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The Mill on the floss Paperback – September 10, 2010

ISBN-13: 978-1172297450 ISBN-10: 1172297452

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Editorial Reviews

Review

`with each volume having an introduction by an acknowledged expert, and exhaustive notes, the World's Classics are surely the most desirable series and, all-round, the best value for money' Oxford Times --This text refers to an alternate Paperback edition.

From the Publisher

Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards. --This text refers to an out of print or unavailable edition of this title.
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Product Details

  • Paperback: 560 pages
  • Publisher: Nabu Press (September 10, 2010)
  • Language: English
  • ISBN-10: 1172297452
  • ISBN-13: 978-1172297450
  • Product Dimensions: 7.4 x 1.1 x 9.7 inches
  • Shipping Weight: 2.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (153 customer reviews)
  • Amazon Best Sellers Rank: #2,540,322 in Books (See Top 100 in Books)

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Customer Reviews

Maggie's love is wrong.
James M. Rawley
Her narrative has great depth, as insight to character and social observations are more important to Eliot than pace and action.
Jana L. Perskie
The books ends with action.
Cinnamon

Most Helpful Customer Reviews

Format: Paperback
Powerful and moving, "The Mill on the Floss" is considered to be George Eliot's most autobiographical novel. Along with "Middlemarch" it is my favorite. Set in early 19th century England - St. Ogg's, Lincolnshire to be exact - this is the tale of gifted, free-spirited Maggie Tulliver and her selfish, spoiled brother, Tom, who were born and raised at Dorlcote Mill on the River Floss. Eliot's portrayal of sibling relationships is terribly poignant and plays a major part in the novel, as does the longstanding rivalry between two local families - the Tullivers and the Wakems.

From earliest childhood Maggie worships her brother Tom, and longs to win his approval, and that of her parents. However, her fierce intelligence and strong streak of independence bring her into constant conflict with her family. She finds, in literature, the kindness and love she longs for in life. "...everybody in the world seemed so hard and unkind to Maggie: there was no indulgence, no fondness, such as she imagined when she fashioned the world afresh in her own thoughts. In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one Maggie felt. If life had no love in it, what else was there for Maggie?" Her nature, complex, passionate, sensuous, noble, intellectualized, and spiritualized, is of great importance to this novel, as is the pathos of her relationship with Tom.

Maggie's early years are brilliantly and unsentimentally portrayed from a child's perspective.
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44 of 47 people found the following review helpful By Nicholas S. Ludlum on May 27, 2004
Format: Paperback
The Mill on the Floss, by George Eliot, stands among the greatest nineteenth century British novels. As engaging and readable as anything by Austen or Dickens, this novel adds a degree of psychological and emotional complexity that few novels, of any period, can match.
The novel seems to have the breath of life in it, so that the characters and circumstances seem true and real, even to the modern reader so far removed from the pastoral life of two hundred years ago.
To those who may feel intimidated by the book, don't be. The writing is accessible to any 21st century literate and the controversies of Victorian-era farm life are far more compelling than they may appear at first blush. Give it a try; you won't be disappointed.
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29 of 30 people found the following review helpful By S. Schwartz on January 12, 2005
Format: Paperback
George Eliot's works are varied and wonderful, and although this is not the book that she's most noted for, it is one that she held most dear. It is a "no-holds barred" autobiographical account of her own life. George Eliot's real name was Mary Anne Evans, but she used the pen name of George Eliot because society at that time thought it was not correct for women to be authors, and she wanted her books read on their own merits. In this book we read of Maggie Tulliver who was intelligent, imaginative, idealistic and ambitious like George (Mary Anne) herself. The book goes into the continuous conflict between Maggie and her environment, and the frustrations that she encounters in her search for fulfillment and love. George Eliot bared her soul in this novel, but it also contains her trademark wonderful dialogue and characterizations. I have read all George Eliot's works, and found them all richly and disturbingly illuminating. They certainly do make you think about her and the struggles that she encountered within the moral and religious strictures of her society.
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20 of 20 people found the following review helpful By Cinnamon on April 15, 2013
Format: Paperback Verified Purchase
I am a very good customer of Amazon's. At any one time, I can buy tons of books. To paraphrase an old saying, my eyes are bigger than my time in which to read. Therefore, I have developed a strict buying pattern: All purchases must contain one contemporary book on any subject, one book from a list of some sort and one book considered literature. For unexplained reasons, I expected "The Mill on the Floss" to be well written but ponderous. This erroneous expectation was reinforced by the size of the book, 600 pages. Since I had bought it, I decided to soldier on despite the fact that it would undoubtedly be dull.

Was I surprised. Not only was the book a quick-read, it was fun, exciting and thoroughly different from many other Victorian love stories I have read. Maggie, our heroine, was as plucky, smart and beautiful as one would expect. However, be that as it may, Elliot surrounds her with multi-leveled characters. Even those who are merely extras meant to move the plot or explain society's attitudes have depth. While they are meant as background, still they think and act surprisingly. One could describe them as 3D wallpaper.

I was unable to predict the paths the plot would take. While I love Jane Austen and the Bronte sisters, in their books a reader knows who will come to a bad end, who will take the high road, and which characters will end up as a couple at the end of the book. Not so in this novel. Moreover, Elliot's ideas are shockingly modern. Perhaps I should not have used that adjective because not only were the author's books considered shocking in her day, Elliot, herself, shocked the society in which she lived. In addition to the fact that she took a man's name so that her books would sell, she lived for years with a married man.
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