The Man With the Golden Gun 1974 PG CC

Amazon Instant Video

(266) IMDb 6.8/10
Available in HD
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Bond is assigned to retrieve a top secret solar power converter, but finds himself the target of the world's greatest professional assassin.

Roger Moore, Christopher Lee
2 hours, 6 minutes

Available to watch on supported devices.

The Man With the Golden Gun

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Product Details

Genres Thriller, Adventure, Action
Director Guy Hamilton
Starring Roger Moore, Christopher Lee
Supporting actors Britt Ekland, Maud Adams, Hervé Villechaize, Clifton James, Richard Loo, Soon-Tek Oh, Marc Lawrence, Bernard Lee, Lois Maxwell, Marne Maitland, Desmond Llewelyn, James Cossins, Yao Lin Chen, Carmen Du Sautoy, Gerald James, Michael Osborne, Michael Fleming, Sonny Caldinez
Studio MGM
MPAA rating PG (Parental Guidance Suggested)
Captions and subtitles English Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Customer Reviews

Not the best Roger Moore Bond, certainly not the best Bond.
Anthony P. Olson
A lot of people don't like this one but its not as bad as everyone says.
Movie Fan
A lot of action in this movie and a great car stunt as well.
Todd Elliott

Most Helpful Customer Reviews

26 of 30 people found the following review helpful By A Customer on May 26, 2001
Format: DVD
I know this one doesn't usually appear near the top of many critics' Best Bond Movie lists, but it's near the top of mine. Roger Moore was really in his prime in this one, and this was one of his tougher, more physical Bond performances. Moore has always been suave, and he posesses perhaps the best comic timing and delivery of any of the Bond actors, and he uses that well in Golden Gun. Also, in regards to the melody of the title song, and it's use throughout the movie, this is, IMO, the most effective scoring in the whole Bond series. There are great, exotic locales, exciting stunt sequences, and definitely one of the strongest villains in the whole series. I thought Lee's character of Scaramanga was perhaps a bit more realistic than many Bond villains, as he was more of an intelligent, psychotic loner rather than some megalomaniac set on world domination As a fan of the series, I also appreciated the Bond vs. Scaramanga final showdown as a nice change of pace from the common large scale "good commandos" vs. "evil army" battle that's used in a lot of Bond films. I also find the J.W. Pepper character to be one of the funniest in the series, so his appearance was a plus for me--this Bond movie had just enough humor to enhance the action and make it fun, without it going overboard and getting too cheesy, as they did with some of the later Moore movies. I just found this movie to be incredibly entertaining, and it just had that great Bond "feel" to it. Great picture and sound on the DVD, and a really cool documentary on the stuntmen and stunts from the whole series.
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7 of 7 people found the following review helpful By gobirds2 TOP 1000 REVIEWER on September 28, 2000
Format: DVD
When I first saw "The Man with the Golden Gun" on its release I had mixed reactions about it. "Live and Let Die" had been such a departure from the James Bond we had been used to seeing, it was good to see some of the old elements return to this film.
The character of James Bond had been revamped in "Live and Let Die" in an attempt, I suppose, to dissociate Roger Moore's interpretation of Bond from that of Sean Connery's. In "Live and Let Die" gone were the "Martinis shaken not stirred," the Dom Perigone, Bond's virility, worldliness and sardonic wit. Even his wardrobe was over-the-top.
In "Live and Let Die" gone also was John Barry's score, Desmond Lewelin as Q, M's briefing at "Universal Exports" headquarters, the gambling casinos, engagingly futuristic and lavish sets, the sensuous and worldly bevy of Bond women.
"The Man with the Golden Gun" opens with Maurice Binder's gun barrel trademark, accompanied with the "James Bond Theme" this time played on strings, instead of guitar. That was a real innovation by John Barry, which he continued to use for Roger Moore. It was clearly evident Barry was back.
The first camera shot is of a surrealistically exotic locale on a beach where a beautiful girl towels down a tall ark man emerging from the water. The man is Scaramanga, the Man with the Golden Gun. John Barry's familiar background music accentuates the Epicurean surroundings and the film immediately looks like it has returned to more familiar Bondian territory.
As the film unfolded many of the aforementioned elements missing from "Live and Let Die" returned. There also seemed to be a more substantial plot as it initially unfolded. However, there were still undesirable elements that crept into the film as it progressed.
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4 of 4 people found the following review helpful By Daniel R. Sanderman VINE VOICE on March 29, 2007
Format: DVD
THE MAN WITH THE GOLDEN GUN is a bit of an odd entry in the Bond series. Overall, the film feels a bit "cheap" compared to the films that immediately followed it. The sets are not quite elaborate enough and appear flimsy, the locations are not exotic enough, and the villain is no supervillain. Despite these faults, however, I must say that I enjoyed THE MAN WITH THE GOLDEN GUN more than its predecessor LIVE AND LET DIE. The film does not feel quite as dated and the filmmakers seemed to have wanted a bit of a harder edge on Moore, now in his second outing. Thus, while THE MAN WITH THE GOLDEN GUN certainly fails to make it into the top five of the Bond series, it is no slouch and one of the better Moore films.

After the opening "gun barrel" sequence, we suddenly open up on a beautiful private island beach and get our first glimpse at the film's villain, Francisco Scaramanga (Christopher Lee) and his diminutive manservant Nick Nack (Herve Villechaize). Nick Nack plots an assassination attempt against his boss by hiring an assassin to take him out. After a duel throughout Scaramanga's house of mirrors studio, Scaramanga dispatches with the assassin with a single bullet from his trademark golden gun. Apparently, Scaramanga plays such games in order to keep his edge. The scene closes on a life-size replica of Bond himself before fading into the opening titles. The titles are another Maurice Binder treat, featuring the golden gun seamlessly blended with the silhouettes of acrobatic women twirling on its barrel. Despite the artistry, however, the title song is one of the worst in the entire series, with awful lyrics to boot--quite a letdown after the McCartney song in LIVE AND LET DIE.
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