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Neil Simon's play shines under the direction of Herbert Ross as these two mismatched people find their contempt changing into mutual admiration. Quinn Cummings is more interesting than most precocious child stars; she seems brighter and her manner is prickly instead of cloying. Watch this film just for the scene in which Dreyfuss plays Richard III in an off-off-Broadway play. He lisps, he limps, he screams. It is the worst theater you will ever see--and thoroughly hilarious. --Rochelle O'Gorman
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For his work in "The Goodbye Girl", Richard Dreyfuss won the much deserved Oscar for Best Actor. Marsha Mason was nominated for Best Actress and Quinn Cummings was nominated for Best Supporting Actress. The film itself was nominated for Best Picture and Neil Simon was nominated for Best Screenplay Written Directly for the Screen. Some of the very memorable scenes in the film include Paula & Lucy's arrival home at the beginning of the film, Elliot's arrival, the living arrangements, Elliot's rehearsals, Paula's exercises, Lucy's stomachache, Elliot's alternate employment, the Chianti, the rooftop dinner, the carriage ride and the closing scenes. Other memorable characters include Elliot's off-Broadway director Mark (Paul Benedict, known for his portrayal of Harry Bentley in the 1975-1985 TV series "The Jeffersons") and Donna Douglas (Barbara Rhoades).
Overall, I rate the 1977 version of "The Goodbye Girl" with a resounding 5 out of 5 stars. It's a wonderfully engaging film that continues to entertain to this day. The 2004 television remake that starred Jeff Daniels as Elliot and Patricia Heaton as Paula was not anywhere as good as the original.
Richard Dreyfuss and Marsha Mason play mismatched people stuck rooming together when Mason's ex dumps her and sublets his apartment to Dreyfuss. Mason's character has a young daughter, played by Quinn Cummings, and the three end up tolerating each other until resentment turns to acceptance turns to caring turns to love. It's an old story but it's never been done better than this.
As an adult now, I think the film appeals to me because the male character is more than just window dressing in a story about how hard a woman's life is. Guys don't want to be beat over the head and this movie doesn't do that. Each character has their own chance to have a breakdown, and in the end we find a little of ourselves in all of them.
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