From Publishers Weekly
McEwan's name will be on everyone's lips with his startling new novel, an impeccably constructed psychological thriller set in Berlin during the Cold War. Basing his story on an actual (but little known) incident, he tells of the secret tunnel under the Soviet sector which the British and Americans built in 1954 to gain access to the Russians' communication system. The protagonist, Leonard Marnham, is a 25-year-old, naive, unsophisticated English post office technician who is astonished and alarmed to find himself involved in a top-secret operation. At the same time that he loses his political innocence, Leonard experiences his sexual initiation in a clandestine affair with a German divorcee five years his senior. As his two secret worlds come together, events develop into a gruesome nightmare, far more macabre than anything McEwan ( The Child in Time ) has previously written, building to a searing, unforgettable scene of surrealist intensity in which Leonard and his lover try to conceal evidence of a murder. Acting to save himself from a prison sentence, Leonard desperately performs an act of espionage whose ironic consequences resonate down the years to a twister of an ending. Though its plot rivals any thriller in narrative tension, this novel is also a character study--of a young man coming of age in bizarre circumstances, and of differences in national character: the gentlemanly Brits, all decorum and civility; the brash, impatient Americans; the cynical Germans. McEwan's neat, tensile prose raises this book to the highest level of the genre. Film rights to Paramount; BOMC and QPB featured alternates.
Copyright 1990 Reed Business Information, Inc.
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"Never less than wholly entertaining." —The Wall Street Journal
"Deft, taut fiction. . . . Many English writers have been compared to Evelyn Waugh, often wrongly, but this book can stand with the master's best." —Time
"So exhaustively suspenseful that it should be devoured at one sitting. . . . McEwan fuses a spy-novel plot with themes as venerable as the myth of Adam and Eve." —Newsweek
"Has the spooky, crooked-angled, danger-around-every-corner feeling of a Carol Reid film. It reminded me often of The Third Man
and that is no mean feat." —Jonathan Carroll, The Washington Post Book World
"Powerful and disturbing . . . a tour de force." —The New York Times