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Comment: SCRATCH-FREE, BLEMISH-FREE 2012 Mute Records release SHIPS PRIORITY MAIL inside hard cardboard box for standard shipping charge. Playing surfaces are pristine; played only once by meticulous owner. Untouched booklet included with discs inside near perfect quadfold cardboard case. NOT CUT-OUT or CLUB version. MINT and OUT OF PRINT.
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The Lost Tapes Limited Edition


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Audio CD, Limited Edition, June 19, 2012
$72.95
$17.05 $32.00

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The Lost Tapes + Ege Bamyasi + Tago Mago
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Product Details

  • Audio CD (June 19, 2012)
  • Number of Discs: 3
  • Format: Limited Edition
  • Label: Spoon Records / Mute
  • ASIN: B0080R7P8A
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (23 customer reviews)
  • Amazon Best Sellers Rank: #59,947 in Music (See Top 100 in Music)

Disc: 1
1. Millionenspiel
2. Waiting for the Streetcar
3. Evening All Day
4. Deadly Doris
5. Graublau
6. When Darkness Comes
See all 9 tracks on this disc
Disc: 2
1. Your Friendly Neighbourhood Whore
2. True Story
3. The Agreement
4. Midnight Sky
5. Desert
6. Spoon (Live)
See all 10 tracks on this disc
Disc: 3
1. Godzilla Fragment
2. On the Way to Mother Sky
3. Midnight Men
4. Networks of Foam
5. Messer, Scissors, Fork and Light
6. Barnacles
See all 11 tracks on this disc

Editorial Reviews

Spoon Records and Mute are delighted to announce the release of the
long awaited 3CD box set of unreleased studio, soundtrack and live
material from Can. THE LOST TAPES was curated by Irmin Schmidt
and Daniel Miller, and compiled by Schmidt and long time collaborator
Jono Podmore.
When the legendary Can studio in Weilerswist was sold to the
German Rock N Pop Museum, they bought everything, including the
army mattresses that covered the walls for sound protection, and
relocated it to Gronau. While dismantling the studio, master tapes
were found and stored in the Spoon archive. With barely legible
labeling, no one was sure what was on these until Irmin and Jono
started to go through over 30 hours of music. What they found was
years of archived material, not outtakes, but rather tracks which had
been shelved for a variety of reasons.
Can's influence is well known and far-reaching and the impact they
made on music is felt today as keenly as it ever has been. They
themselves have always been impossible to classify and reflecting
this, the scope of artists who in recent years have cited Can as a
major influence is varied from John Lydon to Radiohead, The Fall to
Portishead

Customer Reviews

4.7 out of 5 stars
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See all 23 customer reviews
Listening to all three discs in one sitting can be quite an experience-especially the first time through.
Stuart Jefferson
The 3rd peak era was 1974-'77 when all the band were still partipating & still very willing to break & create new musical boundaries.
stan menshic
This collection of unreleased tracks is SO GOOD, it almost makes their regular albums sound like outtakes.
davernoise

Most Helpful Customer Reviews

Format: Audio CD Verified Purchase
This collection of "lost music" from many hours of unreleased tapes is aimed squarely at fans of CAN, and "...what was distilled presents a secret, psychotropically-charged history of this most legendary of groups...". All the dark, spacey, magical, funk sounds the band is known for run all through this collection. Beginning from the band's early years-both "vocalists" Malcolm Mooney and Damo Suzuki, are here. Mooney shows up on a number of early tracks until he left for the U.S. in late 1969, whereupon Suzuki enters the picture. As usual, their voices are more of another instrument used to help color the band's sound. And these unreleased tapes (taken from 50 hours of recordings) of the band at work (something like intuitive jamming)) show that CAN never lost it's edge.

This set is a combination of unused soundtrack music, live tracks, and rehearsal tapes. And everything has been put together (especially the soundtrack stuff) to create an impact of sound and feeling. This collection of tracks isn't like other box sets from bands from the past, with the usual alternate takes and demos. This is, for all intents and purposes, a "new" release from CAN. Even live tracks "Spoon" and "Mushroom" are different from what we've heard before. And the impact of the music has the feel of something new. The sound is very good-clean and clear from the low end of Czukay's bass to the upper reaches of Schmidt's keyboards-and typically intense when needed, with that deep cosmic funk of the rhythm section underneath almost everything.

The outer, stiff, hinged lidded cardboard box (that looks like an old studio recording tape box) measures 10"X 10" and lists the tracks and recording dates on the back of the box. The 26 page booklet is just a bit smaller than the box.
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15 of 16 people found the following review helpful By stan menshic on June 24, 2012
Format: Audio CD
Can have done it again, somehow this band are able to construct and release nearly 3 hours of the funkiest experimental rock ever. Lost Tapes (a 3 c.d. box set) is definately up to the standards of 'Unlimited Edition" (a dbl album of outtakes released in 1976) & it is definately a must have for all Can fans & anyone who loves excellent music whether its rock, electronic, world, funk, or classical.
The songs are collated from their peak era 1968-1977 & are mostly chronologically organised. Which is by far the best & most effective manner to document a seminal and groundbreaking band's musical evolution. Pink Floyd had a best of several years ago & the songs were all over the place chronologically & the net result was both annoying & absolutely made no sense. Can's presentation follows the 1st 3 peak eras namely the late 60's with M. Mooney an era of confrontational aggressive repetitive music similar perhaps to the Velvet Undergound at their peak playing Stockhausen music. The 2nd era was from '70 to '73 with Japanese vocalist Damo Suzuki on board. This era generated 2 of the finest albums in music history namely the dbl 1971 masterpiece Tago Mago (an unpredictable experimental gothic voodoo music alchemy) & the brilliant futuristic ambience of Future Days. The 3rd peak era was 1974-'77 when all the band were still partipating & still very willing to break & create new musical boundaries. That Lost Tapes represents each period so fittingly with so many never before heard songs is relavatory & an absolute essential addition to the the Can musical legacy.
However, the first listener to Can would be better off listening to 'Monster Movie'(1969)'Tago Mago'(1971),'Ege Bamyashi'(1972),'Future Days'(1973), or 'Soon over Babaluma'(1974), as these albums are their most inspired and refined.
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6 of 7 people found the following review helpful By rmac1117 on July 10, 2012
Format: Audio CD Verified Purchase
As other reviewers have pointed out, this set is an Awesome representative of Can's output. Music from the United-Artists era, such as "Soon Over Babaluma", "Ege Bamayse", "Tago Mago", and "Future Days" etc. is reminiscent here.
My gripe is with the totally sub-par packaging. The item is actually a calendar-sized cardboard box with an (EXCELLENT) information booklet inside, same square shape. It covers each selection in detail & provides interesting graphics. But beneath, the 3 CDs are mounted into totally unprotective cardboard circles from which they need to be pried loose, and CAREFULLY (if any of them hadn't already been jarred loose while en route, as was the case with mine. That's NOT Amazon's fault, & my discs were fine).
Suggestion for anyone purchasing this item: Round up a few virgin CD cases, such as 3 singles or possibly a 4-disc box) and immediately transfer the CDs into those, where they'd be protected. Check Amazon's fare; there are several varieties of CD-case sets available. And keep the info booklet handy, despite its size.
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2 of 2 people found the following review helpful By Michael J Fowler on March 11, 2013
Format: Audio CD Verified Purchase
I've grown a little leery of the various recordings of "lost music" and "new albums" by the artists from back in the day. New albums by Zappa, Hendrix and others turn out to be collections of inferior takes or the same old material shuffled and repackaged for maximum profit. I wonder what Frank would think.
Can's Lost Tapes" is a different kind of produce. Since I like reviews to be short, concise and (hopefully) helpful, this is what you should know:
This is a musical statement by an innovative and accomplished band in their prime. It really took me back. And forward as Can will do sometimes. The sound is above average. There is debut material and a few quality live versions of old material heard here for the first time. This album is a sonic gem and should not be missed. It also helped to solidify, for me, the idea that the sons and daughters of all the people who bought Tago Mago back in the day went on to start their own neo-psychedelic band today. Though it was canned forty years ago it is still that fresh.
Enjoy with your preferred garnish.
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