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The Music of Chance [Paperback]

Paul Auster
3.8 out of 5 stars  See all reviews (53 customer reviews)

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Book Description

December 1, 1991
Finalist for the PEN/Faulkner Award for Fiction, The Music of Chance follows Jim Nashe who, after squandering an unexpected inheritance, picks up a young gambler named Jack Pozzi hoping to con two millionaires. But when their plans backfire, Jim and Jack are indentured by their elusive marks and are forced to build a meaningless wall with bricks gathered from ruins of an Irish castle. Time passes, their debts mount, and anger builds as the two struggle to dig themselves out of their Kafkaesque serfdom.

New York Times-bestselling author Paul Auster (The New York Trilogy) brings us back into his strange, shape-shifting world of fiendish bargains and punitive whims, where chance is a powerful yet unpredictable force.

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The Music of Chance + The Book of Illusions: A Novel + The New York Trilogy (Penguin Classics Deluxe Edition)
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Editorial Reviews

From Publishers Weekly

Compulsive traveler Jim Nashe finances an epic poker match for a self-proclaimed jackpot winner. "In his lucid, captivating yarn, Auster quietly raises disturbing questions of servants and masters, of loyalty, freedom and the inexplicable urge to kill," said PW .
Copyright 1991 Reed Business Information, Inc.

From Library Journal

This insightful novel is a taut study of the self-contradictory mind living by chance while thinking it can get away with anything. Jim Nashe is a frivolous Boston fireman who needs music as a life crutch. His wife abandons him just before his father dies, leaving him money that he squanders aimlessly while driving around America. Near desperation, he meets a bitter young itinerant gambler, Jack ("Jackpot") Pozzi, who lures him into a losing poker game with two shady recluses, Flower and Stone, on their Pennsylvania estate. Nashe and Pozzi must retire their debt by building a stone wall on the premises: what this Herculean labor does to them is the novel's leitmotif. An interesting story, but some may object that the journalistic prose merely tells the story instead of showing it.
- Kenneth Mintz, formerly with Bayonne P.L., N.J.
Copyright 1990 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 224 pages
  • Publisher: Penguin Books; Reissue edition (December 1, 1991)
  • Language: English
  • ISBN-10: 0140154078
  • ISBN-13: 978-0140154078
  • Product Dimensions: 5 x 0.6 x 7.8 inches
  • Shipping Weight: 7.5 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (53 customer reviews)
  • Amazon Best Sellers Rank: #318,566 in Books (See Top 100 in Books)

More About the Author

Paul Auster is the bestselling author of Travels in the Scriptorium, The Brooklyn Follies, and Oracle Night. I Thought My Father Was God, the NPR National Story Project anthology, which he edited, was also a national bestseller. His work has been translated into thirty languages. He lives in Brooklyn, New York.

Customer Reviews

Most Helpful Customer Reviews
39 of 42 people found the following review helpful
4.0 out of 5 stars Smashing the instruments changes the music April 8, 2001
Format:Paperback
I don't know if I necessarily enjoyed this book (or any Paul Auster book, for that matter). The enjoyment comes from the questions I ask myself after I've put the book down. It is not an enjoyable reading experience, but rather a contemplative one. In that regard, it is a highly successful piece of art.

The story appears to be relatively simple. One man goes driving. He meets another man on the road. The two of them meet some eccentric millionaires. The four men play poker. Then two men build a wall. It is almost nonsensical now that I look back on it. But the story's not really the thing (it never is in an Auster book). So don't go looking for closure, and don't expect easy answers. It's all just an excuse for some finely written meditations on the nature of fate and the restrictions of freedom.

Auster's writing style is enigmatic. There is a faux-coldness to it, appearing at first glance distant and reserved. Closer inspection, however, reveals much humanity and passion in his prose. I've always had suspicions that his surname is really an ingeniously calculated pseudonym, for any austerity in the writing is both sincere and ironic. That's a neat trick to pull off, and, to my mind, his greatest strength as a writer. In this example from his oeuvre, he gets the balance just right.

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11 of 11 people found the following review helpful
4.0 out of 5 stars When fate rests on the flip of a card........ February 11, 2002
Format:Paperback
Auster has a way with a certain type of character-one who is both on the fringe of both society and sanity both. They are not often very likeable or sympathetic characters, but they always are engrossing characters.

Jim Nash's veneer of sanity breaks when an unexpected windfall from the father he hates kicks out what little emotional support kept him on the straight and narrow and converts him into a wandering, nomadic drifter with his own transportation. In the midst of his journeys he meets Jack Pozzi, also a wanderer-sans transportation. Pozzi suckers Nash into an questionable gambling adventure that backfires, leaving them with a debt that leaves then essentially in a state of indentured servitude. The bulk of the story centers on how they cope with that condition.

The fundamentals of the story, as is so often the case with Auster, are , on reflection, faintly ridiculous. However, it is mood, character and fate that concern Auster, and his-and our-immersion into those topics render the absurdities of the actual story irrelevant.

I've read several Auster books and can't really say I've like any of them particularly, but they do fascinate me. I keep going back for more. The bottom line is what Auster does is ask questions about life and fate-in such a way that you are forced to think about them in your own terms. Auster does not supply answers-heck, not one of his books I've read can really be said to have an ending or resolution of any meaningful sort-but the way the questions are posed will haunt you-and keep you coming back for more.

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4 of 4 people found the following review helpful
5.0 out of 5 stars A Book Worth Owning! May 12, 2005
Format:Paperback
Paul Auster uses a unique, engaging tone in all his novels, a somewhat lyrical prose involving chance, a quiet pace and surreal plot lines, and The Music of Chance is my favorite of all his novels.

Jim Nashe is a fireman who suddenly inherits some unexpected money. After buying a new car and going on a road trip, his return sets him about a different path:

He had told them he was planning to go back to Massachusetts, but as it happened, he soon found himself traveling in the opposite direction. That was because he missed the ramp to the freeway - a common enough mistake - but instead of driving the extra twenty miles that would have put him back on course, he impulsively went up the next ramp, knowing full well that he had just committed himself to the wrong road. It was a sudden, unpremeditated decision, but in the brief time that elapsed between the two ramps, Nashe understood that there was no difference, that both ramps were finally the same. ..He could go anywhere he wanted, he could do anything he felt like doing, and not a single person in the world would care. As long as he did not turn back, he could just as well have been invisible.

And so he is off, driving just to drive. So begins this story, which (if you'll pardon the pun) eventually takes a detour when he runs into a beaten Jack Pozzi, a gambler. The two get involved in a poker game - and at this point, I should mention that the whole book is predicated on much the same beat as poker - it's about chance, challenge, bluffs and risk.

The relationship between the two strangers led down an odd path together is original, somewhat disturbing, and incredibly well paced and engaging. Without giving any of the actual plot away, understand that major plot devices center around both the construction of a stone wall, and a mammoth miniature model called the City of the World. Described in the novel, the City of the World "...is more than just a toy,' Flower said, 'it's an artistic vision of mankind. In one way, it's an autobiography, but in another way, it's what you might call a utopia - a place where the past and future come together, where good finally triumphs over evil...It's an imaginary place, but it's also realistic. Evil still exists, but the powers who rule over the city have figured out how to transform that evil back into good. Wisdom reigns here, but the struggle is nevertheless constant, and great vigilance is required of all the citizens - each of whom carries the entire city within himself.'"

The Music of Chance is a loopy, incredibly engaging novel that is an absolute joy to read, but try it for yourself. Pick up a copy! Another book I need to recommend -- completely unrelated to Auster, but very much on my mind since I purchased a "used" copy off Amazon is "The Losers' Club: Complete Restored Edition," a funny, highly entertaining little novel I can't stop thinking about.

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Most Recent Customer Reviews
1.0 out of 5 stars Terrible Writing, Boring, & Disturbing
The writing in this book defies every basic rule of decent, quality writing to the point it is distracting (at least for anyone who knows anything about writing). Read more
Published 4 months ago by H. Leigh
5.0 out of 5 stars Great Buy!
This book came in as I had expected it too be as well as on time! Very happy with this purchase!!
Published 6 months ago by Beth
5.0 out of 5 stars great book by Auster
this was the second book I read by Auster and couldn't stop reading it...
the plot is very interesting, fun and I noticed the absurdism and existentialism
elements which... Read more
Published 10 months ago by Gambit
5.0 out of 5 stars "He risks everything on the single blind turn of the card..."
I'm an immense fan of Paul Auster's writing. He is disquieting, edgy, and probes the deeper recesses of the reader's mind. Read more
Published 18 months ago by John P. Jones III
2.0 out of 5 stars Not a complete work from Mr. Auster
"The Music of Chance" feels like an incomplete book. Mr. Auster is not known for very lengthy works, and at 217 pages, TMOC is not unusually brief. Read more
Published on January 26, 2011 by D. Rodefeld
1.0 out of 5 stars Auster is not a writer.
This book got a snide, lukewarm review in the November 22, 2010 New Yorker magazine and probably deserved it. I looked at a book by Paul Auster once. It was garbage. Read more
Published on December 3, 2010 by James Ashley Shea
3.0 out of 5 stars Is this a social fable?
Having read almost all of Auster's novels, I find that their appeal often lies in the ideas they deal in rather than the plots, which are sometimes less than spectacular. Read more
Published on September 8, 2010 by reader 451
3.0 out of 5 stars DOWNBEAT
Easy to read and well written book.

At times I felt sympathetic to the characters and suddenly they did something that disturbed me and made them seem alien. Read more
Published on September 3, 2010 by Goodbye
5.0 out of 5 stars In my humble opinon, Austers finest book
It starts off fast,and hooks you from there. Our main character Nashe,picks up the "Ratso Rizzi" character Pozzi,and things take off from there, mostly in a southernly direction. Read more
Published on May 15, 2010 by Jack Z
5.0 out of 5 stars Concretizing the metaphor
A friend spoke to me once of "concretizing the metaphor" when trying to write evocative and symbolically pregnant prose. Read more
Published on September 29, 2009 by Muhammad Pyran Hewitt
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