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Summer Reading
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Ostensibly about the plight of an eventually orphaned young brother and sister entrusted with a small fortune, and the villanous "preacher" who knows that they know where this fortune is, my perspective is that the book is as much a character study as it is a thriller. The characters in question are many, and greatly varied, ranging from the doomed parents to the well-meaning neighbors to the miscreant preacher, but the 10 year-old boy, John, is the most intriguing of them all. In the course of four chapters and an epilogue, a boy's innocence is lost in the most heartbreaking ways imaginable, yet in some way it is also restored by the story's end. If one of the central components of good literature is character transformation, we witness some truly extraordinary and entirely believable character evolution in the boy John, and the effect on the reader is so naturally emotional that we are blind to the mechanics of the author's manipulation. For me, that is the hallmark of excellent story telling.
This was Davis Grubb's finest hour as a novelist, and in my opinion it is every bit as good as any other piece of "classic" American literature. I rank this small masterpiece alongside such literary milestones as "To Kill A Mockingbird" and "East of Eden."
Charles Laughton's movie based on this book was an interesting effort and well done, but if one hasn't read the unsentimental, un-varnished novel, then somewhere a potential reader is missing the juice. Like Laughton's screen effort the novel is indeed pregnant, but not at all unwieldly; rather, the book, slender as it is, is bursting with some of the best writing put to paper in any genre and is as good as anything ever written by the more prolific Masters.
Grubb's unpretentious style looms up from the pages like the reek of the bottom waters at river's edge. Subtle by turns, the terrifying game of hide-and-seek between light and shadow jumps at the most unexpected moments, just like the novel's villain with his knife.
Filled with archetypes and certainly many levels of meaning for interpretation by the reader, this is one novel one won't forget soon. It stalks memory and, personally, I find myself still returning to the book from time to time to savor a magnificently rendered mood, and a time, place and story that is as fresh and exciting now as it was almost half a century ago.
Writing true and honest profiles of such diverse characters, let alone children, is no easy thing, and Grubb's work is peopled with wholly believable characters who truly cast shadows, live and breathe, even in the periphery. This is part of the novel's triumph.
I cannot recommend Night of the Hunter too highly.
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