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"Star Trek Into Darkness" Available for Pre-order on Blu-ray and DVD
From director J.J. Abrams comes the next installment in the Star Trek saga, Star Trek Into Darkness. See it at Cinemark theaters now and pre-order on Blu-ray, 3D Blu-ray, DVD, and the Exclusive Starfleet Phaser Gift Set. Shop Star Trek Into Darkness and more in the Star Trek Store. Learn more |
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In one of her finest performances, Deborah Kerr stars as Miss Giddons, a devout and somewhat repressed spinster who happily accepts the position of governess for two orphaned children whose uncle (Michael Redgrave) readily admits to having no interest in being tied down by two "brats." So Miss Giddons is dispatched to Bly House, the lavish, shadowy estate where young Flora (Pamela Franklin) and her brother Miles (Martin Stephens, so memorable in 1960's Village of the Damned) live with a good-natured housekeeper (Megs Jenkins). At first, life at Bly House seems splendidly idyllic, but as Miss Giddons learns the horrible truth about the estate's now-deceased groundskeeper and previous governess, she begins to suspect that her young charges are ensnared in a devious plot from beyond the grave.
Ghostly images are revealed in only the most fleeting glimpses, and the outstanding Cinemascope photography by Freddie Francis (who used special filters to subtly darken the edges of the screen) turns Bly House into a welcoming mansion by day, a maze of mystery and terror by night. Sound effects and music are used to bone-chilling effect, and director Jack Clayton, blessed with a script by William Archibald and Truman Capote, maintains a deliberate pace to emphasize the ambiguity of James's timeless novella. The result is a masterful film--comparable to the 1963 classic The Haunting--that uses subtlety and suggestion to reach the pinnacle of fear. --Jeff Shannon
Kerr plays governess to two children one of which may or may not be the victim of possession. Anything more would be giving it away.
Certainly in the top ten list of Horror/Ghost story films of all time, The Innocents compares favorably with "The Haunting" (the original '63 version). Kerr's spectral visions are as solid as the furniture -- they're just harder to find, and lot scarier; the film is an example of how little one needs to resort to SPFX when one knows how to make drama.
On the down side the original was photographed in lush monochrome cinemascope, and the only version released to date (that I'm aware of) is pan-an-scan, so you're missing about 40% of the image.
Still, even in this limited form, "The Innocents" is as scary as anything that's come out of Hollywood inthe last twenty years (er, I mean deliberately scarey -- the remake of The Haunting was scarey for all the wrong reasons).
Please let there be a DVD soon!