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These plays inspired ordinary dock-workers and High Church bishops alike to examine the Christian faith. People who never gave a second thought to some guy named Jesus were confronted with a living, throbbing reality in these plays.
Sayers did her work conscientiously, as in her translation of Dante, by not making any use of any terms which were theologically inaccurate but dramatically potent. That is, she was faithful to the letter and spirit of her original- the Gospel story of Jesus. These plays contained, at times, shocking insight- and at times, human warmth.
Just as Jesus is supposed to be the meeting of Godhood and manhood, these plays are where entertainment and theology, the natural and the supernatural meet. Miss that, and you'll miss the same thing which soon caused thousands of English to arrive late for church service because they were waiting to catch the last moments of these plays on the wireless.
I found that the dramas forced me to imagine the movements of characters and plot as on a stage, something more difficult to do with the Biblical text itself. That made these stories come alive for me, and refreshed and enriched my grasp of these stories, "old bones in new flesh".
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