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"Star Trek Into Darkness" Available for Pre-order on Blu-ray and DVD
From director J.J. Abrams comes the next installment in the Star Trek saga, Star Trek Into Darkness. See it at Cinemark theaters now and pre-order on Blu-ray, 3D Blu-ray, DVD, and the Exclusive Starfleet Phaser Gift Set. Shop Star Trek Into Darkness and more in the Star Trek Store. Learn more |
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New audio commentary by Charlie Chaplin historians Dan Kamin and Hooman Mehran
The Tramp and the Dictator (2001), a documentary narrated by filmmaker Kenneth Branagh and featuring interviews with author Ray Bradbury, director Sidney Lumet, historian Arthur Schlesinger Jr., screenwriter Budd Schulberg, and a host of others
Two new visual essays, by Chaplin archivist Cecilia Cenciarelli and Chaplin biographer Jeffrey Vance
On-set, color production footage shot by Chaplin’s half-brother, Sydney
Deleted scene from Chaplin’s 1919 film, Sunnyside
Theatrical trailer
PLUS: A booklet featuring an essay by film critic Michael Wood and a 1940 article by Chaplin on the film
The facts, however, say it all.
This film was made at a time when most of America was anti-semitic, when no one wanted to think of getting involved with Europe's affairs, and when Chaplin's own art of pantomime had been lost in the onslaught of 'talkies'.
And for Chaplin to choose *this* premise for his farewell to the little Tramp-- turning his Tramp into a Jew and turning himself into Adolf Hitler-- well, it's nothing short of daring.
For those that prefer Charlie as just the funny little fellow, and not his serious side, there's enough slapstick in this film to satisfy even them: the comedic highs are the moments when no words are needed-- the misplaced grenade, the dance with the globe, or the shaving scene to Brahm's Hungarian Dance. But the film IS at its best when Chaplin's Adenoid Hynkel is shown as a stark raving madman, and he with Jack Oakie's 'Napaloni' expose the true ridiculousness and lunacy of it all.
Cynics have been known to call this film 'preachy', but as far as I'm concerned, it was awful gutsy of Chaplin to speak out on the issue-- and not just speak out, but to point a finger right in the face of Fascism and to charge it as a 'blunder' of humanity. For him to be *successful* in making us laugh on a subject that, in its essence, is not funny in the least really is a testimony to his abilities as an actor.
His other films may be better than this one, and it's not my personal favorite of his work, BUT: **this** is the film that made Charlie a hero in my eyes. And that sort of passion for speaking out in what you believe deserves Five stars anyday!