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The Last Pictures [Hardcover]

Trevor Paglen
3.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

September 19, 2012
Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now.
The Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and early 21st centuries, far outlasting anything else humans have created. Inspired in part by ancient cave paintings, nuclear waste warning signs, and Carl Sagan's Golden Records of the 1970s, artist/geographer Trevor Paglen has developed a collection of one hundred images that will be etched onto an ultra-archival, golden silicon disc. The disc, commissioned by Creative Time, will then be sent into orbit onboard the Echostar XVI satellite in September 2012, as both a time capsule and a message to the future.
The selection of 100 images, which are the centerpiece of the book, was influenced by four years of interviews with leading scientists, philosophers, anthropologists, and artists about the contradictions that characterize contemporary civilizations. Consequently, The Last Pictures engages some of the most profound questions of the human experience, provoking discourse about communication, deep time, and the economic, environmental, and social uncertainties that define our historical moment.
Copub: Creative Time Books

Frequently Bought Together

The Last Pictures + Invisible: Covert Operations and Classified Landscapes + Blank Spots on the Map: The Dark Geography of the Pentagon's Secret World
Price for all three: $76.06

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Editorial Reviews

From Bookforum

The book showcases a diversity of photographic technologies, from surveillance shots taken by a drone to close-ups of the Ebola virus captured by an electron micrograph; this shuffling together of radically disparate scales makes for a thought-provoking browsing experience. The Last Pictures tells a dark but urgent story about present conditions of representational frustration. In the here and now, we have this book, a partial but chilling document of what we were, what we are, and what we might become. —Julia Bryan-Wilson

Review

"This is not just a publicist-driven fancy. . . . [Paglen's images are] aesthetic and allegorical. . . . A unique tale of human history."--Wallpaper

Product Details

  • Hardcover: 208 pages
  • Publisher: University of California Press (September 19, 2012)
  • Language: English
  • ISBN-10: 0520275004
  • ISBN-13: 978-0520275003
  • Product Dimensions: 8.3 x 0.8 x 9.2 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #271,033 in Books (See Top 100 in Books)

More About the Author

Trevor Paglen's work blurs boundaries to construct unfamiliar ways to see and interpret the world around us.

His interests include future warfare, state secrecy, experimental geography, anthropogeomorphology, deep-time, and cave art. He spends more time thinking about modernist painting than he would like to admit.

Trevor Paglen lives and works in New York.

Customer Reviews

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2 of 2 people found the following review helpful
3.0 out of 5 stars Wonderful images, poor editing and composition March 14, 2013
Format:Hardcover|Amazon Verified Purchase
Books like this often contain hidden gems; this one does, at least on several pages. The concept is a bit high-minded, but overall the quality of the images chosen, as well as their significance (admittedly, the latter being open to a very broad interpretation), is well handled.

What dissapoints here is the lack of care put into the editing and composition of the work. Why--especially in a book of this size and format--the editors felt it necessary to span multiple pages with images which would otherwise fit unbroken on a single leaf is beyond me. When you take a photograph and print all but one inch of it on one page, leaving the rest hidden in the binding, you destroy the point behind the book; you lose the image. The only way to see complete photos in several cases here is to unbind the book (that is, destroy it) and piece the pages back together.

Having known firsthand how unfortunate it is these days that many publishers just don't care about this sort of thing, were I Mr. Paglen (the author), I'd be a bit irritated over the layout and execution of an otherwise good work.

5 stars for the content; a big zero for how it was unfortunately mis-handled.
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