Inspector Jefe Javier Falcon returns in one of the most baffling and sophisticated cases of his career when a horribly disfigured body is found in a local dump in Seville, the face burned off with acid, hands surgically removed, making recognition virtually impossible: "The unidentifiable corpse was like a neurosis." Although Falcon goes into action with his usual sense of purpose, the investigation is soon overshadowed by an explosion that demolishes a building in the poor section of town, killing the innocents who happen to be in the wrong place at the wrong time, a horror all too familiar since the 2005 Madrid bombings. That the bomb originated in a neighborhood mosque only serves to exacerbate the incipient turf wars of the anti-terrorism agencies, the din of their competition a testament to the new world order.
Falcon retains control of the investigation, at least figuratively, Juez Esteban Calderon assigned to the bombing case as well. Falcon has a history with Calderon, married for four years to the inspector's ex-wife, Inez. Given the pressure of public panic and the threat of terrorist activities, the process is retarded by internal entanglements and agency distrust, while the outraged citizens clamor for protection. The charismatic Calderon skillfully steers the volatile public debate, but his influence is short-lived when personal demons and a previously-hidden murderous temperament surface, Falcon's case fraught with internal complications ("Charisma... an intense form of self-belief. Its closest friend can quite quickly become corruption").
Since we first met the serious, honorable Falcon in The Blind Man of Seville, his job has altered with the passing years, the terrain of police work become a hotbed of self-serving opportunism under the vast umbrella of terrorist conspiracy. Not given to easy platitudes or simplistic explanations of good vs. evil, the Spanish are sensitive to the intricate workings of religious zeal, politics and public policy, the delicate links between a passion for change and the slippery slope of strange bedfellows in aid of a cause. Falcon uncovers a morass of moral uncertainty corrupted by hidden agendas. In the end, the hidden assassins are not the individual perpetrators of terrible events, but the constantly shifting landscape of expediency, fundamental splinter groups, Christian, Muslim and related interests activated by tragedy, opportunists rushing in to take advantage of the chaos and further their own political gains.
Suddenly everything is relative, the waste of innocent lives a collateral issue rather than an outrage. All of this goes against the natural grain of Falcon's psyche, the purity of his intent distorted in a tragedy with the Shakespearean flair of a modern man tormented by the convoluted logic of a terror-obsessed world. A catalyst for more intense questioning than the accepted rhetoric of the last few years, Falcon clings to the integrity that fuels his existence, undiminished by violence, a profoundly moral man in an increasingly immoral environment. Luan Gaines/2006.