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The Monsters and the Critics: And Other Essays. J.R.R. Tolkien Paperback – April 1, 2007

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Editorial Reviews

About the Author

J.R.R.Tolkien (1892-1973) was a distinguished academic, though he is best known for writing The Hobbit, The Lord of the Rings and The Silmarillion, plus other stories and essays. His books have been translated into over 30 languages and have sold many millions of copies worldwide.

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Product Details

  • Paperback: 240 pages
  • Publisher: HarperCollins (April 1, 2007)
  • Language: English
  • ISBN-10: 026110263X
  • ISBN-13: 978-0261102637
  • Product Dimensions: 5.1 x 0.7 x 7.8 inches
  • Shipping Weight: 6.4 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Best Sellers Rank: #61,764 in Books (See Top 100 in Books)

More About the Author

J.R.R. Tolkien (1892.1973), beloved throughout the world as the creator of The Hobbit and The Lord of the Rings, was a professor of Anglo-Saxon at Oxford, a fellow of Pembroke College, and a fellow of Merton College until his retirement in 1959. His chief interest was the linguistic aspects of the early English written tradition, but even as he studied these classics he was creating a set of his own.

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121 of 126 people found the following review helpful By Douglas Harper on April 3, 2002
Format: Paperback
The contrast between the elegant prose of LotR and the meandering academic style in these essays is astonishing. It's not hard to realize, after reading this, why Prof. Tolkien had a reputation as a dull lecturer (a reputation he cheerfully confesses to in his valedictory address). But if you can penetrate the prose, these writings are full of gems.
This collection will appeal to you if you are any kind of devotee of medieval English literature. Even if Tolkien had never written his great fantasy novels, he'd be revered for his work in Old English, especially as a champion of the poetic reputation of "Beowulf," a poem he almost single-handedly wrested from historians and philologists and set in its proper place at the root of English literature.
He also makes an eloquent case for the essential connection between the study of language and that of literature. If you consider yourself a student of great writing, but have only read Anglo-Saxon poetry in someone's "translation," Prof. Tolkien will politely shame you out of complacency.
In his valedictory address, speaking as a native of South Africa, he says, "I have the hatred of apartheid in my bones; and most of all I detest the segregation or separation of Language and Literature. I do not care which of them you think White."
The book will also appeal to you if you have spent years immersed in the world of Middle Earth. Though there are scarcely any direct references to LotR in these essays, they illuminate the mind behind the masterpiece -- the quirky love of languages, the vision of fantasy as a godly act of creation, the deep Catholic faith.
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79 of 81 people found the following review helpful By A Customer on September 26, 2001
Format: Paperback
This volume contains several essays/articles by Tolkien, most of which were originally delivered as lectures. The essays included are: "Beowulf: The Monsters and the Critics", "On Fairy Stories", "English and Welsh", "Sir Gawain and the Green Knight", "On Translating Beowulf", "A Secret Vice" (about imaginary languages), and a Valedictory address given at Oxford upon his retirement. Most of these had been published before, of course. Some, like "Beowulf: The Monsters and the Critics" and "On Fairy Stories" have been republished and reprinted many times, while others, like "English and Welsh" have only appeared a handful of times in obscure locations. Many of these others, however, appear in print here for the first time.
Of these essays, the two most interesting are undoubtedly the two that have appeared most often in print-- the first Beowulf essay and "On Fairy Stories". "Beowulf: The Monsters and the Critics", of course, is the most important article on Beowulf of the 20th century. Incredible as it may now seem, prior to Tolkien, Beowulf had been seen primarily as a curious linguistic-literary artifact, useful as a source of information about the early Germanic past (customs, language, laws, toponymy, etc.). Tolkien was the first critic to draw attention to the poem *as* a poem and to point out that the central literary structure of the tale revolves around the hero's battles with them monsters, which previous critics had dismissed as mere fabulous emendations to a tale whose primary value was historical.
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31 of 33 people found the following review helpful By John L Murphy TOP 500 REVIEWERVINE VOICE on March 2, 2009
Format: Hardcover
Finding out at the age of twelve from the back covers of "The Lord of the Rings" that there were medievalists and that Tolkien was one, I vowed to study what he did. While unlike "Tollers" my doctorate did not lead me to a donnish tenure on an ivy-draped quad, I always admired the humanity and grace not only of his famed fiction but his patient letters and insistent essays. Re-reading his collected criticism twenty-five years after it first appeared, its engrossing paths through scholarly debates make occasional detours permissible and often worthwhile. As with Tolkien's "Secondary World" of Middle Earth, as a "sub-creator" not only of probably our greatest modern mythology but as a rigorous (if rambling in his donnish digressions) scholar, you find in "Monsters" much evidence that without his deep understanding of language, that he'd never have been able to convince you of the essential reality of his imagined realms.

This knack, as T.A. Shippey, his successor in his position at Oxford, has argued in "The Road to Middle Earth," depends on "asterisk reality," or what JRRT calls here more delightfully "star-spangled grammar." (237) As his son and editor Christopher explains: "the reference is to enquiry into the forms of words before the earliest records; in those studies the conventional practice is to place an asterisk before hypothetical, deduced forms." (n. 3, 240) This may seem dry to non-academics or those lacking a fascination with philology. But for Tolkien and his audience, the invention of sustainable elements of his myth depended on the languages he concocted-- and vice versa.
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