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Summer Reading
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This installment tells the story of Roland's search for a mysterious stranger who may be able to help Roland find the Dark Tower. It is long on atmosphere and short on action. Therefore, fans of Steven King's horror works will find this book a distinct change of pace. However, the book will not disappoint you if you try it, especially if you are a fan of fantasy series such as the Lord of the Rings. Furthermore, you will find in later books that elements of King's horror world also exist in Roland's world, and therefore, to have a full understanding of King's horror villains, you have to read this series.
The Gunslinger offers several intriguing views of Roland's dying world. The book is not devoid of action; there is a dramatic shoot out for shadowy reasons which one hopes will be better explained in the concluding volumes of the work. There is a lost child who provides the first direct evidence that Roland's world is connected to our own, and there is the introduction to Roland himself, a man who is capable of fantastic violence but still comes across as human and quite possibly kind (a fact which becomes more clear in later books).
I recommend this book most highly to anyone who enjoys stories involving quests such as Arthurian legends, the Chronicles of Prydain and the Hobbit and Lord of the Rings.
According to the afterword from this book, it took King twelve years to complete the writings. He wrote the opening line, "The Man in Black fled across the desert, and the Gunslinger followed" while an undergraduate, the middle portions when "`Salem's Lot" was going bad, and was inspired with another concurrent writing: "The Stand." For King to have kept the Gunslinger, the Man in Black, Jake, and the other characters - and really the entire world of the Dark Tower - alive for so long in his mind is a testament to not only the power that this held over the author, but holds over us - his Constant Readers. Moreover, since the first publishing of "The Gunslinger," around twenty years have passed, a number of newer volumes in this series have come and gone - yet with this first, partially inspired by Robert Browning's poem, "Childe Roland," and partially inspired by reams of green paper (read the afterword to the book), you know that this was a very special creation indeed.
I am not a fan of King's horror fiction. But when he gets down to writing about "other worlds than these," such as "The Stand," "Insomnia," "The Green Mile," and "The Talisman" (co-authored with Peter Straub) - there is no one better. His is an imagination to be jealous of. There is always a feeling that alternate universes exist, next to our own.
... Read more ›This first novel in the series finds the hero (for wont of a better word!), The Gunslinger, slugging across the desert in search of the mysterious Man in Black. The desert is bleak and so our the words - yet they have a definite beauty. Along the way The Gunslinger meets a couple of people (are they alive or dead?) and reveals some of his back history - a strange massacre in a town, his childhood friends and mentors and hints at a Dark Tower.
Death permeates this book. We're not sure who's dead or alive. Something strange has happened with time - the main search right now is for this cause - and strange fragments of the "real" world appear through the fog - Hey Jude playing in a Western Saloon is one of the strange and wonderful images we encounter. Time itself is an illusion it seems and still the Man in Black is ahead of us.
My one reservation about the book is that the final meeting with the Man in Black is a little anticlimactic. Perhaps that's because it's been building up but after the meeting we wonder why he was running at all. However, there is a lot of backstory missing in the book - obviously slated for the later books - so perhaps issues like this will be resolved. All in all a most strange but powerful book - well worth reading.
Now, as for "The Gunslinger." If you are one of those that were unimpressed by this offering, please follow this advice: Read the whole thing. All of it. That includes the "tributary" books like "Insomnia" and especially "The Stand." Get a feel for what King is trying to do. Then go back for a re-read. You'll be amazed. Admittedly the pace is disjointed, and if you have read King's other stuff, you won't be prepared for this. But realize that the sparseness of the prose, the disjointedness and abjectness and disaffection of the novel mirrors the desolation and madness of Roland's soul (which is in turn reflected by the desolation of the desert and the madness of the man he chases).
... Read more ›