The Hobbit [Hardcover]

J.R.R. Tolkien (Author, Illustrator), Christopher Tolkien (Introduction)

Book Description

Publication Date: September 21, 2007

This deluxe hardcover edition of J.R.R. Tolkien's classic prelude to his Lord of the Rings trilogy contains a short introduction by Christopher Tolkien, a reset text incorporating the most up-to-date corrections, and all of Tolkien’s own drawings and full-color illustrations, including the rare “Mirkwood” piece.

J.R.R. Tolkien's own description for the original edition: "If you care for journeys there and back, out of the comfortable Western world, over the edge of the Wild, and home again, and can take an interest in a humble hero (blessed with a little wisdom and a little courage and considerable good luck), here is a record of such a journey and such a traveler. The period is the ancient time between the age of Faerie and the dominion of men, when the famous forest of Mirkwood was still standing, and the mountains were full of danger. In following the path of this humble adventurer, you will learn by the way (as he did) -- if you do not already know all about these things -- much about trolls, goblins, dwarves, and elves, and get some glimpses into the history and politics of a neglected but important period. For Mr. Bilbo Baggins visited various notable persons; conversed with the dragon, Smaug the Magnificent; and was present, rather unwillingly, at the Battle of the Five Armies. This is all the more remarkable, since he was a hobbit. Hobbits have hitherto been passed over in history and legend, perhaps because they as a rule preferred comfort to excitement. But this account, based on his personal memoirs, of the one exciting year in the otherwise quiet life of Mr. Baggins will give you a fair idea of the estimable people now (it is said) becoming rather rare. They do not like noise."

Editorial Reviews

Amazon.com Review

"In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort."

The hobbit-hole in question belongs to one Bilbo Baggins, an upstanding member of a "little people, about half our height, and smaller than the bearded dwarves." He is, like most of his kind, well off, well fed, and best pleased when sitting by his own fire with a pipe, a glass of good beer, and a meal to look forward to. Certainly this particular hobbit is the last person one would expect to see set off on a hazardous journey; indeed, when Gandalf the Grey stops by one morning, "looking for someone to share in an adventure," Baggins fervently wishes the wizard elsewhere. No such luck, however; soon 13 fortune-seeking dwarves have arrived on the hobbit's doorstep in search of a burglar, and before he can even grab his hat or an umbrella, Bilbo Baggins is swept out his door and into a dangerous adventure.

The dwarves' goal is to return to their ancestral home in the Lonely Mountains and reclaim a stolen fortune from the dragon Smaug. Along the way, they and their reluctant companion meet giant spiders, hostile elves, ravening wolves--and, most perilous of all, a subterranean creature named Gollum from whom Bilbo wins a magical ring in a riddling contest. It is from this life-or-death game in the dark that J.R.R. Tolkien's masterwork, The Lord of the Rings, would eventually spring. Though The Hobbit is lighter in tone than the trilogy that follows, it has, like Bilbo Baggins himself, unexpected iron at its core. Don't be fooled by its fairy-tale demeanor; this is very much a story for adults, though older children will enjoy it, too. By the time Bilbo returns to his comfortable hobbit-hole, he is a different person altogether, well primed for the bigger adventures to come--and so is the reader. --Alix Wilber --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Noted artist Hague provides 48 dazzling paintings for this first-ever version of the timeless fantasy classic. All ages.
Copyright 1989 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Age Range: 12 and up
  
• Hardcover: 320 pages
• Publisher: Houghton Mifflin Harcourt; Anv edition (September 21, 2007)
• Language: English
• ISBN-10: 0618968636
• ISBN-13: 978-0618968633
• Product Dimensions: 8.8 x 5.8 x 1.2 inches
• Shipping Weight: 1.1 pounds (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars  See all reviews (5,072 customer reviews)
• Amazon Best Sellers Rank: #25,563 in Books (See Top 100 in Books)

More About the Author

J.R.R. Tolkien (1892.1973), beloved throughout the world as the creator of The Hobbit and The Lord of the Rings, was a professor of Anglo-Saxon at Oxford, a fellow of Pembroke College, and a fellow of Merton College until his retirement in 1959. His chief interest was the linguistic aspects of the early English written tradition, but even as he studied these classics he was creating a set of his own.

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#86 Overall (See top 100 authors)

#4 in Books > Literature & Fiction > Classics

#10 in Books > Science Fiction & Fantasy > Fantasy

#12 in Books > Teens

#13 in Books > Science Fiction & Fantasy

#22 in Kindle eBooks > Literature & Fiction > Fantasy

#4 in Books > Literature & Fiction > Classics

#10 in Books > Science Fiction & Fantasy > Fantasy

#12 in Books > Teens

#13 in Books > Science Fiction & Fantasy

#22 in Kindle eBooks > Literature & Fiction > Fantasy

Most Helpful Customer Reviews

327 of 347 people found the following review helpful

5.0 out of 5 stars Really, the best way to read The Hobbit February 20, 2003

By Mark Pollock

Format:Hardcover

Okay, so I say that this is the best way to read The Hobbit. And I am dead serious.

I know that annotated books can be difficult to navigate, filled with useless, pointless, or just plain boring information, and can be grossly oversized. That is not the case here.

So - here's the scoop.

The original story is very nicely presented, with all original illustrations in color when possible, and in black and white elsewhere. The type is nice and clear, very easy to read. (Many cheaper editions are also rather hard on the eyes. Check the print before you buy, folks!)

The illustrations are printed very clearly, and with very good notes on what they are.

And then the annotations - useful, engaging, and very well done. You will WANT to read these. We discover how the book was written, and what was changed between editions. (There were many changes made so that The Hobbit would conform more easily to the Lord of the Rings trilogy.) There are fascinating tidbits about Tolkien's life and the experiences that made their way into the story.

The forward tells about the writing of the novel, and the appedices give additional details about the text.

There are also many illustrations from other editions of the book. These are varied, from thought-provoking to not-provoking.

And the book is not too big. Some editions are simply too big to be read, but this book is reasonably sized so that you can actually READ IT! In fact, I have not read any other edition of The Hobbit for years, since the original annotated version came out.

The new edition is very much worthwhile. Enjoy!

85 of 93 people found the following review helpful

5.0 out of 5 stars Excellent Annotations September 19, 2002

By Matt Howe VINE™ VOICE

Format:Hardcover

This newly published, annotated version of THE HOBBIT is excellent for fans of the book. It may be TMI ("too much information") for the first-time reader. The text of THE HOBBIT settles in the center of the book while Doug Anderson's notations appear in the outer margins. At times it's a bit busy - but there's always fascinating reading! Tolkien fans are sure to get excited over this one.

Doug Anderson includes lots of sources in his notes. He quotes Tolkien's own letters, other fairy tales and legends that may have inspired Tolkien, as well as previous versions of the section he's noting. The Gollum section ("Riddles in the Dark") is interesting. Tolkien did some tinkering with the original Gollum story as its follow-up (LORD OF THE RINGS) was taking shape. Seems that George Lucas is not the only person who's revised previously released work! Tolkien was his predecessor.

Also interesting are the many black and white illustrations that Anderson includes, many from foreign editions of THE HOBBIT. Some of the art is hilarious, as it does not resemble Tolkien's characters at all! There is a nice color section of illustrations in the center of the book.

THE ANNOTATED HOBBIT is a handsome, interesting book to own if you're a fan of Bilbo and his adventures with the dwarves (or dwarfs? That's covered in the book as well!)

69 of 77 people found the following review helpful

5.0 out of 5 stars As Good As It Gets November 1, 2002

By Larry D. Curtis

Format:Hardcover

This version of the Hobbit is a pleasure to long-time fans but will also serve new readers well. Anderson released the original "Annotated Hobbit" years ago but this new format with the annotations in the column most often directly next to the orginal book text is supurb.

Included are Hobbit illustrations around the word, a rich addition, but the real joy of this book is learning background and details about The Hobbit, author J.R.R. Tolkien and The Lord Of The Rings. At times the footnotes are scholarly and at other times they are amusing gems.

Anderson has compared all of Tolkien's revisions and has researched the 'whys' 'hows' and 'whens' that helps reveal to reader the meaning of the text and the personality of the author.

My favorites are anecdotes about Tolkien's personal life that involve his family and personal history. They are facinating and at times touching.

WIthout rambling on too much, I can confidently recommend this version of "The Hobbit" as the best available.

28 of 30 people found the following review helpful

4.0 out of 5 stars Very good supplement to a landmark book. April 26, 2005

By B. Marold HALL OF FAMETOP 100 REVIEWER

Format:Hardcover

`The Annotated Hobbit', annotated by bookseller Douglas A. Anderson is published by J.R.R. Tolkien's American publisher, Houghton Mifflin (important because it means the cover of this book uses the same art as the cover of the most popular hard-covered American edition of the Hobbit, published in the 1960's).

Let me be perfectly clear that this is first and foremost a review of the Annotation, not of the novel, `The Hobbit' itself. I have an almost reverential respect for the original novel, having bought my first copy of this work on a cold February day in 1965 in the Lehigh University bookstore. I began reading it on the bus on the way home from my college classes at about 1:00 PM, and simply could not put it down. I finished reading it at about 8:30 that evening. The experience is not unlike some cinematic versions of experiences like Dorothy's opening the door of her Kansas house to step out onto the grass of Oz. I am totally unsurprised by a statement in this annotation that says that the entire first page of `The Hobbit' has been reproduced in `Bartlett's Familiar Quotations'. There are few more magical or evocative openings to novels I have read in my whole life. And, while I can appreciate that there are adult readers, my Hemingway loving uncle being one of them, who simply `don't get it', I am often driven to the point of dispair when I can't interest young readers or listeners in `The Hobbit'. Like `Winnie the Pooh' and `Alice in Wonderland', I really think these are books designed much more to bring back memories of childhood in adults than to engage young readers. And oh how much I enjoy reading `The Hobbit' aloud!

But back to this Annotation'.... Like similar annotations to works of fiction such as `Alice in Wonderland' and the Arthur Conan Doyle stories of Sherlock Holmes, there are four different subjects for annotation. One is internal; where names and events are cross-referenced to other parts of the work to explain, elaborate, resolve, or point out inconsistencies. The second is external, where correspondences can be made to sources or, in the case of Conan Doyle or Carroll, events of the day that may have found their way into the fiction. The third is references to the author's unpublished notes and letters. Tolkien's works should be rich sources for all three types of annotation, as the world of `The Hobbit' and `The Lord of the Rings' is based on an enormous body of Norse, Celtic, and Teutonic mythology, fable, and epic literature. Also, standing behind `The Hobbit' is the great events of `The Lord of the Rings', `The Silmarillion', and over twelve volumes of Tolkien writings compiled and annotated by Christopher Tolkien.

So why are the annotations in this volume so sparse? The author certainly does not limit himself to only one kind of annotation. There are examples of all three references to other Tolkien works, notes and letters, and other sources. The author does give us lots of illustrations of scenes from `The Hobbit' published in translations of the work from around the world. There are also a few illustrations from books that certainly influenced Tolkien, such as `The Marvelous Land of Snergs'. The one thing that all these illustrations tell me is that, on average, they are not very good, oriented primarily towards a children's audience rather than some of the more heroic art familiar to us from modern fantasy illustrators. It seems to me a lost opportunity also to not include Tolkien's own color illustrations for `The Hobbit', as they appeared on the very first `Tolkien' calendar in, I believe 1966 or 1967.

I will give just a few illustrations of where I think the author may have disappointed his readers. By far the most interesting character in `The Hobbit' next to Bilbo and Gandalf is Smaug. And yet, the book has next to nothing to say about the fictional antecedents of that delightfully cagey old worm. One of my only fond memories of the rather insipid cartoon version of `The Hobbit' done several decades ago is the gravely voice of Smaug done by Paladin himself, Richard Boone. If you couldn't get John Huston, then Boone was certainly the next best thing. To the whole conversation between Bilbo and Smaug, there are but two notes regarding Smaug and dragons. At least we get a reference about the source of Smaug's name, a primitive Germanic verb, `smugan' meaning to squeeze through a hole. Tolkien confessed that this was `a low philological jest'. In the wider story culminating in the great events of `The Lord of the Rings' coming at the end of the Third Age, it is much more important to Gandalf to remove this great dragon from the field so Sauron could not use him as a weapon in the War of the Rings than it was to restore a small band of dwarves to their treasures. The book has practically nothing to say about this, or the fact that the character of the `necromancer' who takes up residence at the southwestern tip of Mirkwood forest is actually either the leader of the Nazgul or Sauron himself.

I keep thinking, as I turn each page of ample, empty white margins, all the things that could have been included.

In balance, this is not a bad book or even a poor purchase, especially if, like me, you simply must have a copy of every different version of Tolkien's works imaginable. It has a very nice bibliography and an Appendix of all textual changes between the 1937 and 1966 editions. For those notes it does have, it is great as a version to read to children where you can record your own notes with answers to their questions. Read more ›