From Publishers Weekly
Harrison's status as the noir poet of New York crime fiction (Afterburn; Manhattan Nocturne) will surely be enhanced by his latest thriller-featuring, among other pleasures, the graphic description of several new and unusual ways to die. What goes on in the by-invitation-only Havana Room of a midtown steakhouse is certainly bizarre-but no odder than what happens in a Long Island potato field when a Chilean wine maker decides to expand his empire. Caught in the middle are two most unlikely heroes: Bill Wyeth, a real estate lawyer whose career and marriage are destroyed by a terrible accident involving a child, and Jay Rainey, a hulking, strangely sympathetic con artist. Linking these two is a touching and complicated woman, Allison Sparks, who manages the steakhouse but longs for more. "She seemed full of humor and fury and sexual need. She arranged people, fixed problems, came to decisions." Although Wyeth and Rainey drive the action, it's Sparks who sets the moral tone of the book. Meanwhile, the lush, alluring steakhouse and its public and private pleasures are the perfect metaphor for a postapocalyptic New York. "It did not matter if you polluted your lungs or liver or gut with the good stuff being served, because a man or a woman's life was itself just a short meal at the table, so to speak, and one had an obligation to live well and live now, to dine heartily by the logic of the flesh." Despite occasional digressions into arcane real estate law and Chinese cuisine, Harrison's storytelling hums and his prose shimmers all the way through this fascinating adventure.
Copyright 2003 Reed Business Information, Inc.
Harrison won legions of fans with his previous novels Afterburn
(2000) and Manhattan Nocturne
(1997), and his new novel promises not to disappoint. The suspenseful plot, film noir atmosphere, and unique details like hallucinogenic sushi will keep readers actively engaged. What's more, in Bill Wyeth, Harrison has created a character with a lot to lose--his family, career, and sanity, for starters--and his plight provides an emotional backdrop to the chases and killings. A few naysayers found that the thrill wore off, that Harrison displayed a tendency to overwrite, and that he sometimes stretched the limits of plausibility. For the most part, however, critics were drawn into both the internal and external drama of Wyeth's life, and cheered him on his search for redemption.
Copyright © 2004 Phillips & Nelson Media, Inc.