His art is no less realistic than most sf illustrators' work, but John Berkey, one of the most admired sf artists, differs markedly from most of the artists on view in Grant and Humphrey's Chesley Awards for Science Fiction and Fantasy Art
[BKL D 1 03]. For he is, as Frank lucidly contends in her appreciative text, a forthright impressionist. Light is his primary concern; asked by young artists how he starts a painting, he tells them, "With the light--that is, the light sources within the picture." He lets brushwork show chiefly for its suggestion of movement but also because he knows that the eye makes sense out of daubs of pigment, and he wants his paintings to engage viewers' imaginations. Hence, he renders one brilliantly convincing spaceship after another, which in their details, however, resemble nothing that yet exists. They are extrapolations from the human, animal, and machine shapes he limns so well in his pre-sf and contemporary non-sf art, examples of which also distinguish this dazzling album. Ray OlsonCopyright © American Library Association. All rights reserved
About the Author
In this book Jane Frank - proprietor of Worlds of Wonder and co-owner of The Frank Collection - examines all aspects of Berkey's work, from American scenes to the farthest depths of space and time. Publication of The Art of John Berkey is a major event to all involved in the art of the fantastic. Paper Tiger is proud to be associated with it.