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This album hits the floor running with Kill You, a track announcing to the world Eminem's confidence in himself and rejection of authority and criticism. This level of comfort and confidence proves a great boon to the next track Stan, a song in which he reverses roles and plays the innocent good guy who is too late to help a deeply troubled fan. Eminem marvels at his own stardom in Who Knew and Marshall Mathers, breaks the news to the Eminem-haters that I'm Back, and taunts them all, with a little help from RBX and Sticky Fingez, with the track Remember Me?. The Way I Am is an important song, as Eminem clearly understands that his public persona is not the real Marshall Mathers but is rather whatever the people think he is; to his critics, he will always be a subversive criminal corrupting the youth of America, but to his fans he is something much different. Songs like Amityville (featuring Bizarre from D-12) and ... Please II (with Dr. Dre, Snoop Dogg, Xzibit and Nate Dogg) raise the levels of violence and strong language up to a level that might not appeal to all Eminem fans, but the tracks are very well laid out. Criminal is the perfect ending to the album, a final statement about Eminem's nature and the interpretation of what he does by the public at large. However, the most important track on this second album, in many ways the song that made me a fan, is Kim. This track, a prequel to the first album's Bonnie and Clyde 97, is understandably controversial, seeing as how it is basically a fantasy about Eminem murdering his wife, but in a very, very strange way it is actually a love song of sorts. Few songs can rival it in terms of the immense power it communicates, especially toward the end when Eminem is basically shouting, letting go of all the betrayal and anger he feels inside.
I am not really into rap and hip-hop in general, so it is difficult for me to review albums such as this. Beyond trying to communicate how incredible I think The Marshall Mathers LP is, the main point I would like to make is that no one should simply dismiss this music without listening to it for themselves. Many of those who objectively give Eminem a chance will still hate the guy, but it is much better to determine your own feelings first-hand as opposed to dissing the guy simply because you've heard he is violent and dangerous or because some group has labeled him a bad influence on young people.
This album is full of the unbelievable lyrical twisting and word arrangement that has become synonymous with Eminem...(You become so used to hearing his awesome flow that you almost forget how hard it is to give you verse after verse of hot lyrics)...If you are a true hip-hop fan you will love this album...(like Rah Digga said "Checkin for the rhymes not checkin for the track")...Pick any song and you will find more hot lyrics than you would find on the entire album of some of today's "hottest" rappers...don't get me wrong though...the tracks are hot too...
The only place where the album lacks is in the guest appearances...None of the guests on the album can touch Eminem in lyrical skills so they actually sound really wack next to him...(except track 15...Dre, Snoop and Xzibit hold their own)...
If you are familiar with Eminem, the album will not shock you as much as "The Slim Shady LP"...which is good...he has already made it known that he will say anythihg...any further attempt to prove that would be ridiculous...
If you didn't like the last album...or what Eminem has put out since...you won't like this album...This album is full of the same themes, tones and content of his previous work...but if you loved what Eminem has put out before...you will definately love this...
Standout cuts are:
"Marshall Mathers" - In his sick-but-honest manner, Em addresses issues that affect him personally like phony family members, Tupac and Biggie's death, and boy bands.
"Stan" - This track displays his true writing talent. In jarring detail, Em displays the thoughts of a troubled fan desparate for his attention.
"Who Knew" - This is aimed directly at parents who blame all the troubles they have with their children on Em and others in the entertainment industry. Definitely worth the listen for those with teens.
"Kim" - Not for those raised in an abusive household. Brutal, in-depth view of a jealous husband/lover with a motive to be "rid" of his girl.
"Criminal" - Twisted and funny (especially the robbery scene). Eminem displays his many personalities with tight lyrics.
Helping to hold this album down are his boys D-12 (Dirty Dozen) from his hometown Detroit. They represent on the demented "Amityville" track and on "Under The Influence".
Compared to his debut album, this album is a lot darker. Please remember folks, this is just entertainment. Relax and enjoy.
-Kenetic Monk