A new classic has been born. Kathryn Sockett's "The Help" will live in hearts and minds, be taught in schools, be cherished by readers. The three women who form its core, idealistic Skeeter, loving Aibileen, and sarcastic, sassy Minny, narrate their chapters each in a voice that is distinctive as Minny's caramel cake no one else in Jackson, Mississippi, can duplicate.
These stories of the black maids working for white women in the state of Mississippi of the 60s have an insiders' view of child-rearing, Junior League benefits, town gossip, and race relations.
Hilly is the town's white Queen Bee with an antebellum attitude towards race. She hopes to lead her minions into the latter part of the century with the "enlightened" view of making sure every home in Jackson, Mississippi, has a separate toilet for the help. Her crusade is, she says, based on clear hygienic criteria, which will save both blacks and whites from heinous diseases.
Despite the fact that the maids prepare the food, care for the children, and clean every part of every home, privy to every secret, many of the white women look at their black maids as an alien race. There are more enlightened views, especially those of Skeeter, a white, single woman with a college degree, who aspires to more than earning her MRS. Skeeter begins collecting the maids' stories. And the maids themselves find the issue of race humiliating, infuriating, life-controlling. Race sows bitter seeds in the dignity of women who feel they have no choices except to follow their mamas into the white women's kitchens and laundries. Aibilene says, "I just want things to be better for the kids." Their hopes lie in education and improvement, change someday for their children.
There is real danger for the maids sharing their stories as well as danger for Skeeter herself. The death of Medgar Evers touches the women deeply, making them question their work and a decision to forge ahead, hoping their book can be published anonymously and yet not recognized by the very white women they know to the last deviled egg and crack in a dining room table.
The relationships between the maids and the white children, the maids and some kind employers, including "white trash" Cecilia Foot, illuminate the strange history of the South. The love Aibileen shows for Mae Mobley matches the love Skeeter felt as a white child from her maid-nanny Constantine.
There is never a dull moment in this long book. It is compulsively readable while teaching strong truths about the way the United States evolved from a shameful undercurrent of persistent racism to the hopes and dreams of Martin Luther King and Rosa Parks. Ultimately, will the next generations children learn (and be taught) that skin color is nothing more than a wrapping for the person who lives within?
