fiction) Kindle Edition

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Length: 760 pages Word Wise: Enabled
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Editorial Reviews

Amazon.com Review

An Amazon Best Book of the Month, October 2013: It's hard to articulate just how much--and why--The Goldfinch held such power for me as a reader.  Always a sucker for a good boy-and-his-mom story, I probably was taken in at first by the cruelly beautiful passages in which 13-year-old Theo Decker tells of the accident that killed his beloved mother and set his fate. But even when the scene shifts--first Theo goes to live with his schoolmate’s picture-perfect (except it isn’t) family on Park Avenue, then to Las Vegas with his father and his trashy wife, then back to a New York antiques shop--I remained mesmerized. Along with Boris, Theo’s Ukrainian high school sidekick, and Hobie, one of the most wonderfully eccentric characters in modern literature, Theo--strange, grieving, effete, alcoholic and often not close to honorable Theo--had taken root in my heart.  Still, The Goldfinch is more than a 700-plus page turner about a tragic loss: it’s also a globe-spanning mystery about a painting that has gone missing, an examination of friendship, and a rumination on the nature of art and appearances. Most of all, it is a sometimes operatic, often unnerving and always moving chronicle of a certain kind of life. “Things would have turned out better if she had lived,” Theo said of his mother, fourteen years after she died. An understatement if ever there was one, but one that makes the selfish reader cry out: Oh, but then we wouldn’t have had this brilliant book! --Sara Nelson

From Publishers Weekly

Donna Tartt's latest novel clocks in at an unwieldy 784 pages. The story begins with an explosion at the Metropolitan Museum that kills narrator Theo Decker's beloved mother and results in his unlikely possession of a Dutch masterwork called The Goldfinch. Shootouts, gangsters, pillowcases, storage lockers, and the black market for art all play parts in the ensuing life of the painting in Theo's care. With the same flair for suspense that made The Secret History (1992) such a masterpiece, The Goldfinch features the pulp of a typical bildungsroman—Theo's dissolution into teenage delinquency and climb back out, his passionate friendship with the very funny Boris, his obsession with Pippa (a girl he first encounters minutes before the explosion)—but the painting is the novel's secret heart. Theo's fate hinges on the painting, and both take on depth as it steers Theo's life. Some sentences are clunky (suddenly and meanwhile abound), metaphors are repetitive (Theo's mother is compared to birds three times in 10 pages), and plot points are overly coincidental (as if inspired by TV), but there's a bewitching urgency to the narration that's impossible to resist. Theo is magnetic, perhaps because of his well-meaning criminality. The Goldfinch is a pleasure to read; with more economy to the brushstrokes, it might have been great. Agent: Amanda Urban, ICM. (Oct. 22)

Product Details

  • File Size: 1710 KB
  • Print Length: 760 pages
  • Publisher: Little, Brown and Company (October 22, 2013)
  • Publication Date: October 22, 2013
  • Sold by: Hachette Book Group
  • Language: English
  • ASIN: B00BAXFECK
  • Text-to-Speech: Enabled
  • X-Ray:
  • Word Wise: Enabled
  • Lending: Not Enabled
  • Enhanced Typesetting: Not Enabled
  • Amazon Best Sellers Rank: #320 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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More About the Author

Donna Tartt was born in Greenwood, Mississippi and is a graduate of Bennington College. She is the author of the novels The Secret History and The Little Friend, which have been translated into thirty languages.

Customer Reviews

Most Helpful Customer Reviews

1,960 of 2,119 people found the following review helpful By Jill Stevens on October 22, 2013
Format: Hardcover
I won't go into the plot since everyone will know it. My concern whenever I'm given or purchase a very long book is, "Will it keep me engaged?" and is it worth the weeks it will take me to finish it?"

The answer with THE GOLDFINCH is "Yes!" and "Sorta!"

To me, the book is divided into sections or novellas--the explosion, living with the wealthy family, moving to Vegas, etc.

The brilliant opening section immediately kept me engaged--I think the explosion and Theo's experience and recovery is some of the best writing I've read in years.

The family he moves in with may remind you of THE ROYAL TENENBAUMS or Salinger's Glass family. They are funny, a bit tragic and sort of odd. The father especially--something about his behavior seemed a bit "off" as did his wild dialogue; it didn't seem at all "real" in a novel that's very grounded in reality. (It's revealed later why he behaves this way.)

The next--and for me, strongest novella--takes place in Las Vegas where we "live" with Theo's father and girlfriend. The writing is vivid, the characters and plot really move along and it's all terrific.

And then, for me, THE GOLDFINCH seems to stall a bit and slightly loses its way. This painting that Theo carries with him seems to be forgotten about and then every 100 pages or so is mentioned again (not that we care.)

There's a novella about dealing in art (collection and deception) and our hero takes a downward turn, but I found myself losing interest and by page 600 was growing impatient for it to end...or for the plot to kick in again as it did in the first few sections.
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339 of 372 people found the following review helpful By Chicago Bookworm on December 2, 2013
Format: Hardcover
It's been a long time since I found a book so alternately beautiful and maddening. There are excellent scenes and lines in this novel, and I'm glad I read it, but it doesn't hold together well. In the end it reminded me of the antique shop the character Hobie runs in the book: many amazing, high-quality things half-hidden beneath mounds of less interesting stuff.

Tartt deserves credit for daring greatly in this book. It's hard to center a long novel on a fairly unlikeable character, and even harder when that character is also the narrator. In Theo Decker I felt she was trying to get at the ways a severe psychic injury plays out over a lifetime, and for the first half of the book I was fascinated by Theo even when I didn't like him. And Tartt does lay the groundwork carefully for his later misdeeds, particularly in Theo's unwanted resemblance to his father. But once Theo becomes an adult (in years if not in maturity), he makes so many stupid decisions, and is so apathetic about his life generally, that it got increasingly difficult for me to care what happened to him. It's also hard to reconcile how Theo can act as he does while having the insights he articulates. I understand that this is part of what Tartt is trying to explore (why people don't do what they know, at some level, they should do), but I don't think it quite comes off here. Theo's character felt too inconsistent to sustain the whole novel.

The high points of the novel for me were Theo's life immediately after the explosion that kills his mother, when he is taken in by the wealthy family of a school friend, and his relationship with Hobie, the furniture dealer who takes him on as a kind of apprentice.
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1,366 of 1,539 people found the following review helpful By Neurasthenic TOP 1000 REVIEWERVINE VOICE on October 7, 2013
Format: Preloaded Digital Audio Player
I passed the Metropolitan Museum of Art the other day and was struck with a powerful and initially inexplicable melancholy. I had been affected by the experience of reading The Goldfinch, in the opening chapters of which a great tragedy happens there. The book is compelling and moving. Tartt is a master of foreshadowing, letting us know just enough of what is to come that we feel helpless to put down the book. I found myself staying up late for several nights, turning page after page to connect the dots. This book is every bit the equal of The Secret History in this regard. And it exceeds that earlier book in its great emotional depth. The opening section, in New York City, is terribly sad and in the hands of a lesser author this material would be difficult to get past. However, Tartt has signaled us well enough about the future of our protagonist, Theodore Dekker, that we stick with him. And from the second section of the book, while we have no shortage of continuing misery, it is tempered by hope or humor.

This is not to say that the book is necessarily realistic; it is structurally a Bildungsroman, and it constantly evokes earlier books rather than real life. In the opening section, when Theo is still living in New York City, I particularly detected The Catcher in the Rye. When he moves in with the family of a wealthy school friend, his hope of being adopted by them evokes elements of
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Is this a "lendable" book?
No. It's not lendable.
Apr 20, 2015 by Sherri Carver |  See all 2 posts
Why is it not available for purchase at the Kindle store?
It is available now.
Apr 30, 2014 by sylvia silverman |  See all 4 posts
Get The Goldfinch: A Novel (Pulitzer Prize for Fiction) for free!
Um, you come on here to post a link to a piracy site? No thanks, I'm not in favor of stealing from authors, as I'd like them to continue writing books.
Jun 1, 2014 by Schmuck w. Underwood |  See all 2 posts
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