With compassion and insight, Dr. Oliver Sacks again illuminates the mysteries of the brain by introducing us to some remarkable characters, including Pat, who remains a vivacious communicator despite the stroke that deprives her of speech, and Howard, a novelist who loses the ability to read. Sacks investigates those who can see perfectly well but are unable to recognize faces, even those of their own children. He describes totally blind people who navigate by touch and smell; and others who, ironically, become hyper-visual. Finally, he recounts his own battle with an eye tumor and the strange visual symptoms it caused. As he has done in classics like The Man Who Mistook his Wife for a Hat and Awakenings, Dr. Sacks shows us that medicine is both an art and a science, and that our ability to imagine what it is to see with another person's mind is what makes us truly human.
The Mind's Eye (Vintage)
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From Publishers Weekly
Starred Review. Sacks, a neurologist and practicing physician at Columbia University Medical Center, and author of ten popular books on the quirks of the human mind (The Man Who Mistook His Wife for a Hat) focuses here on creative people who have learned to compensate for potentially devastating disabilities. From the concert pianist who progressively lost the ability to recognize objects (including musical scores) yet managed to keep performing from memory, to the writer whose stroke disturbed his ability to read but not his ability to write (he used his experience to write a novel about a detective suffering from amnesia), to Sacks himself, who suffers from "face blindness," a condition that renders him unable to recognize people, even relatives and, sometimes, himself (he once confused a stranger's face in a window with his own reflection), Sacks finds fascination in the strange workings of the human mind. Written with his trademark insight, compassion, and humor, these seven new tales once again make the obscure and arcane absolutely absorbing. (Oct.)
(c) Copyright PWxyz, LLC. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
(c) Copyright PWxyz, LLC. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
From Booklist
Sacks, famous for combining his knowledge as a physician and his compassion for human stories of coping with neurological disorders, offers case histories of six individuals adjusting to major changes in their vision. A renowned pianist has lost the ability to read music scores and must cope with the fear of an ever-shrinking life as her vision worsens. A prolific writer develops “word blindness” and is unable to read even what he himself writes, forcing him to develop memory books in his mind, adaptations that he later incorporates into his fiction writing. Sacks recalls his own struggle to cope with a tumor in his eye that left him unable to perceive depth. He includes diary entries and drawings of his harrowing experience. Sacks, author of the acclaimed Musicophilia (2007), among other titles, combines neurobiology, psychology, and psychiatry in this riveting exploration of how we use our vision to perceive and understand the world and our place in it and how our brains teach us to “see” those things we need to lead a complete, fulfilled life. --Vanessa Bush
--This text refers to an out of print or unavailable edition of this title.
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More About the Author
Oliver Sacks was born in London and educated in London, Oxford, California, and New York. He is professor of neurology and psychiatry at Columbia University, and Columbia's first University Artist. He is the author of many books, including Awakenings, The Man Who Mistook His Wife for a Hat, and Musicophilia. His newest book, Hallucinations, will be published in November, 2012.
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Most Helpful Customer Reviews
166 of 178 people found the following review helpful
5.0 out of 5 stars
The wonder of our visual sense, revealed through its pathologies
September 22, 2010
Format:Hardcover|Amazon Vine™ Review
(What's this?)
If I were to ask you to descrbe the differences were between what your eyes see, and what you see, you'd probably think it an odd question. After all what you see is what your eyes see, right? Curiously enough, what you see when you perceive the world around you is very different from what your eyes "see."
Consider this: The human eye can detect fine detail over an angle of about 2 degrees. That's not much; it's roughly the area of a dime held at arm's length. Your first instinct is probably to say nonsense; after all, you can easily perceive the entire scene before you, over an angle of at least 90 and as much as 180 degrees. You're right, at least in part. You perceive the wide expanse of the world before you, but what you perceive and what your eyes take in are two very different things. The world you perceive is not the raw input from your eyes, but rather something constructed by your brain, using input from your eyes as well as a lifetime's experience and memory of the world around you.
Here's another example. You've probably, at one time or another in your childhood, placed a finger in front of your face, and then viewed it through each eye in turn, noticing how it appears to jump back and forth and you switched eyes. Obviously, your eyes see slightly different pictures of the world. Yet when you look at the world, you don't see two different pictures. You see a single picture of the world, with a sense of depth and dimensionality not apparent when viewing with either eye alone. That third dimension isn't there in the pictures coming from your eyes- it has to be added by the brain.
Neurologist Oliver Sacks has made a second career for himself writing about neurological affectations, and how they affect the people who suffer them. In this book, he examines how vision works, and what happens when it doesn't. Sacks has a particular insight into the problems of those whose vision differs from that of the population at large, as he himself suffers from prosopagnosia- the inability to recognize faces. For years, this was assumed to be a purely psychological problem. How could someone with excellent vision fail to recognize a face- even that of a family member? But for severe prosopagnosiacs, even the face of a parent or child is a nondescript set of features, no different from any other. This can and does affect recognition of things as well as people. Sacks, for example, tells how how he many times walked past his own house many times until a neighbor or family member spotted him and guided him home again. Prosopagnosia can range from the slight to the severe. Perhaps as many as 2.5% of the population carry a gene that predisposes them to the condition, and most mild prosopagnodiacs are probably unaware that they have the condition, thinking instead that they simply have a "bad memory for faces." Sacks speculates if many instances of social shyness may in fact be due to the difficulties brought on by prosopagnosia; his own mother was painfully shy, and he suspect, given the genetic component, that he may have inherited his condition from her.
A related condition Sacks discusses at length is alexia, the inability to recognize letters.Usually brought on my injury, disease, or stroke, alexics can see letters, but the letters make no sense to them. One subject, a writer by trade, describes his post-stroke perception of English language as looking like "Serbo Croation (cyrillic) characters." Curiously enough, most sufferers have no difficulty writing, a condition known as "alexia sin agraphia"- alexia without agraphia. They can write, but they cannot recognize their own handwriting after they write. To a neuroscientist, this is strong evidence for very different areas of the brain being involved in the production of text and the perception of it; to a writer, or a voracious reader, it can be a devastating condition. Some found they can switch to audio books and dictation, and a very few have managed to teach themselves new strategies to read, if slowly.
Midway through the book Sacks describes the discovery of a tumor in his dominant eye. Though the tumor is treated, successfully, he loses a part of the visual field in the affected eye, and eventually, most sight. This leads to a number of very curious things. At one point, Sacks describes closing his eye- and continuing to see the scene about him, as if his eyes were still wide open. The brain, Sacks notes, is predisposed towards receiving information from the senses, and if deprived of that information, will fill in as best it can. There is a rare condition in which the sufferers are objectively blind, yet maintain that they can see, even as they find themselves bumping into objects, and many older people with visual impairment suffer from Charles Bonnet syndrome, a condition in which the mind creates objects (and occasionally people) to fill in for missing visual stimuli. (Charles Bonnet syndrome is rarely reported, as the sufferers are often afraid it will be taken as a sign of senility.)
Sacks also discusses stereo vision, and those who have lost and gained it, and the loss and recovery of vision in general. Interesting, although most sighted people who lose vision eventually lose their visual imagery as well, some gain an enhanced sense of visual imagery. One subject Sacks discusses became so good at integrating the information from his other senses into his visual imagery that he could confidently walk down the street without a cane or dog. Another repaired the roof of his garage- at night (terrifying his neighbor!), since the presence or absence of light made no difference to him.
As with all Sacks' books, "The Mind's Eye" is a superb synthesis of science, medicine, and insight into the human experience. His obvious empathy, and even affection, for the people he meets and consults with come through in his writing, and help the reader to see the person behind the affliction, and to give each of us greater appreciation for the wonder and the mystery of the senses we possess.
Consider this: The human eye can detect fine detail over an angle of about 2 degrees. That's not much; it's roughly the area of a dime held at arm's length. Your first instinct is probably to say nonsense; after all, you can easily perceive the entire scene before you, over an angle of at least 90 and as much as 180 degrees. You're right, at least in part. You perceive the wide expanse of the world before you, but what you perceive and what your eyes take in are two very different things. The world you perceive is not the raw input from your eyes, but rather something constructed by your brain, using input from your eyes as well as a lifetime's experience and memory of the world around you.
Here's another example. You've probably, at one time or another in your childhood, placed a finger in front of your face, and then viewed it through each eye in turn, noticing how it appears to jump back and forth and you switched eyes. Obviously, your eyes see slightly different pictures of the world. Yet when you look at the world, you don't see two different pictures. You see a single picture of the world, with a sense of depth and dimensionality not apparent when viewing with either eye alone. That third dimension isn't there in the pictures coming from your eyes- it has to be added by the brain.
Neurologist Oliver Sacks has made a second career for himself writing about neurological affectations, and how they affect the people who suffer them. In this book, he examines how vision works, and what happens when it doesn't. Sacks has a particular insight into the problems of those whose vision differs from that of the population at large, as he himself suffers from prosopagnosia- the inability to recognize faces. For years, this was assumed to be a purely psychological problem. How could someone with excellent vision fail to recognize a face- even that of a family member? But for severe prosopagnosiacs, even the face of a parent or child is a nondescript set of features, no different from any other. This can and does affect recognition of things as well as people. Sacks, for example, tells how how he many times walked past his own house many times until a neighbor or family member spotted him and guided him home again. Prosopagnosia can range from the slight to the severe. Perhaps as many as 2.5% of the population carry a gene that predisposes them to the condition, and most mild prosopagnodiacs are probably unaware that they have the condition, thinking instead that they simply have a "bad memory for faces." Sacks speculates if many instances of social shyness may in fact be due to the difficulties brought on by prosopagnosia; his own mother was painfully shy, and he suspect, given the genetic component, that he may have inherited his condition from her.
A related condition Sacks discusses at length is alexia, the inability to recognize letters.Usually brought on my injury, disease, or stroke, alexics can see letters, but the letters make no sense to them. One subject, a writer by trade, describes his post-stroke perception of English language as looking like "Serbo Croation (cyrillic) characters." Curiously enough, most sufferers have no difficulty writing, a condition known as "alexia sin agraphia"- alexia without agraphia. They can write, but they cannot recognize their own handwriting after they write. To a neuroscientist, this is strong evidence for very different areas of the brain being involved in the production of text and the perception of it; to a writer, or a voracious reader, it can be a devastating condition. Some found they can switch to audio books and dictation, and a very few have managed to teach themselves new strategies to read, if slowly.
Midway through the book Sacks describes the discovery of a tumor in his dominant eye. Though the tumor is treated, successfully, he loses a part of the visual field in the affected eye, and eventually, most sight. This leads to a number of very curious things. At one point, Sacks describes closing his eye- and continuing to see the scene about him, as if his eyes were still wide open. The brain, Sacks notes, is predisposed towards receiving information from the senses, and if deprived of that information, will fill in as best it can. There is a rare condition in which the sufferers are objectively blind, yet maintain that they can see, even as they find themselves bumping into objects, and many older people with visual impairment suffer from Charles Bonnet syndrome, a condition in which the mind creates objects (and occasionally people) to fill in for missing visual stimuli. (Charles Bonnet syndrome is rarely reported, as the sufferers are often afraid it will be taken as a sign of senility.)
Sacks also discusses stereo vision, and those who have lost and gained it, and the loss and recovery of vision in general. Interesting, although most sighted people who lose vision eventually lose their visual imagery as well, some gain an enhanced sense of visual imagery. One subject Sacks discusses became so good at integrating the information from his other senses into his visual imagery that he could confidently walk down the street without a cane or dog. Another repaired the roof of his garage- at night (terrifying his neighbor!), since the presence or absence of light made no difference to him.
As with all Sacks' books, "The Mind's Eye" is a superb synthesis of science, medicine, and insight into the human experience. His obvious empathy, and even affection, for the people he meets and consults with come through in his writing, and help the reader to see the person behind the affliction, and to give each of us greater appreciation for the wonder and the mystery of the senses we possess.
59 of 60 people found the following review helpful
Format:Hardcover|Amazon Vine™ Review
(What's this?)
Oliver Sacks has a distinct style of story-telling. He comes across a patient with unusual symptoms. He takes the time to get to know the person in detail. The person is amazing, cultured, refined, and suffering from a brain dysfunction that his other noble qualities compensate for. The doctor visits the patient's elegant home, they share a love for classical music or some other refined art, and the whole discussion leads to musing on the nobility of the human spirit and the utter weirdness that can happen to the human brain.
This book starts out like that, with a story about a classical musician who slowly loses her ability to read, first words, then music, then an inability to recognize much of anything visually. At this point, I felt that the writing was pleasant and interesting, but a bit predictable. A second similar story follows. I still didn't realize that this book focused specifically on sight, vision, and the part that the brain, rather than the eye itself, plays in the ability to see. (I know, the title was a dead give-away, but I took it too metaphorically.)
But then the book veers off in a direction that I wasn't expecting. Dr. Sacks himself is diagnosed with cancer in his eye. He undergoes surgery and radiation, and his vision is changed in odd ways. Much of the book is based on his own detailed notes on his experiments with himself, his internal observations of what he experiences. There is a great deal of reflection on stereopsis, the ability to see in 3-D, which curiously, he had been a big fan of, belonging to a society in New York based on old 3-d imagery. Just like the people he so often writes about, now he himself turns out to be a patient whose particular gifts and interests are suddenly impinged upon by a peculiar ailment. (Are the gods mocking us? Beethoven becomes deaf, musicians lose the ability to read music, a man fascinated with antique View-master images loses the ability to see in 3-D? I once met an elderly woman who was a skillful pianist who had been the victim of a mugging in which the mugger had stepped on and smashed all her fingers.)
I found this book to be one of Sacks best, which is saying quite a lot. I have never forgotten The Man Who Mistook His Wife for a Hat, but I found Musicophilia tedious. This is first -rate Sacks. He always has impressed me as a man of unusual empathy. This time, he is not only the empathetic doctor, but a sympathetic patient. A stimulating and enriching read.
This book starts out like that, with a story about a classical musician who slowly loses her ability to read, first words, then music, then an inability to recognize much of anything visually. At this point, I felt that the writing was pleasant and interesting, but a bit predictable. A second similar story follows. I still didn't realize that this book focused specifically on sight, vision, and the part that the brain, rather than the eye itself, plays in the ability to see. (I know, the title was a dead give-away, but I took it too metaphorically.)
But then the book veers off in a direction that I wasn't expecting. Dr. Sacks himself is diagnosed with cancer in his eye. He undergoes surgery and radiation, and his vision is changed in odd ways. Much of the book is based on his own detailed notes on his experiments with himself, his internal observations of what he experiences. There is a great deal of reflection on stereopsis, the ability to see in 3-D, which curiously, he had been a big fan of, belonging to a society in New York based on old 3-d imagery. Just like the people he so often writes about, now he himself turns out to be a patient whose particular gifts and interests are suddenly impinged upon by a peculiar ailment. (Are the gods mocking us? Beethoven becomes deaf, musicians lose the ability to read music, a man fascinated with antique View-master images loses the ability to see in 3-D? I once met an elderly woman who was a skillful pianist who had been the victim of a mugging in which the mugger had stepped on and smashed all her fingers.)
I found this book to be one of Sacks best, which is saying quite a lot. I have never forgotten The Man Who Mistook His Wife for a Hat, but I found Musicophilia tedious. This is first -rate Sacks. He always has impressed me as a man of unusual empathy. This time, he is not only the empathetic doctor, but a sympathetic patient. A stimulating and enriching read.
26 of 26 people found the following review helpful
Format:Hardcover|Amazon Vine™ Review
(What's this?)
It's not surprising that such a complex system as vision can go wrong in so many ways. The eye itself is amazingly complicated, but it's the mind that makes sense of the images the eye sees. We all know about the trick the mind plays on us to make us ignore the fact that one's nose is in the field of vision of each of our eyes. That's just the tip of the iceberg when it comes to how much the mind determines what and how we see.
In his latest book, The Mind's Eye, Oliver Sacks presents case studies of vision malfunctions. A concert pianist suddenly can't read music anymore. A novelist finds he can't read anymore - but he hasn't lost his ability to write in longhand. Other chapters cover face blindness and a lack of stereoscopic vision - a woman who sees in two dimensions rather than three.
This would have been a depressing book if it had just been about the many ways our brains can fail us. But Sacks also describes the incredible ways these people have compensated for their losses. The concert pianist finds that she can play by ear better than she ever thought she would be able to. She can memorize long pieces of music and improvise and compose. The novelist writes his drafts in longhand and has his editor read it to him so he can make revisions. In a non-vision related aside, Sacks tells of a woman who has been paralyzed following an accident, but finds she can still at least enjoy the small pleasure of doing the daily crossword puzzle by memorizing the grid and all the clues and then solving the puzzle mentally through the day. She could not have imagined being able to memorize to such an extent before the accident.
Is it possible to achieve feats such as super-memory without having been injured? Do we all possess amazing brains that we only put to the test when we're challenged by circumstances? Again we're left to marvel that, of all the fantastic things the brain can do, the one thing it hasn't been able to figure out yet, is itself.
In his latest book, The Mind's Eye, Oliver Sacks presents case studies of vision malfunctions. A concert pianist suddenly can't read music anymore. A novelist finds he can't read anymore - but he hasn't lost his ability to write in longhand. Other chapters cover face blindness and a lack of stereoscopic vision - a woman who sees in two dimensions rather than three.
This would have been a depressing book if it had just been about the many ways our brains can fail us. But Sacks also describes the incredible ways these people have compensated for their losses. The concert pianist finds that she can play by ear better than she ever thought she would be able to. She can memorize long pieces of music and improvise and compose. The novelist writes his drafts in longhand and has his editor read it to him so he can make revisions. In a non-vision related aside, Sacks tells of a woman who has been paralyzed following an accident, but finds she can still at least enjoy the small pleasure of doing the daily crossword puzzle by memorizing the grid and all the clues and then solving the puzzle mentally through the day. She could not have imagined being able to memorize to such an extent before the accident.
Is it possible to achieve feats such as super-memory without having been injured? Do we all possess amazing brains that we only put to the test when we're challenged by circumstances? Again we're left to marvel that, of all the fantastic things the brain can do, the one thing it hasn't been able to figure out yet, is itself.
Most Recent Customer Reviews
5.0 out of 5 stars
Another extraordinary book from Oliver Sacks.
An extraordinary insight into the lives of people suffering from various neurological disabilities. Written with great sensitivity & comapassion, blended with much humour. Read more
Published 8 days ago by Brenda West-Newman
4.0 out of 5 stars
Fascinating
I always enjoy Sacks' books. I like the way he tells clinical tales with a human touch. I get the feeling he sees his patients as real people rather than simply as patients. Read more
Published 14 days ago by dephal
4.0 out of 5 stars
A ball for Sacks lovers
I can't say I've read ALL of Oliver Sacks' books, but I've read enough to know that this fits right in with them all. Read more
Published 1 month ago by Amighty
5.0 out of 5 stars
Outstanding
Couldn't put the book down - Fascinating stories -- Sachs uses interesting real life stories to explain complex and not well understood brain processing of our visual inputs --... Read more
Published 1 month ago by Patrick Saatzer
4.0 out of 5 stars
Curious?
If you are the least bit curious about the interweavings of eye and brain, sight and mind, then read Dr. SACKS. Read more
Published 1 month ago by E. Montgomery
5.0 out of 5 stars
Another winner from Oliver Sacks
In my experience, every new book from this writer is a winner. He is a startlingly original thinker.
Highly recommended.
Highly recommended.
Published 2 months ago by Judy Brewton
2.0 out of 5 stars
Drove me crazy
It was like reading a doctoral dissertation. Had difficulty following what could have been an amazing and very interesting book.
Published 2 months ago by Libby Petit
3.0 out of 5 stars
A Little Too Much of Dr. Sacks in the Book
This is the third book of Dr. Sacks' that I have read, and overall I find his writing accessible and very interesting. Read more
Published 2 months ago by A reader from California
5.0 out of 5 stars
amazing
This is a must read. All of his works are informative and help explain events in a way that I haven't had before.
Published 2 months ago by csmiles
5.0 out of 5 stars
To see how we see
Sacks is a man of tremendous intellectual energy and insight, and great human sensitivity and understanding. Read more
Published 2 months ago by Shalom Freedman
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