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If you've glanced at the editorials above, you know the novel's plot. Two of the most fascinating characters are already dead when we begin reading; they occupy the heroine's dreams, refusing to rest like peaceful corpses should. Among her other talents, Patchett is masterful with adolescents-- a notoriously tough breed to write about. And she's excellent with violence, too. Not the habitual, ritual violence of genre fiction, but the quick, mean violence of unhappy men.
I don't want to tell you too much. Read the book. If you don't like it, e-mail me and complain about what an idiot I am.
I don't think I'll be hearing from you.
It's true that after I finished the book, I tried every which way to look at it symbolically, to see how the magic tricks, the sleight of hand and the distraction of attention could be applied to what happens, especially with the ending. And yes, OK, I had some theories, such as maybe Sabine had been so distracted by her 22 years with the glamorous, gay Parsifal that she had failed to realize that she was really gay herself, and thus her attraction to Kitty at the end.
But I found that I just didn't really care, partly because I didn't care that much about the main characters. I found the trio of Sabine, Parsifal and Phan all too good, too unflawed, too beautiful, and Sabine's worship of Parsifal for over 2 decades a little hard to fathom, as is her relationship with him for that long. I had a similar relationship with a gay man for several years, but it certainly wasn't without terrible heartache nor without disagreements (which Parsifal and Sabine seem to never have had, not a one!). Well, everything in L.A. is good and charming and wonderful, including Sabine's parents and L.A. itself.
... Read more ›At the opening of the novel, Parsifal the magician, has suddenly died and Sabine, his assistant of twenty years and recently his wife, is trying to cope with her loss. Their relationship had always been a unique one - Sabine loved him and dedicated her life to him despite his inability to love her in the same way: he was gay. What complicates her grief is the discovery that Parsifal has family living in Nebraska - a mother and two sisters - family he had always told her died many years earlier in an accident. In fact, everything she knows about the history of his life, turns out to be a fabricated story. As Sabine struggles to comprehend the reasons for Parisfal's deceptions, she embarks on an emotional journey, traveling to Nebraska to try and connect with the Parsifal she never knew through the family she never knew he had.
Patchett effectively uses two elements throughout the book that bind this story together: the dream world and the world of magic. Descriptions of Sabine's dreams, where she reunites with Parsifal as well as his gay lover Phan, are used to relate Sabine's emotional awakenings as she forms relationships with Parsifal's family and learns of his early life; the magic that Parsifal and Sabine performed throughout their union serves as the tool that brings Parsifal's family an understanding of the son/brother they lost years ago.
Lovingly written and gracefully rendered, The Magician's Assistant is a deceivingly simple book and a very rewarding experience.