Customer Reviews

The Legend of Frenchie King

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This is a lighthearted " girl power " western with Brigette Bardot and Claudia Cardinale. Filmed in the early 70's, it was one of Bardot's last films and she brings alot of spirit and energy to the film. Both she and Cardinate have strong charisma, while the background cast gives uneven performances. Bardot is a bankrobber, hiding out in a small town. She and Cardinale have a fued over land that has oil. It's interesting to see Bardot as her film career winds down. The film moves along at a fast clip, with train robberies, a town carnival, barrom shootouts, and more. She has a sultry beauty, with riveting eyes. She only made two more films in '73, and then knew when the time was right to walk off the silver screen. Bardot has a real flair for light comedy. It's a fun early 70's western.

I saw this movie at the Drive In when I was only 11 and I do remember that I liked it a lot. I thought that both Claudia Cardinale and Brigette Bardot gave excellent performances in this film. As I recall they both appeared in various states of undress in this movie which I thought was GREAT at the time and I still do. Gee. Am I ever going to grow up and become a respectable, responsible member of Society? I hope not!!!

I am one of the few who can actually lay claim to seeing "The Legend of Frenchie King" (1971) during its original UK theatrical release. The theater was not exactly packed for this feature which was yet another of the then endlessly proliferating Spanish westerns. These were characterized by a slightly off-kilter production design and heavily-accented dialogue (considering the bad accents I can't imagine that much of it was dubbed) by the English as a second language cast members.

Apparently Bardot had not learned her lesson with "Shalako" back in 1968, and she inflicted another of these things on herself. Basically the film is what you would get if you combined the plot elements of "The Dalton Girls"(1957) with those of "A Fistful of Dollars" (1964) and then tried (unsuccessfully) to give the story a comic quality.

The story is set in 1880's New Mexico, and like "The Dalton Girls" it features an outlaw gang of eyeball scorching girls. In this case there are five of them carrying on the family tradition (they don't have the Daltons as brothers but they have a legendary train robbing father).

The film opens with such a robbery. Disguised as men in black, the girls inflict ultra-violence on anyone who resists them. When she discovers that the train robbery loot includes a deed to a local ranch the leader & title character (Bardot) decides they will all go domestic for a while. There is oil on the ranch and the neighboring rancher (Claudia Cardinale) wants to buy them out. She has four brothers. Which sets up a series of confrontations between the two women and a romantic pairing off of the four sisters and the four brothers. This culminates in a nicely staged if somewhat tame catfight. Meanwhile Michael J. Pollard plays his standard C.W. Moss character; this time working as a bumbling sheriff.

Bardot was in her mid-thirties and still looks great, Cardinale was a couple years younger and looks pretty high mileage and a bit chunky in comparison. It does not work to her relative advantage to be playing opposite Bardot. Nor does it help that the four other actresses are drop dead gorgeous.

It is this winsome foursome that makes the film worth viewing. They even manage to insert a little characterization. Patty Shepard plays Little Rain, the one with an Indian mother (note the headband). Teresa Gimpera plays Caroline, the oldest and most sophisticated. Emma Cohen plays near-sighted Virginie. And France Dougnac plays ultra-hot Elisabeth, she makes all the others (including Bardot) look rather plain in comparison. There is a great camera shot where they pan along the four of them standing along a bar which pauses at the end when Dougnac comes into the frame.

The original director was Guy Casaril but he was replaced by a desperate for work Christian- Jaque. The "real" legend of Frenchie King grew out of this change as in was long believed that there were two different films, "Frenchie King" by Christian-Jaque and "Les Petroleuses" by Casaril.

Then again, what do I know? I'm only a child.

The collective cowgirls in their black cowboy clothes looked great. Claudia Cardinale's cowboy outfit was not as sexy.The plot was predictable and the acting was fair.Alot more thoughtful script writing and better direction would have gone a long way in this film.

Despite the best efforts of the leading ladies, Bardot and Cardinale, this movie is simply too inane to be taken seriously. Of course, I tend to find most comedy westerns including Cat Ballou not genuinely funny. Viva Maria, another Bardot movie, is an exception and is a far better movie than this one.

Bardot and Cardinale are antagonists. These two ladies develop a growing dislike for each other. At one point, Bardot points out that 'she is starting to annoy me' as Cardinale interrupts her and her sisters while they bath nude in a stream. Their dislike culminates in a fist fight which ends in a draw as both succumb to exhaustion.

In the end, however, Bardot and Cardinale emerge as not just friends but as partners as they jump on a train and free their siblings from the hands of the law. All very silly.

Some my conclude that Bardot has lost some of her beauty but it appears what she really has lost is too much weight.