The Hundred Dresses [Paperback]

Eleanor Estes (Author), Louis Slobodkin (Illustrator)

Book Description

Publication Date: September 1, 2004 | Age Range: 6 - 10 years | Lexile Measure: 870L (What's this?)

Eleanor Estes’s The Hundred Dresses won a Newbery Honor in 1945 and has never been out of print since. At the heart of the story is Wanda Petronski, a Polish girl in a Connecticut school who is ridiculed by her classmates for wearing the same faded blue dress every day. Wanda claims she has one hundred dresses at home, but everyone knows she doesn’t and bullies her mercilessly. The class feels terrible when Wanda is pulled out of the school, but by that time it’s too late for apologies. Maddie, one of Wanda’s classmates, ultimately decides that she is “never going to stand by and say nothing again.” This powerful, timeless story has been reissued in paperback with a new letter from the author’s daughter Helena Estes, and with the Caldecott artist Louis Slobodkin’s original artwork in beautifully restored color.

Editorial Reviews

Amazon.com Review

Wanda Petronski lives way up in shabby Boggins Heights, and she doesn't have any friends. Every day she wears a faded blue dress, which wouldn't be too much of a problem if she didn't tell her schoolmates that she had a hundred dresses at home--all silk, all colors, and velvet, too. This lie--albeit understandable in light of her dress-obsessed circle--precipitates peals of laughter from her peers, and she never hears the end of it. One day, after Wanda has been absent from school for a few days, the teacher receives a note from Wanda's father, a Polish immigrant: "Dear teacher: My Wanda will not come to your school any more. Jake also. Now we move away to big city. No more holler Polack. No more ask why funny name. Plenty of funny names in the big city. Yours truly, Jan Petronski."

Maddie, a girl who had stood by while Wanda was taunted about her dresses, feels sick inside: "True, she had not enjoyed listening to Peggy ask Wanda how many dresses she had in her closet, but she had said nothing.... She was a coward.... She had helped to make someone so unhappy that she had had to move away from town." Repentant, Maddie and her friend Peggy head up to Boggins Heights to see if the Petronskis are still there. When they discover the house is empty, Maddie despairs: "Nothing would ever seem good to her again, because just when she was about to enjoy something--like going for a hike with Peggy to look for bayberries or sliding down Barley Hill--she'd bump right smack into the thought that she had made Wanda Petronski move away." Ouch. This gentle Newbery Honor Book convincingly captures the deeply felt moral dilemmas of childhood, equally poignant for the teased or the tormentor. Louis Slobodkin, illustrator of the 1944 Caldecott Medalist Many Moons, brings his wispy, evocative, color-washed sketches to Eleanor Estes's time-proven classic about kindness, compassion, and standing up for what's right. (Ages 6 and older) --Karin Snelson --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

Grade 3-6-Friendship, peer pressure, regret, and courage are all issues that are integral to this Newbery Honor book by Eleanor Estes (Harcourt, 1944). Wanda Petronski tells classmates she has a hundred dresses of all varieties in her closet at home. So why does she always wear the same old worn dress to school? The teasing that follows seems harmless, but it's not. This book explores the hurt that comes from thoughtless words, and offers a painful, but heart-warming lesson in forgiveness. Christina Moore reads the unabridged story with warmth and expression. The author's carefully chosen words stand on their own without the distraction of sound effects or music. This is a well-done production of an exceptional book that has earned its place as a childhood classic.
Teresa Bateman, Brigadoon Elementary School, Federal Way, WA
Copyright 1999 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.

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Product Details

• Age Range: 6 - 10 years
  
• Paperback: 96 pages
• Publisher: Sandpiper; Reissue edition (September 1, 2004)
• Language: English
• ISBN-10: 0152052607
• ISBN-13: 978-0152052607
• Product Dimensions: 8.4 x 6.5 x 0.4 inches
• Shipping Weight: 5.6 ounces (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (175 customer reviews)
• Amazon Best Sellers Rank: #3,358 in Books (See Top 100 in Books)
  • #24 in Books > Science & Math > Technology
  • #76 in Books > Children's Books > Classics

More About the Author

ELEANOR ESTES (1906-1988), a children's librarian for many years, launched her writing career with the publication of The Moffats in 1941. Two of her books about the Moffats are Newbery Honor books, as is The Hundred Dresses. She won the Newbery Medal for Ginger Pye in 1952.

Most Helpful Customer Reviews

132 of 135 people found the following review helpful

5.0 out of 5 stars A coming-of-age story January 9, 2004

By Kristine Batey

Format:Paperback

I first read this book as a girl more than 40 years ago, and I still love it.

I've noticed something about this book that many reviews (and many of the lesson plans I've read) seem to miss, and I think it's an important point: This isn't the story of Wanda Petronski. It's the story of Maddie, an ordinary person who quietly assents to evil and then must live with her conscience. It's very tough stuff for young readers (and older ones), both deep and dark. I remember my own daughters finding it to be rough going emotionally, because Maddie's epiphany comes when the possibility of redemption is past, leaving her only with regret. This is unusual in children's fiction (and adults'), where the norm is for the central character--the character with whom the reader identifies--to be granted a second chance to make the compassionate choice. Estes quite deliberately, and, I think, properly, gave the book a real-life ending, where understanding occurs after the moment of truth has irretrievably gone by, and we realize that the next step, the step that occurs after the end of the story, is for the character and, by extension, the reader, to decide how to live her life from that point on.

Wanda is not, as far as we know, a Jew, but this is nevertheless a Holocaust story, as well as a Civil Rights story, a story about tolerance and compassion but also a story about how evil flourishes when people of good will do not speak out.

Estes is kind enough to her characters to allow Wanda the spirit and determination to rise above the rejection of her classmates, and to allow her to gracefully (but incorrectly) attribute the best of motives to Maddie and Peggy. In a way, though, her nobility makes Maddie's enlightenment even more bitter. Somehow, having our victims respond badly to our victimizing lets us off the hook: "She was a nasty person anyway." (I'll have to admit, part of me has always wondered if Wanda was being disingenuous or sarcastic in her final note. Was she deliberately putting the screws on Maddie and Peggy?)

This book is extraordinarily and deceptively powerful, with its combination of quiet tone, enchanting pictures, and hard-hitting (but not overbearing) message. Girls will be particularly intrigued and inspired by the dresses themselves; the idea is compelling, and many will want to draw their own dresses. Most children will, I think, want to focus on that aspect of the story, rather than on Maddie's learning experience. The dresses are so liberating, both for Wanda and for the child's imagination, that parents and teachers will want to encourage young readers to rejoice in that aspect of the story, even as they guide them through the sad and difficult emotional concepts presented in this lovely, but heartrending, book.

57 of 61 people found the following review helpful

5.0 out of 5 stars Another children's book that made me cry November 26, 2004

By Deb Nam-Krane VINE™ VOICE

Format:Paperback

Wanda is the poor motherless girl from Poland. By the author's description, you get the feeling that even if she doesn't have a perfect verbal command of English, she understands perfectly what is said to and about her and her shabby clothing.

Worlds apart is Peggy, the popular rich girl in her class. After Wanda makes an attempt to fit into a conversation by talking about her beautiful dresses, Peggy begins what seems like a game to her and taunts Wanda daily in front of a crowd of classmates about all of the beautiful dresses in her closet.

Bridging their world is Maddie, Peggy's best friend. While she isn't isolated by a language barrier and has Peggy's unspoken social protection, she is uncomfortably aware that her poverty makes her more similar to Wanda than Peggy. While Maddie gratefully accepts Peggy's castoffs, she is terrified of the power Peggy's generosity gives her. The daily game of picking on Wanda continually hardens Maddie's uncomfortable vulnerability; she is keenly aware that speaking out in Wanda's defense could put her in Wanda's place.

The "truth" is that Wanda does have 100 dresses, just not the kind Peggy has. The moment where Wanda shyly makes her fateful declaration is possibly the most poignant in the whole book. Of course she must have known that people would wonder why someone with so many beautiful dresses would always wear the same shabby one. Did she naively, hopefully think that someone would ask her about them and maybe let her into their world? Instead, she was met with nasty assumptions and taunting.

The book ends on a melancholy note. Maddie (and perhaps Peggy) become better people as a result of what happens to Wanda and her family, but Maddie (and the reader) are haunted by Wanda's unkown fate. Like Maddie, we can only hope for the best.

57 of 62 people found the following review helpful

5.0 out of 5 stars Written in 1944 But Still A Common Tale Everywhere March 6, 2002

By Terrie

Format:Hardcover

This sensitive story was written in 1944 and due to "human nature" things haven't changed one iota since then. It is the tale of one poor immigrant girl's way of coping with her poverty and the constant teasing she gets from other little girls at her school. The other girls are very materialistic and judge others by their clothing. It's not a pretty picture. The story is thoughtful and doesn't make the in-crowd clique of girls seem awful, only immature and insensitive. One of the girls even feels pretty bad about the teasing and harassing of the little Polish girl, but she doesn't come forward because she doesn't want to lose her own social standing. What I love about this book the most is that it is a wonderful opportunity for adults to talk with children about the insidious damage caused by teasing and singling others out. Let's face it most adults haven't really grown out of that way of behaving. Keep your ears open in a corporate lunch room some time. If we hope to make this a better world we need more books like this one and we need to actively teach our kids a better more loving way of being. We also need to help them stand up for their own gut-feelings of right and wrong instead of teaching them to go along with the status quo as we so often do by our own examples. The simple, straight-forward text and the beautiful, evocative yet simple illustrations make this story accessible and unforgettable. It can help you bring up an important topic and discuss it with your children. I recommend it for every parent and every teacher.