Esteemed documentarian Albert Maysles (along with Bradley Kaplan) bring us this portrait of Paul McCartney shot in New York City in the aftermath of September 11, 2001. McCartney was actually en route out of the country on that fateful day and had his plane grounded when air traffic was shut down. This film documents, for the most part, a few days in October as McCartney readies for the huge benefit called The Concert For New York City. Part self promotion, part paean to New York, part celebrity portrait--this experience is not an overtly emotional tribute to the time. Its focus is squarely on McCartney and what it was like to be him during this tumultuous period. Always fascinating, but strangely aloof, the piece doesn't even get particularly close to its primary subject. Its success, I suppose, is giving viewers a behind the scenes glimpse at an event that united the nation. And while I appreciated this element, it certainly isn't as rousing or moving as I might have expected upon reading its description.
The film begins as McCartney is doing a press junket to promote the event. We see him interact with a number of big name interviewers from Dan Rather all the way to Howard Stern. In this process, the movie provides a peek behind the curtain as the bits are readied and then analyzed after the shoots. In between, McCartney traverses the streets of the city as crowds descend upon him. Somewhat patient, somewhat harried--this segment shows the pressures of celebrity in modern society. The second half of the film takes place during the concert itself and showcases McCartney meeting and greeting a vast array of celebrities that are on hand to participate in the event. Again, the filming doesn't focus on any particular moment or interaction but on the experience as a chaotic whole.
Brief musical snippets showcase David Bowie, Eric Clapton, Billy Joel, Jay-Z, Bon Jovi, James Taylor, The Who, Mick Jagger and Keith Richards, and Elton John prior to McCarteny's finale. This is, however, NOT a concert film. In fact, watching these small portions of the concert made me want to revisit the entire The Concert for New York City which is available on DVD. In the end, I don't know that I have a more intimate knowledge of McCartney as a person. Nor does the piece attempt a close examination of the September 11 tragedy. It is a behind-the-scenes glimpse at several things that any McCartney fan would appreciate. And while I would certainly and easily recommend it, it might not be what you expect. KGHarris, 9/11.