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The Good Father

6 customer reviews

Additional DVD options Edition Discs
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(Jul 07, 2005)
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$149.95 $3.93

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Editorial Reviews

Anthony Hopkins, Jim Broadbent, Stephen Fry. A bitter divorced man deals with the decline of 1960s idealism in England and the betrayal of a women's movement he once devoted himself to. 1986/color/90 min/NR/widescreen.

Special Features

  • Essay by film critic and author Wheeler Winston Dixon

Product Details

  • Actors: Anthony Hopkins, Jim Broadbent, Harriet Walter, Frances Viner, Simon Callow
  • Directors: Mike Newell
  • Writers: Christopher Hampton, Peter Prince
  • Producers: Ann Scott
  • Format: Closed-captioned, Color, NTSC, Widescreen
  • Language: English (Dolby Digital 2.0 Mono)
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.78:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Homevision
  • DVD Release Date: July 7, 2005
  • Run Time: 90 minutes
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (6 customer reviews)
  • ASIN: B0009KQP9Q
  • Amazon Best Sellers Rank: #71,840 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "The Good Father" on IMDb

Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful By KerrLines on November 17, 2007
Format: DVD
The 1987 UK film THE GOOD FATHER'S cast and crew reads like a who's who of British Cinema creme de la creme: Mike Newell directed (HARRY POTTER GOBLET OF FIRE,MONA LISA SMILE,AN AWFULLY BIG ADVENTURE);Christopher Hampton screenplay (Oscar for DANGEROUS LIAISONS,QUIET AMERICAN,TOTAL ECLIPSE) and actors such as Anthony Hopkins,Jim Broadbent,Simon Callow,Miriam Margolyes and Stephen Fry.BIG NAMES...but a small an independent film that looks at the complex emotions of couples breaking up and the bitter wars that develop over the children.This is NOT a simple,straightforward story;it is full of very complex emotionally charged material that does not try to give easy answers to these issues;instead Christopher Hampton is willing to simply let the "chips fall where they may" and let "the doodoo hit the fan" in order to show that divorce simply is not cut and dry.People get hurt and often intense misunderstanding and vengeance rears its ugly head.Much of this films narrative is told in small bits of dialogue and terse scenes while exposing the fleeting and transient volatile emotions that each character experiences.In short,Hopkins has left his wife and son.Jim Broadbent's wife has left him and taken his son.Hopkins works out his anger by convincing Broadbent to pursue a nasty custody battle that will discredit his wife and award him custody.Simon Callow and Miriam Margolyes are the two opposing lawyers accusing and defending.All of this is set with the backdrop of the emergence of Margaret Thatcher's English reign on the horizon.Each character DOES reach an epiphany of sorts,but it is enlightenment that will simply take them into the next uncomfortable chapter of life.This film is not a pleasant or enjoyable view.How can it be? It shows life with all of its ugly warts.What you learn, though, is priceless.Sometimes, that's what film intend to be;that is social commentaries on human ugliness!
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10 of 13 people found the following review helpful By Nathalie Gressin on November 3, 2000
Format: VHS Tape
Hopkins says in his biography that he can act very well Bill Hooper (a middle-aged bike boy) because he was this character, a divorced father (allowed only limited access to his little son)who takes revenge of women by the story of an other separated father. It's not my favorite movie, Hopkins is very good as usual, he is spectaculer, brilliant, terrific, a smouldering fury. But the story is not very thrilling. It's like a social case. I didn't like the heavy atmosphere, neither the long scenes on bike.
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5 of 6 people found the following review helpful By D. Clough on July 28, 2005
Format: DVD
Christopher Hampton is a superb diagnostician when it comes to the war between the sexes and his scripts (ie. "Treats" or "Les Liaisons Dangereuses") examine the viciousness and the paradoxes of gender relationships like no other. "The Good Father" hinges on just such a paradox (no spoilers here) but it's also a deft picture of where things stood between the sexes in the self-centred 80's. Men are encouraged to identify with the angry hero's sense of outrage over agressive feminism and the absurdities of political correcteness but then the film cleverly changes gear and makes us realise that more is at stake. Not a classic perhaps - or a good date movie - but thought provoking and well acted.
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