I first discovered Allison Moorer on a sampler of the "Now That's What I Call the 40 Greatest Country Hits In The World Ever" type. She was singing "A Soft Place To Fall", sadly remembered by most people only as 'that song from The Horse Whisperer', but actually one of the finest American songs of the decade. However great the song, it was the voice that snared me. She has the flawless control and faithfulness to meaning of a classical lieder singer, coupled with the heartfelt sincerity of a singer-songwriter, the raw tenderness that belongs to the best of country & western, and the sensuality of a soul diva.
Allison's great blessing is that she sings in a quite limited contralto range that has never tempted her to pointless histrionics - none of the shrieking or swooping or yodelling that make some singers so exhausting to listen to. She doesn't need these gimmicks. She writes (or co-writes) fantastic memorable tunes with meaningful lyrics, and in performance she is able to wring every last ounce of meaning out of every word.
"The Hardest Part" is Allison's second album. The first was fairly conventional country rock of a uniformly excellent quality, but it was only a taster for the journeyman effort. Not so much a concept album (yech!) as a Song Cycle, we are given 10 or possibly 11 thematically connected songs charting the breakdown and tragic aftermath of a relationship probably inspired by her parents' fatal marriage.
The title track, a comfortable country quickstep (probably to reassure listeners in preparation for the more eclectic styling of later songs) gives you the moral: "children say that words can never harm you, only sticks and stones can make you cry" ... and you know intuitively that the album is going to be about the damage that words can do in real life.
The final uncredited track tells the stripped down, harrowing account of the outcome: An estranged husband goes mad with loneliness. He visits his abused wife pleading for forgiveness and reconciliation. When his pleas are rejected he kills her and then turns the gun on himself, leaving two young daughters as orphans. That much is family history.
In between the moral and the denouement we are offered nine songs of uniformly high quality, ranging from the laid-back semi-pop groove of "It's Time I Tried" to the electric guitar-driven rock of "Think It Over" or the pure country waltz of "Feeling That Feeling Again". But of course it's all Country really. Allison Moorer is pure Nashville TN. Sure she's one of the boldest of the new country brigade in assimilating fresh influences and keeping Country alive for the new millennium, but the classic twang comes through in every bar.
The stand-out track is "No Next Time", a delicious slow-building ballad featuring a climactic duet with Lonesome Bob, whose deep brown voice seems to come out of the ground. After all the heroine's questioning of her lover and herself during the earlier song, this one marks her realisation that his words after each betrayal("I didn't mean to make you cry, I apologise...there'll be no next time") have become no more than a repeated ritual. The penultimate track tells beautifully of her surprise on meeting him again to find that she is still in love, even as she accepts that there is no going back. And that is where the song fades into the album's sombre finale.
Just one minor criticism: It's barely long enough. Even with the hidden track it's not much more than 45 minutes, and that's only by stretching things out with a couple of minutes of unnecessary guitar solos. It could be half as long again without dragging. On the other hand, the album says everything it needs to say with unrivalled expertise, style and grace. Anything more would probably have spoiled the pudding.
It's hard to see how you could go wrong buying this. Even with such downbeat subject matter the end result is uplifting. I go in phases listening to pop, rock, symphonies, opera, jazz, folk and country, but it's years since I listened to a new album so many times over.