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Bradbury's quiet exploration of a future that looks so much like the past is sprinkled with lighter material. In "The Silent Towns," the last man on Mars hears the phone ring and ends up on a comical blind date. But in most of these stories, Bradbury holds up a mirror to humanity that reflects a shameful treatment of "the other," yielding, time after time, a harvest of loneliness and isolation. Yet the collection ends with hope for renewal, as a colonist family turns away from the demise of the Earth towards a new future on Mars. Bradbury is a master fantasist and The Martian Chronicles are an unforgettable work of art. --Blaise Selby --This text refers to an out of print or unavailable edition of this title.
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Ray Bradbury wrote these short stories in the late 1940s at a time when we knew almost nothing about Mars. Some scientists even thought there were probably canals and the remnants of a dead or dying Martian civilization on Mars. Written as science fiction originally by Mr. Bradbury, our growing knowledge of Mars makes these assumptions science fantasy today. But don't let that shift rob these stories of their power over you.
But Mars was just the setting for a more serious set of questions. Mr. Bradbury was concerned that the world was too full of hate, war, short-sightedness, and greed to amount to much. He despaired as to whether humans would survive the discovery of the atomic bomb. From this raw material of human excess, he stitched together a powerful vision of our choices -- to operate at our best . . . or our worst. He appeals to our better selves in a vivid way that will be unforgettable to you, if you are like me.
The development of the book has an interesting history. Mr. Bradbury was in his late twenties, and had written quite a few short stories. While visiting New York, he showed his short stories to publishers who liked them. The publishers advised him that there was a market for novels, but not much of one for books of short stories. Then one night it hit him, he had the raw material for a novel about Mars if he simply wrote a few transition stories to fit with ones he had already written. He sat up late that night writing the book proposal, and sold it the next day. That concept became The Martian Chronicles.
Mr.
... Read more ›When reading the Martian Chronicles (or, in my case, listening to the excellently read book on tape), the key is to keep in mind the context of the time in which it was written. In the post-war 1940s, the prospect of nuclear holocaust was all too real. More than 50 years later, the book is far too pessimistic about humanity and its future, while at the same time far too optimistic about the ease of travel to Mars.
Regardless, this is not the kind of science fiction that most are used to reading. For starters, it's a very literary book. The language is beautifully crafted; we're not talking pulp fiction here. Also, it's not a book about the rockets, or even Mars, per se. Bradbury spends no time explaining how the rockets are able to easily traverse the millions of miles to and from Earth, for example. It merely uses those conventions to tell incredibly poignant stories about man's paranoia and selfishness. One of the stories echoes the censorship-mad society in Fahrenheit 451, for instance. It just happens to occur on Mars.
The end result is somewhat depressing, yet profound. Think of the Martian Chronicles as the opposite of Star Trek's touchy feely Hollywoody SciFi.