The Hunger Angel: A Novel and over one million other books are available for Amazon Kindle. Learn more



or
Sign in to turn on 1-Click ordering
More Buying Choices
Have one to sell? Sell yours here
Start reading The Hunger Angel: A Novel on your Kindle in under a minute.

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.
Sorry, this item is not available in
Image not available for
Color:
Image not available

To view this video download Flash Player

 

The Hunger Angel: A Novel [Hardcover]

Herta Müller , Philip Boehm
4.3 out of 5 stars  See all reviews (18 customer reviews)

List Price: $26.00
Price: $19.32 & FREE Shipping on orders over $25. Details
You Save: $6.68 (26%)
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
Only 12 left in stock (more on the way).
Ships from and sold by Amazon.com. Gift-wrap available.
Want it Tuesday, May 21? Choose One-Day Shipping at checkout. Details

Formats

Amazon Price New from Used from
Kindle Edition $8.89  
Hardcover, Bargain Price $10.40  
Hardcover, April 24, 2012 $19.32  
Paperback $13.42  
Summer Reading
Summer Reading
Browse the best books of summer including blockbusters, beach reads, and editors' picks in our Summer Reading Store.

Book Description

April 24, 2012

A masterful new novel from the winner of the 2009 Nobel Prize, hailed for depicting the "landscape of the dispossessed" with "the concentration of poetry and the frankness of prose" (Nobel Prize Committee)

It was an icy morning in January 1945 when the patrol came for seventeen-year-old Leo Auberg to deport him to a camp in the Soviet Union. Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.

In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.

Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.


Frequently Bought Together

The Hunger Angel: A Novel + The Land of Green Plums: A Novel
Price for both: $31.08

Buy the selected items together


Editorial Reviews

Review

PRAISE FOR THE HUNGER ANGEL

“A wonderful, passionate, poetic work of literature...Herta Muller is a writer who releases great emotional power through a highly sophisticated, image studded, and often expressionistic prose.” –Neal Ascherson, The New York Review of Books

“This is not just a good novel, it is a great one… Müller is through and through a stylist. Her novel is written in a taut idiomatic German, which breaks into paragraphs of wrenching, Rilkean lyricism...A masterpiece.” Financial Times

"Written in terse, hypnotic prose...exquisite." --New Yorker

"Wry and poetic, and Müller's evocative language makes the abstract concrete as her narrator's sanity is stretched...Boehm's translation preserves the integrity of Müller's gorgeous prose, and Leo's despondent reveries are at once tragic and engrossing." --Publishers Weekly (Starred Review)
 
"The stunning, exhilarating, heartbreaking culmination of Muller's work as a novelist...A 300-page prose poem of resistance to totalitarian repression, the book is a haunting paean to the human angel--the inventive, imaginative, invincible force that transcends suffering and absement, that defies depersonalization and deprivation to survive, and even thrive." --The Wichita Eagle
 
“A work of rare force, a feat of sustained and overpowering poetry…Muller has the ability to distil concrete objects into language of the greatest intensity and to sear these objects on to the reader’s mind."Times Literary Supplement
 
"A phenomenal, moving and humbling novel."Frankfurter Allgemeine Zeitung
 
 
PRAISE FOR THE APPOINTMENT

“A taut and brilliant book.”Chicago Tribune
 
“A brooding, fog-shrouded allegory of life under the long oppression of the regime of Nicolae Ceausescu.”The New York Times
 
“Müller scatters narrative bombshells across a field of dreams.”—San Francisco Chronicle
 
 
PRAISE FOR THE LAND OF GREEN PLUMS
 
“Unflinching. . .Ms. Müller’s vision of a police state manned by plum thieves reads like a kind of fairy tale on the mingled evils of gluttony, stupidity, and brutality.”—The New York Times
 
“Müller has triumphed in her honesty. . . . Describes in precisely hewn detail what it was like to live in Romania under communism.”—The Washington Post
 
“This heartbreaking tale is bitter and dark, yet beautiful... stark and telling.”—The San Diego Union-Tribune
 
“Ms. Müller’s rich, harsh, obsessive imagery captures the surreal beauty and the difficulty of Ceausescu-era Romania.”—The Boston Book Review
 
“Impressive, wholly authentic . . .a bleak fable with the flickering intensity of a nightmare.”—International Herald Tribune

About the Author

Herta Müller is the winner of the 2009 Nobel Prize in Literature, as well as the International IMPAC Dublin Literary Award and the European Literature Prize. She is the author of, among other books, The Land of Green Plums and The Appointment. Born in Romania in 1953, Müller lost her job as a teacher and suffered repeated threats after refusing to cooperate with Ceausescu's secret police. She succeeded in emigrating in 1987 and now lives in Berlin.


Product Details

  • Hardcover: 304 pages
  • Publisher: Metropolitan Books; First U.S. Edition edition (April 24, 2012)
  • Language: English
  • ISBN-10: 9780805093018
  • ISBN-13: 978-0805093018
  • ASIN: 080509301X
  • Product Dimensions: 8.5 x 5.8 x 1 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Best Sellers Rank: #169,813 in Books (See Top 100 in Books)

More About the Author

Born in Romania in 1953, Herta Müller lost her job as a teacher and suffered repeated threats after refusing to cooperate with Ceauşescu's secret police. She succeeded in emigrating in 1987 and now lives in Berlin. She won the IMPAC Award for her novel The Land of the Green Plums, and received the Nobel Prize for Literature in 2009.

Customer Reviews

Most Helpful Customer Reviews
27 of 29 people found the following review helpful
4.0 out of 5 stars Historic and Engrossing April 25, 2012
Format:Hardcover
This is both an historically important book and an engrossing read.

Leo Auberg is a teenage rebel living with his family in Romania when he is simply swept away along with many of his neighbors. For the next 5 years we are in the labor camp with him, learning to survive.

Herta Müller is such a powerful descriptive writer. She will take a simple item, like a bag of cement, and write about experiences with it so poetically that you feel you remember carrying and working with that cement yourself.

A word about the translation: it is brilliant. Müller plays with language in German and occasionally Russian and translator Philip Boehm keeps right up with her, letting us appreciate the wordplay in English.

What is shocking is that while the rest of the world was was relieved by the ending of WWII, thousands of people of Germanic descent were being snatched from their homes in Romania. In her Afterword, Müller writes that within this group, "all men and women in between seventeen and forty-five years of age were deported to forced-labor camps in the Soviet Union." Why is this not widely known?

In high school I read a lot of Aleksandr Solzhenitsyn (The Gulag Archipelago). No book has hit me as hard in the many years since then until The Hunger Angel.
Comment | 
Was this review helpful to you?
17 of 18 people found the following review helpful
Format:Hardcover|Amazon Verified Purchase
This is an English translation of the German version of Atemschaukel (German Edition) by Herta Mueller. The translation is decent and the powerful poetry of self awareness comes through and carries you along on its undulating rhythms. Translating the unusual imagery in this poetic narrative is not easy, since the semantic associations and echos of the implicit meanings of the words Mueller leans on so heavily throughout are so unique they often have no family relatives in English. Atemshaukel,BreathingSwing, the title of Hunger Angel in the German version, focuses on the physical motion of the chest as we breath, swinging in and out, unattended, propelled by inner energy and organs that magically convert the meager sustenance of the camps, wild spinach, acacia flowers, camomile, even grass, into a renewal of spirit. Other metaphors; hungerangel; heartshovel; many more; pit elemental human activities against each other in unexpected contexts with the sparest of mechanical meaning. Life in forced labor camps has been reduced to the barest extreme of mechanical clinging to life. Many die, a few deaths portrayed vividly and repeatedly as memes in the story, but most are unattended in the hard scrabble attempts to stay alive in absolute obeisance to the urgent demands of the all pervasive hunger angel. Mueller brings to life the many hungers that survive even the ravages of near starvation: especially the hunger for human contact. Hunger is so demanding that interests and goals are narrowly shrunk to a laser beam focus on food. Their five year stay in the Soviet Union is called forced labor, but it seems to me that slave labor is a better description of the years in captivity, with no pay or freedoms, until the final year when conditions improved. This is a tale of slavery and brutality, and yet the slave masters appear only as shadowy and often comical figures. Shadows as guards in their towers silhouetted against the sky that is the path to freedom. Comic figures as commanders with long silly, unpronounceable names who fall asleep while the slaves and slave overseers, who are slave themselves, do the dirty manual labor or make life and death decisions with minmalist concern for individuals. All are depraved: slaves, overseer, and the masters and guards. They are villainous but only in the most antiseptic way, since they too are deprived of humanity in the novel: they steal from the state or they are distant and over exactingly fair in the distribution of the most minimal bread rations. Yet the whole is textured with humanity, at its best and worst. The story rises above one person's travails and reaches a purity of sympathy and depravity that is universal and timeless. Human relations remain paramount. There is much love of humanity in the forsaken despair of their existence. It is often furtive and surreptitious, as so much of our sex lives are. It is broken and distant and unfeeling, as their lives in slavery must be. But, for us, looking in in comfort, it is endlessly compelling and deeply involving: the opposite of the deranged fragments of healthy lives that are the only components left to these miserable zombies and walking dead. The story begins with their enslavement in the death throes of WWII as Russian armies have swept back Nazi invaders. Romanian fascists have been overthrown; Romania has switched sides; and the ethnic Germans of the area, Transylvanian Saxons and Banat Shwoveh, frantically try to escape the retributions awaiting them, but mainly are too naive or indecisive and so are caught unprepared. Obedient to authority, they are summoned to work as war reparations and they obey with all too few exceptions, just as Jews had obeyed their Gestapo orders in the same towns and villages only a few months earlier. Leo Auberg is given the best of everything available, so he carries parts of his whole family with him. A record player is converted into a leather suitcase and accompanies him throughout his journey. His grandmother says he will return, and this becomes his mantra throughout the skinandbones ordeal. But, in fact, in great irony and portent, he is eager to leave. He is gay, and hemmed in, imprisoned already, by the laws and misplaced narrow morality of the town. He has already found the joys of sex in secluded wooded areas or empty bath house saunas, and well knows the horrendous penalties if he is caught; few return from the imprisonment and those who do are forever broken. And so he goes to his Russian internment with hope and relief to get away from the claustrophobia and fear of capture; little knowing that this is the imprisonment of his fears, and he too will return where many do not, and be broken irreparably by the experience. And so, in one small chapter Herta Mueller encapsulates her own narrative of his experience and turns it from something adventitious and meaningless into a poetic expression of all mankind's strivings and shortcomings and human relations. It is a deeply penetrating story into the inner life of one young man, who becomes ageless and sexless. It is populated with a host of characters who are vivid and deeply alive, even when we know them only as extensions of Leo's constrained interactions. Arthur (Door) Prikulitsch is the kapo, enjoying life and sexual monogamy and playing with others' lives (opening and closing doors) at the expense of his own humanity and future, who becomes within the confused amorality of slavery the bearer of wisdom (All treasures have a sign that says: Here I Am.) Katy Sentry is the mirror of innocence amid the depravity and is everyone's child. Coupling overcomes all obstacles, but for Leo is a prison within the prison; since even within slavery, gay sex is a tabu enforced by death, and it keeps him distanced even from those whose human warmth he so desperately needs. Yet, it makes him the the most believable and objective of witnesses and reporters, and he sees clearly, especialy himself. Even the slaves are subject to the same inhumanity as their masters: their hunger drives husbands to steal food from wives and to punish bread theft with invigorated brutality. In this setting of despair the only command the slaves obey with relish is the destruction of lice and bed bugs. For me as a reader, this is a liberating tale. To see close up and in personal detail the enduring human vitality that can survive amid utter depravity and human oppression is as enlightening and elevating as any Pilgrim's Progress morality tale. Leo says, he can live like this and it would be a good life: he could be proud of his survival. Only poetry can plumb these depths for us, take us there so that we can extract its gold, refine it for us, and deposit us again in the mainstream of reality with a better understanding of our own aspirations, limits, and capabilities. We have only one life to live, and it is all too easily thrown away. But we are eternally constrained by our own desires and the thoughtless and arbitrary decisions of the mass of humanity that demands our conformity. And we give our assent at our peril. And so the swinging of our breathing continues.
Was this review helpful to you?
5 of 5 people found the following review helpful
5.0 out of 5 stars The Hunger Angel left a special imprint on my life June 23, 2012
Format:Hardcover
That which doesn't kill me...doesn't make me stronger either.

No man is an Island, entire of itself...Every man is an Island, entire of itself.
(emphasis and changes are mine)

These two quotes are simply thoughts of two individuals. Nietzsche's quote isn't even accurate ('kill' should be 'destroy'); I suppose it was changed by simply another individual to make the message more powerful And yet, people use these witticisms as guides/mental support for their lives. I really dislike these and many other 'sayings' because they're misleading and untrue. Nowhere is it more obvious than in The Hunger Angel. Soviet Union's regime and its gulags had that absolute power which could and did kill a great number of people; those who had the misfortune to come back from the dead, existed among the living as if suspended between life and death. They indeed survived the camps but returned weaker, conditioned to fear, yearning for the relief of death and not receiving it. They were little islands floating among those saved from the cruel reality of the camps and living entirely of and dependent on themselves. This is the truth Leo Auberg embodies.

When I picked up The Hunger Angel, I didn't know what to expect. I was hoping I would like it and would be able to appreciate the aspects of Herta Müller's writing that earned her the title of a Nobel Prize winner. What I didn't expect was to be stunned into silence by the power of Müller's gift. From page three, when I read

"I carry silent baggage. I have packed myself into silence so deeply and for so long that I can never unpack myself using words. When I speak, I only pack myself a little differently."

I knew that, from then on, my life would be split into two phases, the life before The Hunger Angel and the life after. I knew that because those words spoken by Leo were my life, my most secret and yet most fundamental feelings that I'd always wanted to articulate and that I couldn't even express cohesively to myself. This review is the most difficult to write because The Hunger Angel became very personal to me. Reading it was an epiphanic experience. With every page, all the murky, undefinable emotions rising within me and causing me so much anguish became crystalline clear.

To avoid the danger of ending up with a mini memoir of mine, instead of a somewhat helpful review of Ms. Müller's book, I will only say that when Leo writes about his homesickness, about displacement, about feelings of not really belonging anywhere, he writes about me as well.

Müller's writing is incredible, it has clarity and shoots meaningful images like arrows, straight through your heart. And yet, this same writing created a novel that's so layered with messages, that every time you read it, you'll find meanings and depths you hadn't the time before. Every person that reads The Hunger Angel will come away from it with a different understanding, a different message and a different interpretation from other readers.

There is one thing though that is unmistakeable and undeniable regardless of what else all who read The Hunger Angel understand from it. And that is the power of words.Words are what helps Leo survive the five years of terror and horror and I believe words propel him to live just one more day of his life after the gulag. Not being able to tell his story to anyone, facing the cruel realization that no one really wanted to listen, to know, he writes it all down. He unburdens himself of the silence he carried for so long by pouring all the words he can never speak onto paper.

There are so many weighty subjects that Herta Müller writes about in The Hunger Angel, that whole dissertations could be written about it (and no doubt they will some day soon). The life in the gulags, the loss of dignity, the hunger angel that becomes Leo's constant companion and that never goes away, even if the food is abundant, because there's always something else we'll desire and the hunger angel will be there to fuel it.

To me, it's the themes of dispossession and displacement that were crucial. Once it happens to a person, it can never be healed. Because, contrary to one of those sayings again, time doesn't always heal all wounds. Indeed, when you're uprooted, denied life where you had always belonged, not only can you spend the entire rest of your life searching for that which can never be found, but you can also, on some subconscious level or through an upbringing doom your descendants in the way you were doomed. How am I drawing this conclusion? My great-grandparents and my grandparents were Poles living in Ukraine and I believe a few months into the WWII, they had to run, literally like thieves in the middle of the night, from the Red Army. They left everything behind, their vast lands (they were farmers), their homes, everything in them. All they could take, they carried in potato sacks on their backs. I am now 34 years old, with a family of my own and the most prominent factor present in all my life is that I never really have felt at home, felt an attachment to a place that would make me realize this is where I belong. I still don't. Most importantly, displacement isn't just geographical. It's also the displacement of the soul. And Leo is and will always remain doubly displaced: from his Romanian town and by being denied his sexuality. Leo is homosexual and that's yet another silent baggage that he carries, that will never allow him to find a place where he belongs, as long as he has to fear being discovered.

I have to finish these wandering thoughts of mine about The Hunger Angel. I would love for you to just know this: read this book not for the plot, certainly not for seat-of-the-edge suspense, and maybe not even all that much for the characters. There's no happy ending either. Read The Hunger Angel to experience the most incredible writing, to witness the work of a literary genius. Not one sentence can be skipped because they all carry meanings and when you find those meanings, which will probably in some way become personal to you gasp and hold your breath in shock. Read it also for the history that has been mostly ignored and still is. Soviet Union's communist regime with Stalin for a leader performed ethnic cleansings on an unimaginable scale. Herta Muller gives our generation an opportunity to be ignorant no longer. And don't be that person who exclaims with disdain, 'It's only fiction!'. The quote I'll share below is not the author's figment of imagination. The speech of an officer to the prisoners of the gulag, as absurd as it may sound, does give you a real taste of the ideology behind Soviet Union's communism.

"An officer...gave a speech at the roll-call grounds, the Appellplatz. He spoke about peace and FUSSKULTUR...: Fusskultur strengthens our hearts. And in our hearts beats the heart of the Soviet Socialist Republics. Fusskultur steels the strength of the working class. Through Fusskultur the Soviet Union will blossom in the strength of the Communist Party and in the peace and happiness of the people."

Translation

The Hunger Angel is translated by Philip Boehm, who is an accomplished translator of works in German and Polish. He obviously performed magic when translating Muller's novel. To be put to task to translate such a complex novel, with meanings and words as the main themes, must have been awe-inspiring. You'll catch yourself forgetting that The Hunger Angel is originally written in German and thinking that maybe English is Muller's native language. And the thing I admired the most when considering Mr. Boehm's approach to this novel, is his choice of the title. Original one (Atemschaukel - breath-swing) is not easily and literally translatable into English in order to make sense, like it does in German. I know that it's just my opinion, but The Hunger Angel is the title (and what it represents throughout the novel) that was meant to be. One may wonder what sense does it make that The Hunger, that awful, persistent and never-ending sensation, is called an angel. My understanding is that firstly, as Leo personifies sensations and things and objectifies people to maybe develop some kind of mental detachment pivotal to survival, a hunger becomes a being, a companion, a presence that never leaves, the Hunger Angel. Secondly, now that it's no longer simply a bodily sensation, in the end, the Hunger Angel is the only one that never abandons Leo and lets him know that Leo's not alone in that world he no longer belongs to. Sick and twisted, yes. But that's mercy nonetheless, and angels and mercy travel in pairs.
Was this review helpful to you?
Most Recent Customer Reviews
2.0 out of 5 stars dull
I do not know the history so well, and it is a hindrance in s book such as this, I ended up being fed up with the words "hunger angel"
Published 1 month ago by Lyn Robinson
5.0 out of 5 stars A hard time described without bitterness
A great look at the hardships and difficult faced by those sent off to Russian forced labor camps following Germany's defeat in WWII. Sensitive & human.
Published 2 months ago by don o
5.0 out of 5 stars Awesome writing
Though the topic is depressing, I was continuously amazed by the writer's ability to paint the picture of living in desperation day-to-day. The weaving of the story was ingenious. Read more
Published 3 months ago by Richard A Bergeon
5.0 out of 5 stars history that maybe you don't know
I wasn't familiar with Muller. This is an excellent, sad book about a time that we shouldn't forget. Do read it.
Published 4 months ago by Hjordis Cherchel
3.0 out of 5 stars Es klingt so trüb, es klingt so ...
... falsch! Grim? You betcha! Grimmer than any Grimm. Depressing? Hey, it probably wasn't the best choice I could have made for carrying around in a golf cart at Pebble Beach,... Read more
Published 5 months ago by Giordano Bruno
5.0 out of 5 stars Elegant, atmospheric, visceral
Lovely writing...made me go order more of her books. This is a brooding narrator who invents his own language... Read more
Published 6 months ago by Amy Henry
4.0 out of 5 stars An Excel­lent Read
The Hunger Angel by Herta Müller is a Ger­man novel tak­ing place in a Soviet forced labor camp at the end of World War II. Ms. Read more
Published 7 months ago by Man of La Book
3.0 out of 5 stars well written but overwhelmingly depressing
Imagine your worst day x 10 and lasting 4-5 years.....While well-written in mercifully short chapters, Hunger Angel presents the grim existence in a post WW II Soviet work camp. Read more
Published 7 months ago by Greg
5.0 out of 5 stars Exquisitely written
*A copy of this book was read and reviewed for the Library Thing Early Reviewers Program*

This is certainly not a light-hearted read; it is incredibly intense, and the... Read more
Published 10 months ago by Live2Cruise
5.0 out of 5 stars The Hunger Angel
Lyric beauty, terror and violence are logistically incompatible. Yet, in Herta Muller's "The Hunger Angel" they blend into one, united and breathless. Read more
Published 10 months ago by Francis C. Cary
Search Customer Reviews
Only search this product's reviews

What Other Items Do Customers Buy After Viewing This Item?


Forums

There are no discussions about this product yet.
Be the first to discuss this product with the community.
Start a new discussion
Topic:
First post:
Prompts for sign-in
 



So You'd Like to...


Create a guide


Look for Similar Items by Category