Louise Erdrich's The Master Butchers Singing Club
is a powerfully told story of love, death, redemption, and resurrection. After German soldier Fidelis Waldvogel returns home from World War I to marry his best friend's pregnant widow, he packs up his father's butcher knives and sets sail for America. He settles in Argus, North Dakota, where he sets up a meat shop with his wife Eva, who quickly befriends the struggling yet resourceful Delphine Watzka. Delphine, who runs a vaudeville show with her balancing partner Cyprian Lazarre, has returned home to Argus to care for her alcoholic father. While most of this emotionally rich novel focuses on the changing landscape of small-town life as seen through Delphine and Fidelis's eyes, Erdrich does a masterful job of illuminating hidden dramas through her secondary characters. Erdrich's portrayal of these various townsfolk, including members of the Master Butchers Singing Club, truly shows off her storytelling talent. Her ability to infuse each character with a distinct and multifaceted personality makes this novel an intimate and thought-provoking adventure. --Gisele Toueg
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Erdrich's quiet, gentle voice is so soft, it's as if she's carefully reading a bedtime story. Yet this novel would not put anyone to sleep. Woven with intrigue, romance, death, sex and humor, it's an emotionally complex tale of European immigrants who have settled in the fictional town of Erdrich's previous novels, Argus, N.Dak. Bordering on magical realism, this marvelous yarn introduces a world of rich, expansive imagery and an abundance of memorably compelling characters. There's Delphine, who acts as a human table for her lover, Cyprian, an Ojibwa balancing artist. Delphine cares for her father, Roy, an alcoholic accused of neglectfully murdering an entire family. And then there's Fidelis, a former sniper for the German army who is now the singing butcher of the title. Although some breaks in cadence occur throughout the reading-it seems almost as if Erdrich is seeing the material for the first time-her soft style gradually blends with the story and, rather than seeming inappropriate, becomes invisible.
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