From Publishers Weekly
The narrative material of this short, almost weightless tale by the late Brazilian writer (19251977) is reminiscent of old-fashioned naturalism, but the intention is far from that. Macabea, a young woman from the backwoods, arrives in bewildering Rio. Homely, ignorant, without skills or experience, she lodges in a shabby tenement in a squalid red-light district. Her transient boyfriend, a strutting lout and sham, soon abandons her. After a time, Macabea is struck down by a Mercedes and killed: an obscure life, a banal death. The author's presence is continuously feltthe narrator-of-record is a mere front for itand it is here that the work goes awry. The nagging voice attempts to elevate Macabea's little life to nobility and religious significancebut to no avail. And the modish commentary on novelistic method amounts to little more than affectation.
Copyright 1986 Reed Business Information, Inc.
--This text refers to the
“In less than one hundred pages, Clarice Lispector tells a brilliantly multi-faceted and searing story.” (Jesse Larsen - 500 Great Books by Women)
“Clarice Lispector is the premier Latin American woman prose writer of this century. She is studied by the scholars, but has never managed to reach the reading public. The Hour of the Star
could change all that.” (The New York Times)
“An artist of vivid imagination. If her work is thoughtful and poetic, distinguished by touching insight and human sympathy, it is also full of irony and wild humor.” (Saturday Review)