This posthumous collection celebrates Ephron's talent for turning her experiences into material, no matter the medium. Organized by occupation (The Journalist, The Advocate, The Foodie, The Blogger, and others), the volume contains numerous classics: her novel Heartburn; the screenplay to When Harry Met Sally; and wry essays on aging that made her collections, I Feel Bad About My Neck and I Remember Nothing, bestsellers. Ephron's last work, Lucky Guy, a play about the career of New York tabloid journalist Mike McAlary, is published here for the first time. The book's most delicious offering is Ephron's magazine journalism from the 1970s, with razor-sharp profiles of figures such as Helen Gurley Brown, Dorothy Schiff, and Julie Nixon Eisenhower, and keenly intelligent reportage on subjects that include the 1971 National Women's Political Caucus and the 1973 Pillsbury Bake-off competition. From Ephron's days as a reporter at Newsweek in the 1960s to blogging for the Huffington Post in the 2000s, the book documents the changing culture of the New York media world. Everything is copy, Ephron's mother always said. This collection fulfills that motto with aplomb, and will likely serve as a perfect holiday gift for Ephron fans. Agent: Amanda Urban, ICM. (Nov.)
Nora Ephron (1941–2012) was an exceptionally smart, funny, and caring journalist, essayist, novelist, playwright, screenwriter, blogger, producer, and director. Her last two books, I Remember Nothing and Other Reflections (2010) and I Feel Bad about My Neck (2006), were best-sellers; her films include Silkwood, Sleepless in Seattle, You’ve Got Mail, and Julie & Julia. No matter how versed in Ephron’s cherished work a reader may be, she or he will be dazzled and touched anew by this life-spanning, life-embracing collection that so richly showcases her clarity, brio, and candor. Mining her own intriguing life in Beverly Hills and New York, Ephron wrote about what it means to be female, from her hilarious “A Few Words about Breasts” in 1972 to her touched-a-nerve laments about marriage, motherhood, age, and persistent sexism. A canny interpreter of the zeitgeist, Ephron threshed topics social, cultural, and political, and shared her passion for food. Nearly 80 stellar essays are accompanied by Ephron’s novel, Heartburn; her play, Lucky Guy, and her acclaimed, oft-quoted screenplay for When Harry Met Sally. A tonic and essential celebration of a scintillating and mighty writer. HIGH-DEMAND BACKSTORY: Ephron’s bereft readership will embrace this robust, strongly promoted tribute to her incandescent talent and intensely creative life. --Donna SeamanSee all Editorial Reviews
I bought this for my wife and she loves it. She's happy so I'm happy.Published 3 months ago by The Duke
Love this woman and love this book! Such an inspiring compilation of her work...and pretty damn entertaining too.Published 4 months ago by Mby
I can't top either the NY Times review or their obituary, so I will shamelessly and uncritically just gush - I love Nora Ephron - always have, always will. Read morePublished 4 months ago by Book Barmy
This book is like sitting with a friend over a cup of lovely tea. I can just see Nora telling me about her experiences; just don't want it to end.Published 5 months ago by Lilia A.
Nora Ephron is the most, and we lost her much too soon. This book is a treasure, and my library would not be complete without it!Published 6 months ago by Victoria Miller