The Master and His Emissary: The Divided Brain and the Making of the Western World [Hardcover]

Iain McGilchrist (Author)

Book Description

Publication Date: December 15, 2009 | ISBN-10: 030014878X | ISBN-13: 978-0300148787 | Edition: First Edition

Why is the brain divided? The difference between right and left hemispheres has been puzzled over for centuries. In a book of unprecedented scope, Iain McGilchrist draws on a vast body of recent brain research, illustrated with case histories, to reveal that the difference is profound—not just this or that function, but two whole, coherent, but incompatible ways of experiencing the world. The left hemisphere is detail oriented, prefers mechanisms to living things, and is inclined to self-interest, where the right hemisphere has greater breadth, flexibility, and generosity. This division helps explain the origins of music and language, and casts new light on the history of philosophy, as well as on some mental illnesses.

In the second part of the book, McGilchrist takes the reader on a journey through the history of Western culture, illustrating the tension between these two worlds as revealed in the thought and belief of thinkers and artists, from Aeschylus to Magritte. He argues that, despite its inferior grasp of reality, the left hemisphere is increasingly taking precedence in the modern world, with potentially disastrous consequences. This is truly a tour de force that should excite interest in a wide readership.

Editorial Reviews

From Publishers Weekly

A U.K. mental health consultant and clinical director with a background in literature, McGilchrist attempts to synthesize his two areas of expertise, arguing that the "divided and asymmetrical nature" of the human brain is reflected in the history of Western culture. Part I, The Divided Brain, lays the groundwork for his thesis, examining two lobes' significantly different features (structure, sensitivity to hormones, etc.) and separate functions (the left hemisphere is concerned with "what," the right with "how"). He suggests that music, "ultimately... the communication of emotion," is the "ancestor of language," arising largely in the right hemisphere while "the culture of the written word tends inevitably toward the predominantly left hemisphere." More controversially, McGilchrist argues that "there is no such thing as the brain" as such, only the brain as we perceive it; this leads him to conclude that different periods of Western civilization (from the Homeric epoch to the present), one or the other hemisphere has predominated, defining "consistent ways of being that persist" through time. This densely argued book is aimed at an academic crowd, is notable for its sweep but a stretch in terms of a uniting thesis.
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Review

"McGilchrist describes broad [intellectual] movements and famous figures as if they were battles and soldiers in a 2,500-year war between the brain’s hemispheres. . . A scintillating intelligence is at work. . ." - Economist

 

(Economist 20091126)

"A landmark new book. . . It tells a story you need to hear, of where we live now."— Bryan Appleyard, The Sunday Times

(Bryan Appleyard The Sunday Times )

"This is a very remarkable book. . . McGilchrist, who is both an experienced psychiatrist and a shrewd philosopher, looks at the relation between our two brain-hemispheres in a new light, not just as an interesting neurological problem but as a crucial shaping factor in our culture. . . splendidly thought-provoking. . . . I couldn’t put it down."--Mary Midgley, The Guardian

(Mary Midgley The Guardian )

"A beautifully written, erudite, fascinating, and adventurous book. It goes from the microstructure of the brain to great epochs of Western civilisation, confidently and readably. One turns its five hundred pages . . . as if it were an adventure story." — A. C. Grayling,  Literary Review

(A.C. Grayling Literary Review )

"It is no exaggeration to say that this quite remarkable book will radically change the way you understand the world and yourself. . . . It is a genuine tour de force, a monumental achievement."--David Lorimer, Scientific and Medical Network Review

(David Lorimer Scientific and Medical Network Review )

"Absolutely fascinating."--Jessa Crispin, Editor of Bookslut.com

(Jessa Crispin Bookslut.com )

"At last! A book on neuroscience that is a thrilling read, philosophically astute and with wonderful science."--Mark Vernon, Philosophy and Life blog
 

(Mark Vernon Philosophy and Life blog )

‘Though neurologists may well not welcome it because it asks them new questions, the rest of us will surely find it splendidly thought-provoking. And I do have to say that, fat though it is, I couldn’t put it down.’ — The London Review of Books

(The London Review of Books 20100201)

“Hugely ambitious.”--Jonah Lehrer, Bookforum
 

(Jonah Lehrer Bookforum )

"To call Iain McGilchrist's The Master and His Emissary. . . an account of brain hemispheres is to woefully misrepresent its range. McGilchrist. . . persuasively argues that our society is suffering from the consequences of an over-dominant left hemisphere losing touch with its natural regulative 'master,' the right."-- Salley Vicker, The Guardian

(Salley Vicker The Guardian )

Named one of the best books of 2010 by The Guardian (Best Books of 2010 Guardian )

"This insightful, erudite and thought-provoking examination of the brain's hemispheres can change how you see (or think you see) the world."--PopMatters

(PopMatters )

“In his fascinating, groundbreaking, relentlessly researched, and eloquently written work, Iain McGilchrist, a consultant psychiatrist as well as professor of English—one wants to say a 'scientist' as well as an 'artist'—challenges this misconception. The difference between the hemispheres, McGilchrist argues, is not in what they do, but in how they do it. And it’s a difference that makes all the difference.”—Gary Lachman, Los Angeles Times

(Gary Lachman Los Angeles Times )

"That a book can lead me to question myself is praise indeed—I can think of no higher recommendation. Like any really interesting book, it is to be valued more for this than for any answers it gives."—Felix Dux, Parabola

(Felix Dux Parabola )

See all Editorial Reviews

Product Details

• Hardcover: 608 pages
• Publisher: Yale University Press; First Edition edition (December 15, 2009)
• Language: English
• ISBN-10: 030014878X
• ISBN-13: 978-0300148787
• Product Dimensions: 6.1 x 2.2 x 9.2 inches
• Shipping Weight: 2.6 pounds
• Average Customer Review: 4.5 out of 5 stars  See all reviews (67 customer reviews)
• Amazon Best Sellers Rank: #695,490 in Books (See Top 100 in Books)

More About the Author

Iain McGilchrist is a psychiatrist and writer who works privately in London, and otherwise lives on the Isle of Skye, off the coast of North West Scotland. He is committed to the idea that the mind and brain can be understood only by seeing them in the broadest possible context, that of the whole of our physical and spiritual existence, and of the wider human culture in which they arise - the culture which helps to mould, and in turn is moulded by, our minds and brains.

He was a late entrant to medicine. He went up to Oxford to study theology and philosophy, read English literature, and after graduating in 1975 was awarded a Prize Fellowship of All Souls College, Oxford. An interest in the mind-body problem led to him training in medicine, and at Johns Hopkins in 1992 he researched in neuroimaging. He practises as a psychiatrist, formerly as a Consultant at the Bethlem Royal and Maudsley NHS Trust in London, and now privately.

He has published original articles in a wide range of papers and journals, including the Times Literary Supplement, The London Review of Books, The Listener, Essays in Criticism, Modern Language Review, The Sunday Times, The Sunday Telegraph, BMJ, English Historical Review, British Journal of Psychiatry, and American Journal of Psychiatry, on topics in literature, medicine and psychiatry, and has published original research on neuroimaging in schizophrenia, the phenomenology of schizophrenia, and other topics. He took part in a two-part Channel 4 documentary, Soul Searching, in 2003. His first book, Against Criticism, was published by Faber in 1982, and dates from before his medical training, but deals with issues of the wholeness, uniqueness and embodied nature of the work of art, which are continuous with his current concern, the relationship between the history of ideas and shifts in brain hemisphere function, a topic which he has been researching for 20 years, and which is the subject of a recent book published by Yale University Press, The Master and his Emissary: The Divided Brain and the Making of the Western World.

Most Helpful Customer Reviews

120 of 124 people found the following review helpful

5.0 out of 5 stars Seeing through the brain February 21, 2010

By Jim Coughenour

Format:Hardcover

Ian McGilchrist's thick book on the "divided brain" is the most interesting book I've read this year. I'd come to regard the fabled right brain/left brain antithesis as so much entertaining pop psychology (e.g., Daniel Pink's A Whole New Mind: Why Right-Brainers Will Rule the Future) -- handy for provoking corporate robots, but hardly more than a convenient fiction. McGilchrist has convinced me that it's a metaphor worth taking seriously, that in fact it may be the fundamental metaphor for a scientistic age.

McGilchrist's thesis is simple: the right hemisphere of the brain (the "Master" of his title) provides our primary connection to the world - to whatever is outside ourselves; the left hemisphere is its Emissary, breaking wholes into parts, analyzing and abstracting, devising categories, names and theories, then returning the results of its investigations to the right brain to be integrated into lived experience. The health of both individuals and civilizations depends upon the reciprocal connection. The problem is that the left brain, which imagines it "knows" things it can't possibly know, usurps its role and projects its own partial, definite vision of the world onto the world's essentially ambiguous reality.

Stated simply (and the above is my own wording for McGilchrist's argument) I risk making the book sound as if it was written by a crank with an overweening metaphor. Nothing could be further from the truth. The book, which begins by examining a huge range of neurological research on the brain, then examines how the structure of the brain has affected (nothing less than!) the history of Western civilization, is continuously fascinating, rich in detail and bold in observation. Bothits science and practice of philosophy are exemplary. McGilchrist takes almost 500 pages to build his case. Fortunately, he's an engaging and unpretentious writer.

His argument reminded me of some of the most stimulating books I've ever read. A short list of ideational echoes: James Hillman's discussion of "seeing through" in Re-Visioning Psychology; Owen Barfield's examination of polarity in the evolution of consciousness in What Coleridge Thought; F S C Northrup's study of the Aesthetic and Theoretic components in The Meeting of East and West; Paul Ricoeur's theory of "second naivete" in The Symbolism of Evil; and Colin Falck's post-structuralist approach to literary language in Myth, Truth and Literature: Towards a True Post-modernism . Each of these books is a touchstone to me, and each is illuminated by McGilchrist's speculations.

At the same time, McGilchrist's discussion and bibliography pointed me to books I'd never heard of and now can't wait to read: Louis Sass's Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought; Stephen Gaukroger's The Emergence of a Scientific Culture: Science and the Shaping of Modernity 1210-1685; and Joseph Leo Koerner's The Reformation of the Image. I realize this review doesn't do much more than emphasize my own enthusiasm - but for the curious reader, maybe that will suffice.

105 of 111 people found the following review helpful

5.0 out of 5 stars A masterly achievement November 28, 2009

By David Lorimer

Format:Hardcover

This is a brilliant and staggeringly erudite book that only Iain McGilchrist could have written. Originally a Fellow of All Souls College, Oxford, in English literature, he retrained in medicine and has brought together CP Snow's 'two cultures' in a masterly synthesis. McGilchrist overturns the commonly held view of the left hemisphere as dominant, showing conclusively that the right hemisphere is primary but that both are meant to work together. Each has a different but complementary perspective on the world: the right hemisphere apprehends the whole and mediates new experiences, while the left provides focus. The snag is that this narrow focus prefers abstraction to experience and treats living things as mechanisms. This mechanistic metaphor pervades the whole of modern science and indeed economics, with its emphasis on manipulation.

This view tends to dehumanise the world and impose a bureaucratic mentality, from whose excesses we currently suffer as we strive to eliminate all risk in favour of a certainty which does not exist outside mathematics. The second part of the book examines our cultural history in terms of a power struggle between left and right hemispheres, in which the left hemisphere is currently privileged. Here is a new take on the history of Western thought, which will radically reshape your understanding. The book is impressive not just in its scope, but is beautifully written, positively bristling with insights and creative intelligence on every page.

52 of 57 people found the following review helpful

5.0 out of 5 stars Iain McGilchrist 'The Master and His Emissary': For sceptics and careful investors January 2, 2010

By Ian Mcpherson

Format:Hardcover|Amazon Verified Purchase

Iain McGilchrist `The Master and His Emissary' : For sceptics and careful investors

Recent decades constitute a golden age for brain research, using new technology and methods. However, this gold has too often been mixed with lead, and even mud. Some have clung stubbornly to quickly outdated research, while others have aimed to cash-in on the prestige and fascination of such research by exploiting (sometimes for psycho-political as well as commercial purposes) half-truths and misunderstandings. At one extreme the brain becomes a fetish, while at another extreme it seems smart to speak of the allegedly obvious as `a no-brainer'. Hence, when a new, big, brain-book attracts such enthusiastic acclaim as this one, it is only prudent to be mindful of the need for caution.

Happily, Iain McGilchrist has provided on a personal website ([...]) not only summaries of his qualifications, experience and commitments, but also his book's complete and illuminating Introduction (about 15 pages), along with his table of contents and chapters. The caution, and respect for evidence and argument - as well as for his readers, to be found in this introduction are sufficient to show that he is an outstanding thinker, as well as researcher, polymath, cultural critic and humanistic practitioner, who deserves to be given the benefit of the doubt by any prospective purchaser. He is a genuinely interdisciplinary thinker, who - just because he appreciates disciplinary boundaries - is well prepared to cross them responsibly in developing his argument and insights.

Another impressively reliable reviewer, in addition to those already available on the Amazon site, is the great moral philosopher, interpreter of life-sciences, and cultural critic Mary Midgley. (The range of her work and the general high regard for this can be seen by looking her up on Amazon). No one could ever fairly accuse Midgley of being uncritically swept along by any version of scientism (abuse of the sciences). Her review of McGilchrist appears in the Guardian (Review section) for Saturday 02/01.2010, page 6, under the title `The Music of the Hemispheres'. Midgley's review begins, `This is a very remarkable book. It is not (as some reviewers seem to think) just one more glorification of feeling at the expense of thought. Rather, it points out the complexity, the divided nature of thought itself and asks about its connection with the structure of the brain. Midgely ends by welcoming the book as `...clear, penetrating, lively, thorough and fascinating. ...And I do have to say that, fat though it is, I couldn't put it down'.