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The Madcap Laughs

Syd BarrettAudio CD
4.3 out of 5 stars  See all reviews (141 customer reviews)

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Syd Barrett - 'Here I Go' (Music Video)


Roger Keith 'Syd' Barrett (1946-2006) was the original front man and songwriter for Pink Floyd. Widely seen as a musical genius, he was an undisputed pioneer of the sixties underground psychedelic scene, and remains a source of unrelenting fascination for music journalists and fans alike.
Despite spending little more than two years with Pink Floyd, Syd's song writing was ... Read more in Amazon's Syd Barrett Store

Visit Amazon's Syd Barrett Store
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Product Details

  • Audio CD (August 7, 1990)
  • Number of Discs: 1
  • Label: Capitol
  • ASIN: B000007MVM
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (141 customer reviews)
  • Amazon Best Sellers Rank: #187,383 in Music (See Top 100 in Music)

1. Terrapin
2. No Good Trying
3. Love You
4. No Man's Land
5. Dark Globe
6. Here I Go
7. Octopus
8. Golden Hair
9. Long Gone
10. She Took A Long Cold Look
11. Feel
12. If It's In You
13. Late Night

Editorial Reviews

Having left Pink Floyd in 1968 after a daily LSD habit had taken its toll, Syd Barrett's first solo album finally appeared two years later with ex-Floyd sidekicks David Gilmour and Richard Wright riding shotgun with him in the studio. The Madcap Laughs is a brilliant but brittle album, with every strum of the electric guitar seeming to take its toll on Barrett's increasingly frayed nerve strings. On songs such as "Love You," his state of mind is well concealed beneath the sort of jolly jangle-pop Blur would later indulge in. On "Dark Globe," however, the strain is palpable: "Please lend a hand ... won't you miss me? Wouldn't you miss me at all?" he pleads, ominously. The best tracks are "Octopus," which possesses all the controlled mania of early Floyd, and "Golden Hair," a still moment of musical rapture whose lyric is taken from a James Joyce poem. --David Stubbs

Product Description

1 x CD Album, Reissue
UK 1987

2No Good Trying3:27
3Love You2:30
4No Man's Land3:03
5Dark Globe2:02
6Here I Go3:13
8Golden Hair2:00
9Long Gone2:51
10She Took A Long Cold Look2:07
12If It's In You1:57
13Late Night3:13

Customer Reviews

Most Helpful Customer Reviews
81 of 87 people found the following review helpful
5.0 out of 5 stars SUCEEDING WITHOUT MEANING TO March 8, 2002
Format:Audio CD|Verified Purchase
There is no question that Syd cuts a fascinating figure, full of loss and mystery. But, set the personality stuff aside - something you should do with everything you listen to - and pay attention to the music.

First and foremost, intentionally or not, Syd's lyrics are high art. Not self-conscious, referential and elitist nonsense. These lyrics are poetry, and poetry can only result from experience. We don't need to know or speculate about that experience, we need only comprehend that it somehow resulted in some amazing work.

The music is the perfect match for the words. The feeling of accident, of the joy of finding the right note and the frustration of being just sharp or just flat, a split-second early or a half-second late, is all there to hear. It brings a remarkable one-to-one feel to the music, somewhere between the rehearsed and the improvised, and it never comes off as self-conscious or calculated.

What are the influences? I can't detect any -- short of the James Joyce poem made into the song "Golden Hair". Has anyone else ever given us this specific combination of intent and accident? None that I'm aware of. The Madcap Laughs and Barrett both work because the artist we're listening to is a natural at what he does. Whether the drugs heightened his ability or killed it hardly matters now. The work is still here, still with us and like all lasting art, it resists classification and interpretation. Let's just say that whatever life brought to Syd, his particular nervous system had a singular way of transforming it into the transparent and immediate experience of a music all his own.
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38 of 39 people found the following review helpful
5.0 out of 5 stars An Unforgotten Legend July 11, 2006
Format:Audio CD
Syd Barrett was a poet and genius of the highest order. Fragmented and tattered, the songs on this album lay it all out on the table. This is the reflection of a man who was dying on the inside and who's reality was slipping away literally as he sang.

Songs like the opening Terrapin and the closing masterpiece Late Night seem to speak volumes of the feeling of disassociation he must have felt in his life at the time. And, the truth is, every song in between the two are more than worth the their weight in gold. Jaunty tunes, such as Love You, Here I Go and Octopus, mingle with material that is, for a lack of better words, absolutely soul crushing.

The production is fittingly sparse -- some songs are literally just Syd and his acoustic (Dark Globe, Feel, If It's In You), while many others are filled with small psychedelic flourishes that keep the ambience intact. The only low point on the album exists in the admittedly weak She Took A Long Cold Look. This song would have found a better home on the B-sides collection Opel (ironically, the song Opel would have been a perfect fit). Long Gone is a darkly chilling highlight -- chromatic acoustic scalings, thick harmonies, and dynamically interesting organs make for a particularly sinister song.

Syd's voice is often broken and fragile. On songs like Dark Globe, it is on the verge of sounding tortured. This IS NOT a pop album and it IS NOT an extension of his more whimsical Piper At The Gates Of Dawn album. Be forewarned: this is an album that will haunt you for years to come.

-This review was written in his honor. We will miss you.

So long, Syd. (January 6, 1946 - July 7, 2006)-
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35 of 38 people found the following review helpful
5.0 out of 5 stars Disintigration On Vinyl December 11, 2003
Format:Audio CD
Ok, so it's more like disintigration on CD these days. Syd Barrett's first solo album is the work of a man completely falling apart. As the founder of Pink Floyd, Barrett ingested enough LSD to drive a medium sized country mad, and by 1968 and 1969 (when this album was recorded) his mental state was very schizophrenic. Even with these problematic mental disorders (or maybe becasue of), Barrett managed to create a classic.

Following Barrett's dismissal from Pink Floyd in early 1968, the band's managers followed Barrett, assuming that the band could not survive without their creative light (oops). While time has obviously proved them wrong, they soon set Barrett to work with producer Malcomb Jones and the trippy combo The Soft Machine to create a pop album. Barrett's performances soon proved to be erratic and strange, and it was soon apparent that the music was not going to set the teen scene on fire. The sessions were shelved (although temporarily as many tracks are included on the album) and "Octopus" was unleashed as a single. It unsurprisingly did not go far.

Cut forward a few months and former bandmate Roger Waters and Syd's own replacement David Gilmour wheel Barrett back into the studio for some more fun and games. These sessions were acoustically based, and allowed Barrett to do pretty much whatever he wanted to do, even if it was endlessly strange.

The final album is a somewhat daunting listen, but quite phenomenal if you can get your mind into Syd's world, where things like rhythm are rather amorphous. "No Good Trying," "No Man's Land," "Octopus," and "Late Night" are strange but amazing masterpieces of psychedelic rock. On the first two especially, the backing musicians sound like they're furiously trying to keep up with Syd (no good trying?
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Most Recent Customer Reviews
5.0 out of 5 stars Five Stars
Great stuff here by Syd Barrett.
Published 1 month ago by Brett Jensen
5.0 out of 5 stars Great edition of a terrific album.
Great sound and this is a basic but pretty elegant edition of this great album.
I've never seen the gatefold psychodelic collage. It's great. Read more
Published 1 month ago by Alberto Satisfaction
4.0 out of 5 stars Genius
Genius, the title of the album says it all.
Published 1 month ago by Ruben D. Trevino Gonzalez
5.0 out of 5 stars Syd Barretts finest hour.......
This is Syd Barretts finest hour. For those looking for a rehash of Pink Floyd material you are looking in the wrong place. I compare this to the other music of the early 70's. Read more
Published 2 months ago by Static Frost
5.0 out of 5 stars not for everbody
You really get some insight into Syd Barrett - IF you know who he is/was and/or care.
If you don't, well don't bother. Read more
Published 6 months ago by user944477
1.0 out of 5 stars What a waste of vinyl
No wonder the band moved on without Syd he was way too wierd. Thank god the band moved in the direction they did .I used madcap laughs cd as a clay pidgin
Published 7 months ago by David Tillman
2.0 out of 5 stars Jibberish
I've followed PF for all the years and enjoyed the many twists and turns, but this effort of Barrett post PF is just garbage; less Terrapin. Read more
Published 13 months ago by M. Phillips
5.0 out of 5 stars A great masterpiece
I didn't know Syd Barrett's work outside pink floyd and I feel totally satisfied after listening this album, full of wonderful melodies.
Published 14 months ago by Mauricio Olivares
1.0 out of 5 stars It was Roger after all
I honestly believe if you remove "former Pink Floyd member" that this album would get no better than an average rating. Read more
Published 14 months ago by Nostalgic Nerd
4.0 out of 5 stars The Heir of Despair
Admit it - I'm a Syd Barrett FANATIC. Anyway, this album is a very personal testament to the artistry of Syd Barrett. Read more
Published 14 months ago by Suzinne Barrett
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