For language buffs and lexicographers, copy editors and proofreaders, and anyone who appreciates the connection between language and culture—the illuminating story of “proper English.” In its long history, the English language has had many lawmakers—those who have tried to regulate, or otherwise organize, the way we speak. The Lexicographer’s Dilemma offers the first narrative history of these endeavors, showing clearly that what we now regard as the only “correct” way to speak emerged out of specific historical and social conditions over the course of centuries. As literary historian Jack Lynch has discovered, every rule has a human history, and the characters peopling his narrative are as interesting for their obsession as for their erudition. The struggle between prescriptivists, who prescribe a correct approach, and descriptivists, who analyze how language works, is at the heart of Lynch’s story. From the sharp-tongued satirist Jonathan Swift, who called for a governmentsponsored academy to issue rulings on the language, and the polymath Samuel Johnson, who put dictionaries on a new footing, to John Horne Tooke, the crackpot linguist whose bizarre theories continue to baffle scholars; Joseph Priestley, whose political radicalism prompted riots; and the ever-crotchety Noah Webster, whose goal was to Americanize the English language—Lynch brings to life a varied cast as illuminating as it is entertaining. Grammatical “rules” or “laws” are not like the law of gravity, or laws against theft or murder—they’re more like rules of etiquette, made by fallible people and subject to change. Charting the evolution of English, Jack Lynch puts today’s debates—whether about Ebonics in the schools or split infinitives in the New York Times—in a rich historical context, and makes us appreciate anew the hard-won standards we now enjoy.
The Lexicographer's Dilemma
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Editorial Reviews
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"Lynch writes in funny and engaging prose about the human side of language history and the people who have helped make English so darn complex. From Jonathan Swift's government-sponsored language academy to George Carlin's seven censorious words, Lynch's English has been subjected not only to grammatical rules but to their cultural foundations. Lynch's highly readable book will appeal to all users of the English language, from word buffs to scholars alike."--Library Journal
"Lynch recognizes that grace, clarity, and precision of expression are paramount. His many well-chosen and entertaining examples support his conclusion that prescriptions and pedantry will always give way to change, and that we should stop fretting, relax, and embrace it."--Boston Globe
About the Author
Jack Lynch is a professor of English at Rutgers University and a Johnson scholar, having studied the great lexicographer for nearly a decade. He is the editor of Samuel Johnson’s Dictionary and the author of Samuel Johnson’s Insults and Becoming Shakespeare. He lives in Lawrenceville, New Jersey.
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Jack Lynch is Associate Professor of English at Rutgers University in Newark, New Jersey. He's the author of a series of books and articles -- some for scholarly audiences, some for popular audiences -- on eighteenth-century culture, Samuel Johnson, William Shakespeare, the history of the English language, English grammar and style, reference books, and forgery, fakery, and fraud.
Customer Reviews
Most Helpful Customer Reviews
49 of 50 people found the following review helpful
Format:Hardcover
One might expect the first adjective, but certainly not the other two when describing a book on the subjects of linguistics and lexicography. However, I believe that this book will not only appeal to those familiar with these subjects, but also to those taking their first foray into the territory. This isn't some fusty old textbook, laying out the history of the English language, invasion to invasion, scribe to Gutenberg. Instead, it's a jolly romp through the trials and travails of those intimately involved with the attempt to categorize, curtail, and clean up our messy, confusing English language; from the curmudgeonly to confused, from shy to boastful, from historically famous to those left behind as mere footnotes. The biggest selling point is the fact that modern contributors to English aren't ignored, glossed over, or treated as a pox upon our "noble" language. Many familiar names are referenced alongside (or, more accurately, right after) the more sedate, historical personages such as Samuel Johnson and Noah Webster: George Carlin, Lenny Bruce, Quentin Tarantino--those who, in their own colorful, creative, and ofttimes controversial way, continue to shape what we know as "good" English and "bad" English. And, yes, that includes South Park. The phenomenon brought about by the Internet Age--blogging, texting, Tweeting--all those activities supported by a vast multitude of unnamed persons who support these endeavors with their own shorthand versions of English, also earns a place in the lineage of our language.
Upon reading this book, I realized something very important: Nothing is new. From the dawn of language itself, people have been bemoaning its demise. Every generation worries that the one coming up behind them is going to hell in a handbasket--and taking the English language with it. I admit, I'm a language prude. I wince at text-speak, I rave madly when someone uses a word or phrase incorrectly, at least, incorrectly to my thinking; I try not to leave participles dangling or split my infinitives. The lesson of this book, however, is that English is a mutable language. It can be used, or abused, in the most extreme fashion, yet it will always bounce back and remain steady, if not always comprehensible to the elder generation. So, the lesson I've learned is that I, and all others who bemoan the imminent demise of English, should just chillax (a slang word I would have never deemed worth using before this point). I can't say I'll ever go out of my way to use split infinitives, dangling participles, or double (or triple or even quadruple) negatives. However, knowing that all of these grammatical "errors" have pedigreed pasts, going back to Shakespeare and Chaucer (who appears to be a master of the quadruple negative), I won't feel as though I'm committing a capital offense if one happens to slip into my writing or conversation. Even the dreaded ain't has a place in this world. English has the near-miraculous ability to be combined in almost infinite ways to create new words. Those words may only be one-offs, created as literary puns or linguistic exercises; they may end up as dictionary staples. The point is, English is flexible and fun. We can rail against its quirks, its bizarre spellings which don't match pronunciations, or, conversely, too many spellings which match a single pronunciation, but without its inherent freedom of expression, we would be lost without it.
Upon reading this book, I realized something very important: Nothing is new. From the dawn of language itself, people have been bemoaning its demise. Every generation worries that the one coming up behind them is going to hell in a handbasket--and taking the English language with it. I admit, I'm a language prude. I wince at text-speak, I rave madly when someone uses a word or phrase incorrectly, at least, incorrectly to my thinking; I try not to leave participles dangling or split my infinitives. The lesson of this book, however, is that English is a mutable language. It can be used, or abused, in the most extreme fashion, yet it will always bounce back and remain steady, if not always comprehensible to the elder generation. So, the lesson I've learned is that I, and all others who bemoan the imminent demise of English, should just chillax (a slang word I would have never deemed worth using before this point). I can't say I'll ever go out of my way to use split infinitives, dangling participles, or double (or triple or even quadruple) negatives. However, knowing that all of these grammatical "errors" have pedigreed pasts, going back to Shakespeare and Chaucer (who appears to be a master of the quadruple negative), I won't feel as though I'm committing a capital offense if one happens to slip into my writing or conversation. Even the dreaded ain't has a place in this world. English has the near-miraculous ability to be combined in almost infinite ways to create new words. Those words may only be one-offs, created as literary puns or linguistic exercises; they may end up as dictionary staples. The point is, English is flexible and fun. We can rail against its quirks, its bizarre spellings which don't match pronunciations, or, conversely, too many spellings which match a single pronunciation, but without its inherent freedom of expression, we would be lost without it.
25 of 26 people found the following review helpful
Format:Hardcover|Amazon Verified Purchase
I'll admit it: I'm a word-nerd. But even if you're not the sort of person who reads Fowler for fun, there's much here to delight anyone who loves language. If you've ever wondered what that "p" is doing in "receipt", or argued with a friend over the status of "ain't", you're sure to enjoy this book.
The "dilemma" in the title refers to the tension between descriptive and prescriptive approaches to English usage and grammar: between documenting the way English is actually written or spoken and enforcing someone's idea of "proper" English. Although he's also the author of The English Language: A User's Guide, Lynch is no narrow-minded prescriptivist. As he writes in the concluding chapter: "Speaking and writing our own language shouldn't be a chore; we should resist all attempts to make us feel ashamed of speaking the way the rest of the world speaks." At the same time, Lynch treats the oft-maligned "18th-century grammarians" fairly, presenting them as more than caricatures and giving historical context for their efforts.
The Lexicographer's Dilemma is fascinating because it touches on so many subjects in the course of exploring this central theme: from the great dictionaries and the people who edited them to the vagaries of English orthography and the many, futile attempts to reform it; from Dryden and Swift to George Carlin. Though I found the final three chapters less interesting (and a bit preachy), I found most of the book as gripping as a well-plotted novel. I also learned a great deal, despite a life-long fascination with the subject matter and a shelf full of similar books. Finally, Lynch's own writing is clear and full of good humor.
Lynch covers much ground in under 300 pages, but I did find one omission surprising: although he discusses split infinitives and sentence-ending prepositions, he remains silent on the ever-controversial third-person indefinite singular pronoun. A balanced, informed discussion of the history behind "he" vs. "they" would make a valuable addition to the book.
In short: here's a book about English that's more fun than a barrel full of monkeys typing Shakespeare!
The "dilemma" in the title refers to the tension between descriptive and prescriptive approaches to English usage and grammar: between documenting the way English is actually written or spoken and enforcing someone's idea of "proper" English. Although he's also the author of The English Language: A User's Guide, Lynch is no narrow-minded prescriptivist. As he writes in the concluding chapter: "Speaking and writing our own language shouldn't be a chore; we should resist all attempts to make us feel ashamed of speaking the way the rest of the world speaks." At the same time, Lynch treats the oft-maligned "18th-century grammarians" fairly, presenting them as more than caricatures and giving historical context for their efforts.
The Lexicographer's Dilemma is fascinating because it touches on so many subjects in the course of exploring this central theme: from the great dictionaries and the people who edited them to the vagaries of English orthography and the many, futile attempts to reform it; from Dryden and Swift to George Carlin. Though I found the final three chapters less interesting (and a bit preachy), I found most of the book as gripping as a well-plotted novel. I also learned a great deal, despite a life-long fascination with the subject matter and a shelf full of similar books. Finally, Lynch's own writing is clear and full of good humor.
Lynch covers much ground in under 300 pages, but I did find one omission surprising: although he discusses split infinitives and sentence-ending prepositions, he remains silent on the ever-controversial third-person indefinite singular pronoun. A balanced, informed discussion of the history behind "he" vs. "they" would make a valuable addition to the book.
In short: here's a book about English that's more fun than a barrel full of monkeys typing Shakespeare!
21 of 25 people found the following review helpful
Format:Hardcover
A learned yet accessible book on the modern history of the English language, which gloriously has resisted true standardization to this day -- which allows it to remain alive and to be enjoyed by George Carlin no less than William Safire. Explains the tension between "norma loquendi" and the "King's English", between the descriptive and the prescriptive. I particularly enjoyed the deep dive into the nature of certain iconic grammatical "rules", how they came to be, and why they are usually ill-founded. Usage is what ultimately matters, and Henry Watson Fowler's (and his followers, such as Strunk and White) instructions to be direct, simple, brief, vigorous and lucid can hardly be improved on. Lynch provides us with five grounds to object to a word, phrase or usage: taste, authority, etymology, analogy, and logic. Always appropriate to keep in mind when speaking or writing.
Most Recent Customer Reviews
5.0 out of 5 stars
Phenomenal fun and yet it is grammar!
This is a fantastic book of things that were taught to English students 200 hundred years ago, but brought into the modern age. Read more
Published 4 months ago by Carolin K. Shining
4.0 out of 5 stars
History of modern English, fun and easy
A very interesting and entertaining read! The author treats the history of modern English very practically, in terms of key people and their stories. Read more
Published 11 months ago by F. Vogel
5.0 out of 5 stars
A book that delivers on its premise...
I wouldn't have written a review at all, as I think the positive reviews do the book justice, but the negative reviews deserve attention. The book delivers what it says it does. Read more
Published 23 months ago by Christopher P. Marsh
4.0 out of 5 stars
A layman's history -- in a good way
To occasionally point out usage errors in the vast amounts of text to which we are all exposed daily is the hobby of many intellectuals, but what was the genesis of these rules? Read more
Published 23 months ago by A. Livingston
5.0 out of 5 stars
A superb fascinating read
Brilliant, fair-minded and witty, this book explores the many hidden issues in the creation of dictionaries, their history and the social-political waves they both generated and... Read more
Published on May 23, 2011 by Hanoch McCarty
3.0 out of 5 stars
Unfortunately riddled with errors
I'm reading this book now on my Kindle, and enjoying it a great deal. It is an interesting read, but unfortunately every few "pages" of the Kindle edition has an error. Read more
Published on May 2, 2011 by Chris van Hasselt
4.0 out of 5 stars
Word mavens look here...
A fun read for any word maven, or anyone interested in a brief dip in to the origins and crooked paths of English language usage. Read more
Published on February 25, 2011 by Sergio
4.0 out of 5 stars
An interesting & entertaining account of the people & events that...
This book gives an interesting and entertaining account of the major people and events that shaped the lexicographic tools of the English language - dictionaries, thesauruses and... Read more
Published on November 13, 2010 by Robert Muirhead
5.0 out of 5 stars
A magical performance on the development of the "Rules"
First, the disclaimer. Jack Lynch and I are not related, but we know each other through a common interest in Samuel Johnson (a web search on Johnson will quickly get you to both... Read more
Published on February 20, 2010 by Frank Lynch
5.0 out of 5 stars
English Never Stands Still
Professor Lynch has written a lucid history of the English language that should be enjoyed by anyone who ever balked at memorizing strange rules that change over time. Read more
Published on January 9, 2010 by T. J. Delanty
