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The Iliad (Classics on Cassette) Audio, Cassette – Box set, May 1, 1992


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Editorial Reviews

Amazon.com Review

This groundbreaking English version by Robert Fagles is the most important recent translation of Homer's great epic poem. The verse translation has been hailed by scholars as the new standard, providing an Iliad that delights modern sensibility and aesthetic without sacrificing the grandeur and particular genius of Homer's own style and language. The Iliad is one of the two great epics of Homer, and is typically described as one of the greatest war stories of all time, but to say the Iliad is a war story does not begin to describe the emotional sweep of its action and characters: Achilles, Helen, Hector, and other heroes of Greek myth and history in the tenth and final year of the Greek siege of Troy. --This text refers to the Paperback edition.

From Library Journal

Why another Iliad? Just as Homer's work existed most fully in its performance, so the Homeric texts call periodically for new translations. With this in mind, Fagles offers a new verse rendering of the Iliad. Maneuvering between the literal and the literary, he tries with varying degrees of success to suggest the vigor and manner of the original while producing readable poetry in English. Thus, he avoids the anachronizing of Robert Fitzgerald's translation, while being more literal than Richard Lattimore's. Fagles's efforts are accompanied by a long and penetrating introduction by Bernard Knox, coupled with detailed glossary and textual notes.
- T.L. Cooksey, Armstrong State Coll., Savannah, Ga.
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Product Details

  • Series: Classics on Cassette
  • Audio Cassette
  • Publisher: Penguin-Highbridge Audio; Abridged,Abridged edition (May 1, 1992)
  • Language: English
  • ISBN-10: 0453007740
  • ISBN-13: 978-0453007740
  • Product Dimensions: 4.5 x 2.4 x 7.2 inches
  • Shipping Weight: 14.9 ounces
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (571 customer reviews)
  • Amazon Best Sellers Rank: #1,947,596 in Books (See Top 100 in Books)

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Customer Reviews

When you read this book it feels like your there.
Dante S.
I'm also a sucker for introductions, glossaries, and translation notes and this edition has excellent versions of all three.
T. Lundregan
The Iliad as translated by Robert Fagles is rewording read.
No Body

Most Helpful Customer Reviews

385 of 416 people found the following review helpful By Esquire on June 23, 2002
Format: Paperback
I won't try to give yet another summary of the Iliad's plot nor give my insignificant opinion on the importance of Homer to Western Culture. More important is to discuss this translation and the translation of Homer in general.
When it comes to classic works of poetry in translation, such as those of Homer, Vergil, Dante and others, the translation makes all the difference. The type of translation, whether in rhyming verse, blank verse, prose etc., whether it is a strict line by line or more liberal translation, whether the wording and idioms are old fashioned or modern, can play such a great role that one translation may be completely different than another. This fact is probably often overlooked and attributes to the neglect of these classics, since a bad or difficult translation makes the poem seem tedious or dull.
Since Chapman's first translation of Homer into English in 1611 there have been dozens of others. Chapman's translation remains a classic, though its heavy and elaborate rhyming Elizabethan style and old wording make it quite laborious to read today. The next great translation was that of the renowned Enlightenment poet Alexander Pope; his Iliad was published progressively between 1715 and 1720. Pope's translation is in rhyming verse with his heroic couplet and is eminently poetic. It is considered the greatest translation of Homer into English (Dr. Johnson called it "the noblest version of poetry which the world has ever seen") but it is not as plain and straightforward as Homer apparently is in the original. It is mostly for this reason that Pope's translation has been critized as being more the work of the poet Pope than the poet Homer.
Of the more recent verse translations a few are worth recommendation.
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163 of 176 people found the following review helpful By Michael Wells Glueck on June 29, 2002
Format: Paperback
Robert Fagles's translation of Homer's Iliad is spiritually if not literally true to the original. Both versions repeat set speeches and descriptions in precisely the same words, and the translation exhibits a fairly regular rhythmic beat. But Homer's Greek was chanted, and the set passages were like refrains in which listeners could, if they chose, join in as a chorus. In English, the repetitions sometimes become tedious, especially when the same speech is given three times in two pages, as in the relay of Zeus's orders in Book II. Especially noteworthy is Bernard Knox's long and fascinating Introduction, a masterpiece of literary criticism and scholarship which conveys Homer's grim attitude toward war, the interplay of divine and human will, and the ancient concepts of honor, courage, and virility in the face of the stark finality of death. Knox also includes a succinct explanation of the quantitative, rather than accentual, basis of Greek (and Latin) verse. For easy readability, Fagles's translation is without rival. For elegance and poetry, however, I recommend Richmond Lattimore's older but still gripping and fluent translation.
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72 of 75 people found the following review helpful By Scott Chamberlain VINE VOICE on September 2, 2005
Format: Paperback
The Iliad is one of the greatest treasures of Western Civilization-and not just because a teacher told you it was. On the surface, it offers raw emotions, visceral action sequences and colorful characters you admire and hate, often at the same time. But it is much, much deeper than that. The scene where Hector bids his young wife good-bye and holds up his infant son to the gods, praying that the boy will one day be a better man than ever he himself was, has never been equaled as a statement of what it means to be a man, husband or father. The debates about honor and duty are still the same we face every day. The humanity, insight and profound philosophy are remarkable-especially for a work now 3,000 years old.

The problem? How do you convey all that power? How do you do so in a way that captures the feel of original?

Iliad translations have started to come fast and furious, as every ten years or so someone tries to tackle the monumental task of bringing the poem to modern readers. The process isn't helped by the fact that the text was already 300 years old to the classical Greeks like Aristotle, Sophocles and Euripides-making it as vaguely old-fashioned as Shakespeare is to us. Should it sound antiquated to us, too? If you really want a line by line translation, one that has some kind of meter that approaches the Greek original, the obvious choice is Lattimore's classic translation. It has the side benefit now of being somewhat dated in its English usage too. That said, for just a good ol' read of the Iliad, Lattimore isn't even my third choice. For all its accuracy, I've always felt I was reading a textbook, written by a classics scholar rather than an honest-to-goodness writer.
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96 of 103 people found the following review helpful By Todd F. on December 15, 2006
Format: Audio CD
Upon reading reviews of various audiobooks, I find that most reviewers comment too much upon the translation and too little upon the narration. Translation choice is certainly important but I think you have to find a narrator who makes the story exciting. After having listened to both the narration by George Guidall of the Fitzgerald translation and Derek Jacobi's narration of Robert Fagles' translation, I would say I prefer the Jacobi recording. Although both men give good performances, I think that Derek Jacobi's reading is the better of the two because his tempo and inflection more closely mirror the pitch and pause of the narrative drama. Regardless of which translator you prefer, the narration should take precedence over the choice of translation. I actually prefer Fitzgerald to Fagles as a translator and I'm not crazy about an abridged version of The Iliad in the Derek Jacobi (Fagles) audiobook. But if you're going to listen to a few hours of Homer, you'd better like the voice in the ether. I don't think you could go wrong with either of these two narrations but I would advise you to find some audio samples to compare performances before you make your purchase.
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