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Like a good magic act, J.H. Wyman's original screenplay distracts you from its gaps of logic, using unexpected revelations to fuel its strategic vitality. It also provides a wealth of character development, and director Gore Verbinski (Mouse Hunt) gives his stellar cast equal time to shine. It hardly matters that Pitt and Roberts spend most of the film apart; their time together is worth waiting for, and the machinations that separate them play out like a cross between vintage Peckinpah and Romancing the Stone. And why is the accursed pistola so valuable? That's just another surprise, setting the stage for the arrival of yet another big-name star, whose motivations are pure in a film full of double-crosses and darkly shaded humor. With a giddy plot like this, star power is just icing on the cake. --Jeff Shannon
I recommend giving this movie a shot. Leave your expectations at the door and just enjoy the show for what it is ... a quirky kinda dark romantic comedy. It is well done, combining romance, action and emotional impact with comedy.
There are some very funny scenes, a few somewhat deep scenes that deal with relationship issues and some dramatic scenes that are sad and some that are happy, all of them touching. There are also some subtle jokes, so keep your eyes and ears open!
Admittedly, there was a point where I felt that the movie was going on a bit long, but it quickly became interesting again and I forgot about that.
When you watch this movie, I recommend taking special note of the three main character's eyes. The actors very effectively express their character's emotions and thoughts with their eyes.
Enjoy!
If you like sequential movies, if you don't like movies that jump back and forth in time and place, if you are a parent that must leave the room constantly, do not get this movie. If you want to live in a vicarious boy/girl relationship with Julia Roberts or Brad Pitt then do not get this movie.
Cinemaniacs and filmography sickos (such as myself) that watch a movie 5 times to figure out that "cool camera angle" or particular acting dynamic, come on in. The water is FINE!
If you want to see a good but strange movie that truly shows J.R.'s subtle but amazing breadth of ability then see "The Mexican". Brad Pitt also gives a good performance. The production stands on its own as suitably weird, trust me, but if dropping acid were legal I'd make the suggestion just because it couldn't get any more bizarre. Warning: you may feel tempted to adopt Leroy (played by James Gandolfini), the hit man reluctantly getting in touch with his true self. Absolutely fantastic. He plays this with more realism (if anything in this movie could be considered realistic) and balance than Robert DeNiro in Anaylyze This. I really look forward to seeing more of his work.
I only gave it 3 stars because I felt that the plot device (the cursed pistol) was a bit meaningless even in farcicle mode, and the movie doesn't seem to hit its mark squarely or successfully as some hybrid cross between a continuous story and a contiguous collection (ala Twenty Bucks or Four Rooms).
The acting alone is worth seeing this film. J.R.'s snap switch between angry girlfriend to scared hostage is very good, but it's her subtle shift between hostage to guidance counselor that I really loved. It's a lot of jumping around and she doesn't lose you. THAT'S what makes Ms. Roberts a great actress.
Brad Pitt also did a credible job. I just don't think the story shifts or dialog had the same opportunities to show off his virtuosity in the same way as he did in Meet Joe Black.
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