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The Man of Feeling Paperback – February 27, 2007

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Product Details

  • Paperback: 208 pages
  • Publisher: New Directions; Tra edition (February 27, 2007)
  • Language: English
  • ISBN-10: 0811216772
  • ISBN-13: 978-0811216777
  • Product Dimensions: 0.5 x 0.1 x 0.7 inches
  • Shipping Weight: 4.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #145,737 in Books (See Top 100 in Books)

Editorial Reviews


"Marías is simply astonishing." -- The Times Literary Supplement
" Marías is a startling talent...His prose is ambitious, ironic, philosophical, and ultimately compassionate." --The New York Times
"By far Spain's best writer today." --Roberto Bolaño
"The most subtle and gifted writer in contemporary Spanish literature." –The Boston Globe
"A digressive narrative that moves back and forth in time....There is nothing quite like it in fiction today."--The New York Times Book Review
“Marias’s literary gamesmanship evokes verbal puzzle-makers like Borges, and his ingenious chessboard plots bring to mind the 20th century's grand-master strategist, Vladimir Nabokov. Yet his style is uniquely his own as are the discoveries he makes while rummaging around in the basement of the human heart.”—Los Angeles Times
"A book that reflects the torture of love the way arias reflect heartbreak."--Washington Times
“The unspoken romance at the heart of Marías’s work is the recuperation of old-fashioned adventure within perfectly serious, cerebral contemporary fiction.”—The Daily Beast
“Marías has defined the ethos of our time.”—The Guardian, UK
“Beyond the interesting ideas his work draws on, Marías’s novels are simply a pleasure to read.”—The Millions --This text refers to an alternate Paperback edition.

Language Notes

Text: English (translation)
Original Language: Spanish --This text refers to the Hardcover edition.

More About the Author

Javier Marías is an award-winning Spanish novelist. He is also a translator and columnist, as well as the current king of Redonda. He was born in Madrid in 1951 and published his first novel at the age of nineteen. He has held academic posts in Spain, the US (he was a visiting professor at Wellesley College) and Britain, as a lecturer in Spanish Literature at Oxford University. He has been translated into 34 languages, and more than six million copies of his books have been sold worldwide. In 1997 he won the Nelly Sachs Award; the Comunidad de Madrid award in 1998; in 2000 the Grinzane Cavour Award, the Alberto Moravia Prize, and the Dublin IMPAC Award. He also won the Spanish National Translation Award in 1979 for his translation of Tristram Shandy in 1979. He was a professor at Oxford University and the Complutense of Madrid. He currently lives in Madrid.

Customer Reviews

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Most Helpful Customer Reviews

5 of 5 people found the following review helpful By R. M. Peterson TOP 1000 REVIEWERVINE VOICE on September 2, 2009
Format: Paperback
Javier Marias is one of my favorite contemporary writers of fiction. THE MAN OF FEELING is one of Marias's earliest novels (1986). It is evident that he had not yet hit his full stride as an author. If you are not familiar with Marias, I strongly recommend against making THE MAN OF FEELING your introduction to his work. And even if you have been captivated by Marias's more mature, and much better, novels, you can give THE MAN OF FEELING a pass without missing out on something truly significant.

THE MAN OF FEELING shares a distinct family resemblance with Marias's later novels, especially the prose style, which is marked by dense, meandering sentences, somewhat akin to the prose of W.G. Sebald or that of Henry James. Several themes or preoccupations are the same -- particularly, the blurring of fact and fiction (or imagination) in memory, and the finality of death -- although they are not explored as extensively or as deftly as in the later novels. Also the same is the oddly detached and somewhat melancholy tone of the narrative by the first-person narrator.

Here, that first-person narrator never reveals his name. He is a professional opera singer, and the story concerns the beginning and end of his relationship with Natalia. He first saw her on a train on the way to Madrid four years ago, as he was traveling there to begin an engagement to sing Cassio in Verdi's "Otello." She was traveling with her protective, wealthy husband and the male companion hired by her husband to entertain her (chastely) while he attended his business affairs. The three of them end up staying at the same hotel in Madrid as the narrator, and an odd competition over Natalia develops between the narrator and her businessman husband (who, curiously, turns out to be "the man of feeling").
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1 of 1 people found the following review helpful By Jeff Commissaris on September 20, 2013
Format: Paperback
"The Man of Feeling" is a book about the mixed emotions and confusion of love and life, of the blurred lines between reality and dreams. The book starts with the quote by William Hazlitt "I think myself into love, and I dream my way out of it." This book really grips the reader by going into the main character's conciousness and sub-conciousness. All of the character's strengths and shortcomings result in an affair and a deranged marriage that connect the characters together in a web of complications.

The novel seems to have been translated very well, and this is the first book I have read by the author Javier Marias. The protagonist's plight is intriguing and is one of a traveling opera singer, where he never really has a home and is constantly on the go, and ends up having an affair with the wife of a married man. The book becomes interesting as the opera singer and husband come in closer contact with each other, and both of them become dis-attached from what is actually going on the more the truth is revealed to all three involved.
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By Aggressive Arms on March 10, 2014
Format: Hardcover Verified Purchase
I'm a little surprised by the reviews above, both positive and negative, discouraging (or having the effect of discouraging) potential readers from picking up this book. It is an excellent introduction to Marias and an excellent novel. It has the hallmarks of his style, as I've come to know it: the reflective, slightly melancholy narrator, given to acute, but perhaps somewhat untrustworthy, dissection of psychology; and the capacity to turn quickly to a comic tone while leaving the reader wondering just how much he should be laughing. Not much "happens" in the story to outward appearances, but there is much to think about. A young opera singer writes by memory, refreshed by a dream, of a train trip he took to Madrid and subsequent stay there, while preparing for the role of Cassio in Verdi's "Otello," in which he meets three people: a beautiful young woman, her husband, and their companion. The multiple layers of dream and memory, and the narrator's odd courtship of a married woman while most of the time accompanied by her companion (but not her husband), allow Marias great flexibility in having the narrator reflect on the endeavor, his career, and past romance, and this in turn allows the reader a range of opportunities to reflect on love and memory as well. The style has an air of mystery about it -- as it should; the subject isn't entirely knowable and memory stands in the way to boot.

The whole of it by the way can be well-read (not just raced through) in about three hours. It's probably not Marias's best novel but it's very, very good, and anyone in the least intrigued will know where to go for more.
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6 of 11 people found the following review helpful By Jose F. Troncoso on October 1, 2003
Format: Hardcover
This is not the best book to start reading Javier Marias, but if you like him (in novels such as A heart so white or Tomorrow in the battle think on me) you must read this one.
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1 of 8 people found the following review helpful By Luciole on March 3, 2005
Format: Hardcover
If the above reviewer felt this was not the Marias book to start with, I would love to know why.
This, the first novel by Marias that I've read, seemed a work that stalled at impressive effort without making it to graceful coherence. The author's afterword does more to elucidate with a confession of intention than all the book's detailed but ultimately unrevealing waffling.
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