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This vast collection of assorted visual and verbal content is loosely strung together by the common thread of whatever captures the attention of celebrated designer Fletcher best known for his founding roles in the English design firm Fletcher Forbes Gill and the internationally recognized design group Pentagram. A table of contents (with headings such as "Learning," "Noise," and "Imagination") provides a loose structure for what is an otherwise unfettered stream-of-consciousness outpouring. In the author's own words, the book is "a journey without a destination." The book is tailor-made for those with short attention spans, since any given thought or narrative rarely runs for more than a spread. A worthy companion to other large, contemporary, designer-orchestrated explorations of visual culture, such as Bruce Mau's Life Style (Phaidon, 2000) or John Maeda's Maeda @ Media (Rizzoli, 2000), this book will delight anyone who enjoys unexpected visual and verbal play, cultural and historical observations and insights, and staggering amounts of trivia and anecdotes. Best suited for larger public libraries or libraries with extensive liberal arts, fine arts, or art history sections. Phil Hamlett, Turner & Associates, San Francisco
Copyright 2002 Cahners Business Information, Inc.
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The book challenges, enlightens, entertains, and ultimately inspires. It's absolutely not a book of gee-whiz optical illusions, a la psychedelic "Mind's Eye" pointillism or perception bending Escher, but rather a playful, witty scrapbook of collected thoughts, newsprint clippings, poetry, photographs, illustrations, and assorted junk found on globe trotting vacations by the book's compiler.
The design of the book itself is a work of art. No two pages are the same. Each idea, or question, is presented with it's own lyrical typeface and placement to further convey the essence of the topic at hand. At my count, there are well over 1,000 different original works of typography and layout -- a stunning feat in and of itself.
"Sideways" is quite simply a fringe experience that is impossible to label, describe, or place in a particular section of a bookstore. As a designer, I felt more inspired, more aware, more energized after just a handful of pages than I can remember feeling in years of buying design and art related books.
It's big, heavy, and worth its weight in gold. A classic.
But whatever the author is saying, I agree with it. It's about expressing interesting thoughts in a visually interesting way in a conceptually interesting arrangement. I am a smarter, richer, wiser, person for having read it, but I can't say how.
(This isn't going to earn me many helpful votes, is it?)
I like this book because it covers such a diverse range of topics in an interesting manner. You can open up virtually any page in the book and find something amusing, thought provoking or plain bizarre. As an example did you realise that in actuality the world is a very dull place? There is no such thing as colour or sound. These are simply waves with different wavelengths and frequencies. The sensation of light and sound is simply the brain parsing information in a specific way, probably because this model was conducive to survival in primitive times.
I must admit a lot of the pages in the book were quite beyond me. I didn't understand why they were there at all and in fact I feel that some of the material should be omitted from the book because it has little value. It also became annoying at times because you have to flip the book sideways and upside down due to its unusual layout (no easy feat with such a hefty tome!).
However all in all this book is an excellent read. One of the best books I've read in awhile. Highly recommended if you are interested in exploring the unusual and thinking outside the square.