From Publishers Weekly
In this slim and lyrical memoir, French writer Bouillier tells of the moment when he received a phone call in his Paris apartment in the fall of 1990 ("It was the day Michel Leiris died"). Bouillier was 30 years old and asleep in all his clothes, and it had been years since the unnamed woman on the other end of the line had left him "without a word... the way they abandon dogs when summer comes." Rather than calling to reconnect or explain, she called to invite him to a party, several weeks hence, at the artist Sophie Calle's apartment, where he was to serve as the "Mystery Guest." What Bouillier (his untranslated Rapport sur moi
won the Prix de Flore in 2002) makes of this simple setup is pure Gallic magic— a mix of hapless obsession, sophisticated abstraction, unearned righteousness and hyperarticulate self-doubt—as he tries to guess the woman's motivations and get a hold of his own feelings. The book's four short parts (beautifully rendered by Stein)—phone call, preparation, party and aftermath—are small miracles of Montaigne-like self-exploration. Reading as Bouillier moves through the light and dark of love, through its forms of "maniacal sublimation" and through its mystery, is arresting. (Sept.)
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This is a story about how one man rejoins the world of the living. Napping fully dressed one cold fall afternoon, our narrator is awakened^B by a phone call from a woman who left him without warning or reason two years before, driving him to emotional bleakness (and turtleneck sweaters). But she does not provide the answers he seeks--nothing in his life does, really--and she only wants to know if he will attend, as a special mystery guest, a birthday party for someone he does not know. There, he finds himself to be the (miserable and confused, yet somehow optimistic) centerpiece of an inscrutable piece of performance art by Sophie Calle. But as he walks home distraught through the streets of Paris, all the pieces fall into place and the fog is lifted. Increasingly one of France's leading literary wits, Boullier delivers an ostensibly autobiographical novella that is charmingly absurd, gently metafictional, and gloriously French. Highly recommended. Brendan DriscollCopyright © American Library Association. All rights reserved